查询词典 Here we come

And so we've come here today to dramatize a

这张支票将给我们以宝贵的自由和正义的保障。

And so we've come here today to dramatize a shameful condition.

今天我们在这里，就是要把这种骇人听闻的情况公诸于众。

And so we've come here today to dramatize a shameful condition .

所以，我们已经来到这里，今天的戏剧一个可耻的条件。

So we have come here today to dramatize a shameful condition.

所以，我们今天来到这里，要把这骇人听闻的情况公诸于众。

So we have come here today to dramatize an shameful condition.

所以，我们今天来到这里，要把这骇人听闻的情况公诸于众。

So we've come here today to dramatize a shameful condition.

但是，我们决不相信正义的银行会破产。

And so we've come here today to dramatize ...

今天我们在这里集会，就是要描述这些骇人听闻的情况。

So we have come here today to dramatize the shameful condition .

所以，我们今天到这里来，把这骇人听闻的事实公诸于众。

So we have come here today to dramatize a shame for condition.

这张支票将给我们以宝贵的自由和正义的保障。

So we have come here today to dramatize an a alling condition.

所以，我们今天来到这里，要把这骇人听闻的情况公诸于众。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。