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Weaknesses: Defensively Tucker could stand to improve on his intensity … Doesn't seem to possess great anticipation skills nor the awareness to play the passing lanes … Ball handling, while improved, still isn't great … Perimeter shooting remains prone to streakiness … Not a great shooter coming off screens … Solid three point shooter when his feet are set but struggles to hit with regularity due in part to his slow release … Despite being a great athlete, Tucker rarely explodes off the dribble due to his average first step … Doesn't always use the mid-range jumper to his advantage, often he'll slash to the basket or shoot the three … From a position standpoint there is concern about what position he will play in the NBA … While blessed with athleticism, he may struggle to shoot consistently enough to play shooting guard and his height might be a detriment at small forward … While his game has progressed considerably over the past 5 years, one has to wonder how much more he can improve … Below average free throw shooting limits his ability to take full advantage of the contact he creates … BY Matthew Maurer

弱点：Tucker应坚持提高他在防守中的紧张程度。没有让大家看到令人期待的技能。边缘的投射仍然有些忧虑，犹豫。持球能力在提高，但仍然不是很好。。。三秒区也没意识到传球。在脱离掩护后不是名很好的射手。定点时稳定的3分射手。但他仍尽力使自己的得分更加稳定，有规律。很大程度是因为他的慢热。而且作为优秀的运动员，Tucker很少突然运球加速，因为他启动速度不是很快。。。他不总用他中距离跳投的优势，他经常slash to the basket或投射3分。。。他现在很担心忧虑自己将会在NBA中担任什么位置。。。当他有幸得到良好的运动热情，他可能去担当得分后卫而且他的身高不利于打SF。当他过去5年已经有了相当大的进步，人们都对他还有多大的提高空间感到疑问。他低于平均水准的罚球能力限制了他利用身体优势造对手犯规然后得分这种战术的实施。

It was in this cultural context that Dostoevsky formed his religious outlook which, based upon Eastern Orthodoxy, includes his dialectical perception of God, his contemplation of theodicy, his assertion of immanent divinity in man, and his idealization of a universal religion besides his reception of the main doctrine, all of which of course were absorbed into his personal experience and served as constraints to his poetic principles.

陀思妥耶夫斯基就是在这一语境中形成其宗教观的，这种宗教观以东正教为基础，但融入了他自身的特殊体验，除了对某些主要教义的接受之外，还包括对上帝的辩证体认、神正论思考、对人的内在神性的肯定、对普世宗教的乌托邦理想等，这些思想是构成其诗学原则的制约因素之一。

Brief and powerless is Man's life; on him and all his race the slow, sure doom falls pitiless and dark. Blind to good and evil, reckless of destruction, omnipotent matter rolls on its relentless way; for Man, condemned to-day to lose his dearest, to-morrow himself to pass through the gate of darkness, it remains only to cherish, ere yet the blow falls, the lofty thoughts that ennoble his little day; disdaining the coward terrors of the slave of Fate, to worship at the shrine that his own hands have built; undismayed by the empire of chance, to preserve a mind free from the wanton tyranny that rules his outward life; proudly defiant of the irresistible forces that tolerate, for a moment, his knowledge and his condemnation, to sustain alone, a weary but unyielding Atlas, the world that his own ideals have fashioned despite the trampling march of unconscious power.

人的生命是短暂而脆弱的，不可避免的死亡虽然缓慢，但一定会降临在每一个人身上，阴森而无情，这个全能的物质世界毫不容情地滚滚前行无视善恶，任意摧毁，对与人来说，注定今天要失去最亲爱的亲人朋友，明天自己也要通过黑暗的死亡之门，人的生命存在就在于死亡来袭之前，珍惜那些使他短暂的生命变得高贵的思想，鄙弃对命运的恐惧，对自建的圣坛顶礼膜拜，不受机缘的摆布，摆脱主宰他外部生活的粗暴统治而取得心灵的自由，敢于骄傲地向那些不可抗拒的压力挑战----这些压力对其认识和判断力不过是暂时的----他就像疲惫而不屈的擎天巨神，独自支撑着他自己的理想世界，对这种无意识力量的肆意践踏毫不理会。

Only bymuch searching and mining, are gold and diamonds obtained,and man can find every truth connected with his being, if he will dig deep into the mine of his soul; and that he is the maker of his character, the molder of his life, and the builder of his destiny, he may unerringly prove, if he will watch, control, and alter his thoughts, tracing their effects upon himself, upon others, and upon his life and circumstance, linking cause and effect by patient practice and investigation, and utilizing his every experience, even to the most trivial, everyday occurrence, as a means of obtaining that knowledge of himself which is understanding,wisdom, power.

