查询词典 Gothic novel

Different schools of writers have extensive use of gothic technique or the gothic novel creation.

不同流派的作家都大量使用了哥特手法或者创作了哥特小说。

Xiao Qian pursue the fighting and the sociality in his novel creation, but the melancholy temperament of individual, the tragedy of novel content make Xiao Qian"s novel formed melancholy keynote in whole; lyrics in the art, the psychology distance of create aesthetic, the feelings of writing are controlled and objective, it make his novel write sober; construction the image of poetry and interweave with feeling, symbolism and the poetry of language make Xiao Qian"s novel formed poetry.

指出萧乾在创作中追求小说的社会性、战斗性与艺术性的和谐，由于个体的忧郁气质，小说内容的悲剧性使萧乾小说在整体上形成忧郁的基调；艺术上的抒情写意，创作审美的心理距离的运用，书写的情感节制，让萧乾的小说叙写上冷静客观；诗意意象的塑造，并与情感相交织，象征手法的运用以及语言的诗意质感使其小说具有诗意美。

When we study the 20~ century Chinese clan/family novel systematically, we will find that the novel text of the clan/family novel in the times of May Fourth Movement: the conflict relationship of father and son is a metaphor for our nation situation in the traditional feudal symbol order; adopts unity of oppositions in the narrative mode, rebellious son perspective and look-down perspective; in the clan/family novel text in the "seventeen years", the complot of father-son relationship covers great narrative of revolution history and comply to the narrative syntax of revolution-centered, versatile perspective and "look-up" perspective; for the clan/family novel writing, the explanation of the relationship between father and son imitated and overturn the historical narrative and set up imitation and ironic narrative mode, the perspective of "I" and observation.

对20世纪中国家族家庭小说进行系统全面的梳理，我们发现："五四"时期的家族家庭小说文本，父子关系的对立隐喻着传统封建象征秩序下的民族遭际，采用二元对立的叙事模式及家族逆子视角与"俯视"视点；"十七年"时期的家族家庭小说文本，父子关系的共谋谱写着宏大叙事遮蔽下的革命历史，恪守以阶级斗争为中心的叙事语法及全知全能视角与"仰视"视点：新时期以降的家族家庭小说创作，父子关系的解构书写着戏仿与颠覆的历史叙事，创立戏拟与反讽的叙事模式及第一人称"我"的视角与"平视"视点。

Charlotte Bronte"s novel jane Eyre come up to exceed novel"s tradition on the aspect of contene and form. The novel seems apparent and uniform, but it can display a multiplex world , it also turn into a classical in West literature. In every era, reachers discuss it from different view and different way. Generally, reachers focus on the heroine Jane Eyre, the novel becomes the model of monologue novel in the viewpoint , of Mikhail Bakhtin. Meanwhile, another character Bartha Mason turn into a recessive existence , in the grow up of feminism, Bartha Mason be concerned in some degree, but she is a foil in some views.

夏洛蒂·勃朗特的小说《简·爱》在内容和形式层面，都达到了对小说传统的超越与反叛，小说在一个看似统一的表层之下张扬着一个多元的世界，成为西方文学中的经典文本，历代对它的研究从不同的视角以不同的方式展开，不论做什么层面的解读，常将关注点聚焦于主人公简·爱，小说也成为巴赫金意义上的&独白型&小说的典范，而另一人物伯莎，成为隐性的存在，在女权主义的兴起中，伯莎得到一定关注，但依旧被作为简·爱的陪衬。

The dissertation analyzes three key words which dominate Williams's novel studies: the concept of the novel, the knowable community and a new realism, and it comparatively studies Williams's English Novel from Dickens to Lawrence (1970) with Leavis's The Great Tradition (1948) and Eagleton's The English Novel (2005), which prove that his novel studies is also culturalist.

本文从分析他的小说研究的三个关键词(小说的概念、可知群体和新现实主义)和对比(来源：d888A88BC论文网www.abclunwen.com)威廉斯与利维斯和伊格尔顿三者小说研究的异与同，加以论证。

Photo Gallery: France's Gothic Revolution Tallest nave in a French Gothic cathedral, the vaults of Amiens rise 139 feet [42 meters].

高殿在一家法国的哥特式教堂，拱顶亚眠崛起139英尺[ 42米]。

The museum of the archbishopric of Cologne combines multiple levels of history - the ruins of the Gothic church of St. Kolumba, destroyed during World War II, a chapel built in 1950 to enclose a late-Gothic statue of the Virgin that survived the war, an archeological excavation conducted in the 1970s that discovered Roman and Medieval remains.

博物馆科隆大主教多层次相结合的历史-废墟中的哥特式教堂圣Kolumba ，销毁二战期间，一个小教堂建于1950年附上晚期哥特式雕像的美属维尔京说，幸存的战争，一个考古挖掘中发现了上世纪70年代古罗马和中世纪遗迹。

Gutniska'' shows a number of similarities with Gothic which are not shared by other Old Norse dialects: lack of a-umlaut in short high vowels ( e.g.''fulk'': Old Icelandic ''folk''), lowering of '' u '' to '' o '' before '' r ''( e.g.''bort''), the use of '' lamb '' with the sense "sheep", the appearance in both of an early Germanic loanword from Latin ''lucerna''( Gothic ''lukarn'', Old Gutnish ''lukarr''), and, arguably, the preservation of the Proto-Germanic diphthongs *''ai'' and *''au''.

Gutniska''和哥德语有著许多不见於其他古诺斯语方言的相似处，如在高短母音里不具有 a 变音(如''fulk''这个字与古冰岛语的''folk''的对比)、在'' r ''前面'' u ''到'' o ''的低音化、以「羔羊」的字来指代「绵羊」、早期日耳曼语的拉丁语借词''lucerna''(哥德语''lukarn''、古顾特语''lukarr'')的从在，以及具争议性的一条，也就是原始日耳曼语双母音*''ai''和*''au''的存留。

A close look at the "fear/sublime-mongering" conventions of Radcliffean Gothic romance shows that, although Radcliffe consciously subscribes to the contemporary Deist belief, and her characters are often described as aspiring "beyond the awful veil that obscures the features of the Deity", this Deity is indeed obscured in her Gothic text: The mysterious Supreme Being is forever fading away in the repeated assertion and regression of the veil.

通过分析拉氏哥特传奇中制造恐惧和崇高的套路，本文认为，尽管拉德克利夫的崇高描述与18世纪的自然神论观点常有相似之处，她笔下的主人公不时被崇高自然所震慑，似乎要穿越一层肃穆的帷幕去企及隐藏在幕后的上帝，然而小说中帷幕之后的这个终极存在的面目却始终十分含混，所谓上帝只是在不断重复、不断被声张却又不断后退的帷幕中逐渐隐去。

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More direct, directer ; most direct, directest

径直的，笔直的

Do you know how to use a chain saw?

你知道如何使用链锯吗？