查询词典 Hindemith

Darius Milhaud and Paul Hindemith explored bitonality.

大流士米尧和兴德米特探索了多调性音乐的领域。

The main origins of its theoretical basis are Schoenberg's Monotonality, Bartok's Chromaticism and Hindemith's Tonal Centre.

其方法的理论基础主要来源于：勋伯格的单一调性理论、巴托克调式综合理论、兴德米特的调中心理论，这三种理论对中国近代和声技法中出现的调性、调式及调中心的和声现象具有重要的参考价值。

Stravinsky's rival for a time in neo-classicism was the German Paul Hindemith, who mixed spiky dissonance, polyphony and free ranging chromaticism into a style which was "useful".

而当时的经济状况也驱使作曲家们走向小型合奏的规模，因而这种「do more with less」的寻求得到了具体的实践。

Various works have been abelled "neo-baroque" for a focus on imitative polyphony, including the works of Giacinto Scelsi, Paul Hindemith, Paul Creston and Bohuslav Martin, even though they are not in the baroque style proper.

大量致力于模仿复调的作品已经被冠以新巴洛克的标签，其中包括Giacinto Scelsi， Paul Hindemith， Paul Creston 和 Bohuslav Martin的作品。即使他们的创作并没有遵守严格意义上的巴洛克风格。

Hindemith had later grown to be a fan of Beethoven and borrowed part of Beethoven's music into his own (e.g. in Symphonia serena he paraphrased the descant of the 1st 12 bars of Beethoven's March for the Bohemian Militia ). Their first "meet-up" session was in 1948, when Hindemith visited Beethoven memorial in Naples.

信德米特后来也成为贝贝的忠实粉丝，他的音乐中时而会有贝贝的痕迹，譬如在他的 Symphonia serena 他就整理并融入贝同学作品 March for the Bohemian Militia 迪斯康特的前12小节。

In the subject of "Musical interpretation", this Flute Sonata is influenced by Neoclassicism, so the performer should play in an objective and rational fashion. It is important that the performer should control the change of style of speed, dynamic and atmosphere. Because of the compact connection of motive material, it requires the flutist and pianist to have the privity of cooperation. All these issues make "Hindemith's Flute sonata" play an important role in the flute works of twenty century.

在「乐曲诠释」方面，受到新古典主义的影响，要以客观、理性的态度来演奏，其中以风格转换时的速度、力度及气氛的掌握最为重要，而主题素材在紧密的衔接之下，考验著长笛与钢琴相互配合的默契，这些特点使亨德密特《长笛奏鸣曲》在二十世纪的长笛作品中占有一席之地。

Maurice Ravel, Igor Stravinsky, Paul Hindemith, Sergei Prokofiev and Béla Bartók are usually listed as the most important composers in this mode, but also the prolific Darius Milhaud and his contemporary Francis Poulenc.

史特拉汶斯基、亨德密特、普罗高菲夫、巴尔托克等等一些人经常被当作这个潮流中重要的成员，另外，尚有多产作曲家米尧和同时期的浦朗克。

He didn't accept temporal twelve-tone music but composed with the technique what is called "Neoclassicism" which integrated baroque, classical and modern methods. This study "Hindemith's Flute sonata" is the work which influenced by this conception.

他不接受当时的十二音列音乐，而以综合巴洛克、古典时代及现代的手法，即所谓「新古典主义」的观念来创作，而本论文探讨的作品：亨德密特《长笛奏鸣曲》就是在此观念影响下的产物。

Apart from composing, Hindemith is also a great artist. Here he illustrated the musical work with colored pencil, drawing a lion for each entry of the subject of the fugues. And for each of the twelve, a different lion according to the character of the music, providing an instructive formal analysis of the music. The lions are really cute. Some are wearing pajamas and slippers and some plucking flowers.

除了作曲，欣德米特也特别好画画，画工得到当时文艺界公认，他的画风特别可爱，比如这个每个赋格曲的主题开端都画了一只小狮子，这些可爱的小狮子代表的正是他狮子座的妻子Gertrud Rottenberg，每一只狮子颜色都不一样，有的还穿着睡衣和拖鞋，每一只的表情和动作代表了这一小节所表达的心情。

Paul Hindemith（1895-1963）who was a composer, performer, conductor, and educator had unique thought and style of composing which brought new musical ideas in the twenty century.

摘要 身兼作曲家、演奏家、指挥家及教育家的保罗E亨德密特(Paul Hindemith， 1895-1963)，其独特的创作理念及风格，为二十世纪带来新的音乐观念。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。