杂谈 唯有通过大量的探寻和挖掘，才能得到金子和钻石。假如一个人向自己灵魂之矿的的深处挖掘，那么他就能了解到与自己息息相关的所有真理。他会知道自己是性格的创造者，生命的缔造者，也是自己命运的建造者。如果他想去观察、控制、转变自己的思想，追寻自己的思想对自己、对他人以及对自己的生活和环境的的影响，并耐心地实践和研究，把因与果结合起来，为了获得理解、智慧和权力等学问，运用自己的每一次经历——即使是最不足称道的、日常发生的小事，这样他就能得到证实。

I met Chery's son who called David at market, I asked him how often to visit his mum, he said that he hasn't seen his mum for long time even they live so close to each other and just next one suburb, I asked how come? he said that since he father and mother devoice, he lived with his mum first by court settlement, when he was turned to 18 years old, he moved to live with his father, he complain that his mum is so strict with him, he doesn't like his mum, his mum has a boyfriend now, when he expressed to his mum that he would like to come her house for visiting, but she rejected him, he was not happy, and felt their relationship is so cool.

我会见了奇瑞的儿子叫大卫，在市场，我问他如何经常去看望他的妈妈，他说他并没有见过自己的妈妈长的时间，甚至他们的住得很近和旁边的一个郊区，我问怎么他说，自从他的父亲和母亲离婚，他住他的妈妈第一次庭外和解时，他把18岁时，他搬到现场与他的父亲，他抱怨说，他妈妈是非常严格的他，不喜欢他的妈妈，他妈妈有一个男朋友，现在，当他表示，他的妈妈说，他要来她家探望，但她拒绝了他，他并不快乐，并认为他们的关系是那么酷。

As black beans or pulse come pattering down on to a threshing-floor from the broad winnowing-shovel, blown by shrill winds and shaken by the shovel- even so did the arrow glance off and recoil from the shield of Menelaus, who in his turn wounded the hand with which Helenus carried his bow; the spear went right through his hand and stuck in the bow itself, so that to his life he retreated under cover of his men, with his hand dragging by his side- for the spear weighed it down till Agenor drew it out and bound the hand carefully up in a woollen sling which his esquire had with him.

与此同时，阿特柔斯之子、啸吼战场的墨奈劳斯投枪击中赫勒诺斯，青铜的枪矛打穿紧握的拳手，握着油亮的弓杆，破毁了他的引械。为了保命，他退回自己的伴群，垂悬着伤手，拖着木的枪杆。心胸豪壮的阿格诺耳从他手里接过投枪，用编织紧细的羊毛包住伤口――助手携带的投石器具，为这位兵士的牧者。

Thus Satan talking to his neerest Mate With Head up-lift above the wave, and Eyes That sparkling blaz'd, his other Parts besides Prone on the Flood, extended long and large [ 195 ] Lay floating many a rood, in bulk as huge As whom the Fables name of monstrous size, Titanian, or Earth-born, that warr'd on Jove, Briareos or Typhon, whom the Den By ancient Tarsus held, or that Sea-beast [ 200 ] Leviathan, which God of all his works Created hugest that swim th' Ocean stream: Him haply slumbring on the Norway foam The Pilot of some small night-founder'd Skiff, Deeming some Island, oft, as Sea-men tell, [ 205 ] With fixed Anchor in his skaly rind Moors by his side under the Lee, while Night Invests the Sea, and wished Morn delayes: So stretcht out huge in length the Arch-fiend lay Chain'd on the burning Lake, nor ever thence [ 210 ] Had ris'n or heav'd his head, but that the will And high permission of all-ruling Heaven Left him at large to his own dark designs, That with reiterated crimes he might Heap on himself damnation, while he sought [ 215 ] Evil to others, and enrag'd might see How all his malice serv'd but to bring forth Infinite goodness, grace and mercy shewn On Man by him seduc't, but on himself Treble confusion, wrath and vengeance pour'd.

