查询词典 Heidegger

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海德格尔哲学思想中蕴含的神学思想及其哲学思想对现代神学的影响都构成了海德格尔与现代神学的关系，海德格尔与基督教的关系成为现代神学界甚至是整个思想界关心和研究的热点，人们逐渐看清楚了这个伟大的思想家思想中所蕴含的珍贵思想，他关于存在的思想更是影响了诸如布尔特曼在内的许多存在主义神学家，甚至是整个存在主义神学流派的建构进程，可以说，海德格尔神学思想以及其哲学思想对现代神学思想的影响都成为现代基督教研究的重要思想事件之一，马堡和弗莱堡的神学家都深受其思想影响，瑞士神学家奥特甚至提出以海德格尔哲学改建系统神学的提案，引致德语神学界的海德格尔哲学热和一场海德格尔哲学与神学关系的论争。

This research is based on the argument of the German philosopher Martin Heidegger's Dasein, temporality and everydayness, and Being-in-the-world which regards the building as the feature and justification of human existence. In the discussion of the preservation and rehabilitation of historical building in Taiwan, the exploration and application of Heidegger's theory helps to establish the foothold of existential of humanbeing in the building, and to sustain its historical significance in the modern society.

德国哲学家马丁海德格对存有日常生活中的时间性与在世界中存有的空间性的分析结构中，将建筑物视为人类存在的现象表徵，使得人类的存有获得解释，应用在台湾历史性建筑物保存与再利用的议题上，对建筑物在时间与空间上的探索人类在建筑物中的存在立足点，并了解到建筑物在现代社会中所肩负延续历史性的意义。

Becoming the guarder of being is to guarantee the living root of human being, so as to realize the poetically living on the earth. It shows that what Heidegger cared for was the interest of human being than that of the essence of substance. In this view, we have no reason to look Heidegger as the forerunner of environmental ethics, and the attempt to seek theoretically sustain in Heidegger's thinking concerning technology is impractical.

同时，我们也应认识到海德格尔并不从是美学的角度去分析艺术作品，他寄希望于艺术作品并不是要求人们都应效仿艺术家而行事，因为在他看来，艺术能够超越在场的东西，把在场与不在场结合起来，使人超越技术所带来的功利性的追求，重新回到"家"中。

Heidegger's analysis of art is complex and the logic of his argument difficult to discern.

Heidegger的艺术分析是复杂的，和他的辩论逻辑是很难去弄清。

In the last part of the article, through joining the situation of researching of Heidegger"s aesthetics in China, the writer has objected the value of Heidegger"s aesthetic theory in reseaching the ontology of aesthetics, the interfluent between Chinese aesthetics and the West aesthetics, building modern language aesthetics, building modern aesthetic culture in China and buiding modern Hermes.

在论文的结束语部分，结合海德格尔美学在中国的研究现状，笔者归纳了海氏美学理论在美的本质问题的探讨、中西美学交流、现代语言美学、中国当代审美文化建设和现代阐释学中的价值。

In analytic philosophy, the influence of Rorty's criticism of Heidegger is the greatest, but in general, it's difficult to realize the effective link and real dialogue with Heidegger's thought.

分析哲学的批评以罗蒂的影响为最大，但一般都难以实现与海德格尔思想的有效的沟通与真正的对话。

Derrida didn't make out that Heideger doesn't belong to the metaphysic tradition, and he didn't find Heidegger's language's nothingness and its hidden deep meaning, nor did he find the gamelike free nature in Heidegger's thought.

他没有看到海德格尔并不属于形而上学之传统，更没能发现海德格尔语言之无所隐藏的深意，以及海德格尔思想游戏般的自由本性。

Heidegger's discussion of the origin of the work of art indicts many of the standard Western conceptions from Plato (Chapter 1) to Kant (Chapter 5), for bypassing art's essential nature.

Heidegger的关於艺术工作的起源的争论挑战很多标准的西方观念从Plato到Kant，因为绕过艺术的本质。

Heidegger culturally misreads Zhuang Zi's poetic thought because of the heterogeneity between Chinese and Western cultures and the differences in academic ideals and academic personality. In this sense, there must be some differences between Heidegger's poetics and Zhuang Zi's poetic thought. But with the factual relationships and possible academic links between both and similarities between foundamental modes of thinking, general theoretical approches, major ways of thinking and basic ways of discoursing, most of the above-mentioned differences do not form obstacles to an effective exchange between Heidegger and Zhuang Zi, and on the contrary, form a 'hermeneutic distance'inciting a fresh dialogue and a fresh thought.

由于中西文化的异质性所带来的文化隔膜，再加之学术理念、学术个性的不同，海德格尔对庄子诗学思想也不可避免地存在着某些明显的&文化误读&（譬如，用《庄子·达生》篇&梓庆为〓&的故事去批评美学研究中&质料内容二分&的思维模式等等），海德格尔诗学与庄子诗学思想之间也不可避免地存在着一定程度的差异；但由于二者之间客观存在着的真实的事实联系与可能的学理联系，以及在根本的思维方式、总体的理论路向、主要的运思方法和基本的言说方式等方面的一致或接近，这些差别中的大多数并没有成为足以阻碍海德格尔与庄子进行有效交流的鸿沟；反倒成了引发新鲜对话、产生新鲜思考的&解释学的距离&。

A final aspect of Heidegger's account is its analysis of the role of both "creators" and "preservers" in the constitution of artworks.

Heidegger的叙述最后一个方面，是在艺术作品的组成它的&创造者&和&观赏者&的角色的分析。

By the time of its fall, most of the prisoners were writers who had written against the corruptions of the government.

到它被攻陷的时候，里面多数的犯人是写了反对政府贪污文章的作家。

The most obvious variation to ovum morphological character was that the color was changed from light green to sepiaceous in embryonic development, and all the ovums were almost hatched after 96h.

在胚胎发育过程中卵的形态特征最明显的变化是颜色从淡绿到深褐色，卵在发育96h后卵基本全部孵化。