V2：撒但这样对他最亲近的伙伴说着，把他的头抬出火焰的波浪上面，两只眼睛，发射着炯炯的光芒，身体的其他部分平伏在火的洪流上，又长又大的肢体，平浮几十丈，体积之大，正象神话中的怪物，象那跟育芙作战的巨人泰坦，地母之子，或象百手巨人布赖利奥斯，或是古代那把守塔苏斯岩洞的百头神台芬，或者象那海兽列未坦，就是上帝所创造的一切能在大海洪波里游泳的生物中最巨大的怪物：据舟子们说，他有时在汹涌的挪威海面上打瞌睡，常有小舟夜航而遇险的时候，以为他是个岛屿，抛锚扎在他的鳞皮上，碇泊在他身旁的背风处，在黑夜的笼罩中等待姗姗来迟的黎明。大魔王就是这样横陈巨体，被锁在炎炎的火湖上面，既不能起立，也不能昂起头来，但由于那统治万汇的天神的意志和他的洪量，让他自由地得逞阴谋，他心想危害别人，却终于加重自己的罪行，刑上加刑，让他懊恼地看见自己一切的恶意怎样在他所引诱的人身上带来无穷的善意、恩惠和怜悯，而在他自己身上却招来了三倍的慌乱、惩罚和报复。

Early in 1995, in his "Desire" series where red and blue lines come in strong contrast with each other, Ma Yiping instinctively used his personal experience to drop a hint of the transcendence of life. From 1996 to 2001, his "Images" series established the development direction of his art, owing to its artistic expression_r_r of overloaded psychological priori images. In his works before or after 2003, dream-like symbolic images presented perplexed feeling of human beings about the universe and the physical world. In his "images" series in 2006, uncertain images stood on black cube-shaped objects and ambiguous edges pointed to various uncertain directions with the accompaniment of silver light and shadow. At this point, the intuitive perception of the essence of nature made his artistic style gradually take shape. In his later "fetish" series, in which he gradually became mature in spiritual and symbolic expression_r_rs, Ma Yiping fully grasped the eternal sense of the spiritual world.

在早期，1995年的《欲望》马一平用对比强烈的红色、蓝色层层涂盖、本能地运用自身感受以暗示的手法表达对生命的超越。1996-2001年以物象为主题的系列作品对超载心理先验物象的表达方式确定了他艺术作品的发展方向，2003年前后的作品中，梦一般的暗示性物体程现了生命本体对宇宙物理世界的茫然，在2006年的《物象》系列中，黑色的方体上不确定的物状、模糊的边缘在泛着银色光影的衬托下，泛生着各种不确定的指向感，此时对本质直观的感知性的把握使作品艺术风格基本形成，到后来的《神物》已经充分地把握了精神世界里的永恒感，画面中所能达到的精神性和神密暗示意义的表现手法已近成熟。

His knowledge of languages, the respect shown him by the French, the good-nature with which he gave away anything he was asked for (he received the allowance of three roubles a week, given to officers among the prisoners), the strength he showed in driving nails into the wall, the gentleness of his behaviour to his companions, and his capacity—which seemed to him mysterious—of sitting stockstill doing nothing and plunged in thought, all made him seem to the soldiers a rather mysterious creature of a higher order. The very peculiarities that in the society he had previously lived in had been a source of embarrassment, if not of annoyance—his strength, his disdain for the comforts of life, his absent-mindedness, his good-nature—here among these men gave him the prestige almost of a hero.

皮埃尔由于自己的语言知识，由于法国人对他表示的尊敬，由于他的耿直，由于他对别人向他提出的任何要求都是有求必应（他每星期可以领到三个卢布的军官津贴费）；由于他的力气（他表演给士兵们看他用手把一根铁针按进棚子里面的墙壁上），由于他对同伴们的态度是那样和蔼可亲，由于他那种看起来什么事情都不想和一动也不动的静坐的本领，他在士兵们的心目中是一个神秘莫测的、有高级本领的人物，——正是由于这样一些原故，正由于他的这些特性，他在以往他生活的那个上流社会中即使对他无害，也令他感到拘束，可是在这里，在这些人中间，他力大无比、他蔑视舒适安逸的生活、他对一切都漫不经心、他单纯——这一切使他获得了近乎是一位英雄的地位。

Upon the proposal of Lu Dongbin ,each of them uses his or her own skills and power to do it :Zhongli of Han with his palm-leaf fan, Li Tieguai his calabash containing elixir of life,Lu Dongbin his sword ,Zhang Guolao his paper donkey on which he sits backward, Lan Caihe his flowr basket, Han Xiangzi his jade flute, Royal Uncle Cao his jade tablet,and Immortal Woman He her lotus flower.

八仙过海的故事最早见于明吴元泰所著《上洞八仙传》：一次外出赴会，他们途经东海，见波涛汹涌，在吕洞宾的提议下众仙各施道法过海，汉钟离用巴蕉扇，李铁拐用装仙丹的大葫芦，吕洞宾用其宝剑，张果老倒骑着一匹纸驴，蓝采和提着花篮，韩湘子举着玉笛，曹国舅执枟板，何仙姑手擎荷花，一一逐浪而渡。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。