查询词典 Gothic

Pugin, Ruskin, and Viollet-le-Duc are representative of the Gothic Revivalism theorists who gave impetus to the Gothic Revival by their work. A review of the literature shows that the superiority of the Gothic Style derived from different kinds of interpretation, such as religious spirit, social reform, esthetic taste, practical function, economic considerations, and construction technology. These interpretations originated in different kinds of values. The main reason why these theorists promoted the revival of the Gothic Style came from personal factors. Their differences in personal values illustrated that the Gothic Revival was the result of various motive forces which gathered together.

普金、罗斯金以及维奥列-勒-杜克(Viollet-le-Duc)三位建筑理论家是十九世纪推动哥德复古的主要代表人物，三者均利用个人的著作传达他们对哥德样式的支持，根据相关文献的探讨，哥德样式的优越性来自於个人的诠释观点，具有代表性的包括：精神信仰、社会改革、美学品味、实用机能、经济考量与工程技术，不同的诠释方式来自於不同的价值观，这说明了理论家鼓吹哥德样式的主要因素是来自於个人因素，个人价值观的差异性也说明了哥德复古邉拥漠a生是各种推动力量汇集折冲的结果。

Pugin considered that the meaning of the Gothic Style is religious symbolization. Ruskin considered that the meaning of the Gothic Style is a perfect combination of beauty and human nature. Viollet-le-Duc considered that the meaning of the Gothic Style is the rationality of construction technology.

藉由个人论述的拆解，三位理论家的观点异同顿时浮现，普金认为哥德样式的内涵在於宗教的象徵意义，罗斯金则认为哥德样式的内涵是美感与人性精神的完美结合，维奥列-勒-杜克则强调哥德样式的内涵在於构造技术的合理性。

From the angle of "British Gothic novel tradition", based on the examples of classicGothic novels such as The Mysteries of Udolpho, The Italian, The Monk, this articleaims to summarize the essential elements of Gothic novels in the aspects of scene,plot, theme and character, so to establish a new view and interpretation of the"children's novel"Harry Potter. It also analyses the novel's role in inheriting andinnovating Gothic novels'traditions and values, and the cultural significance of itsoverwhelming popularity at the beginning of the new millennium.

本文选取&英国哥特体小说传统&这一角度，以被誉为哥特小说经典之作的《奥多芙的神秘》、《意大利人》、《僧侣》为例，总结了英国传统哥特小说在场景、情节、主题和人物等方面的要素，并由此重新解读惯常被称为&儿童小说&的《哈利·波特》，分析它对哥特小说传统的继承和在新时代背景下的创新，以及其在世纪之交风靡全球的文化意义。

Although the gothic novel in Britain and prosperity, but the 1920s, the gothic novel development center seems to move to America In the 20th century, the gothic novel in America than in Britain more prosperity.

尽管哥特小说在英国产生和繁荣，但19世纪20年代以后，哥特小说发展的中心似乎移到了美国在20世纪，哥特小说在美国比在英国更为繁荣。

Photo Gallery: France's Gothic Revolution Tallest nave in a French Gothic cathedral, the vaults of Amiens rise 139 feet [42 meters].

高殿在一家法国的哥特式教堂，拱顶亚眠崛起139英尺[ 42米]。

The museum of the archbishopric of Cologne combines multiple levels of history - the ruins of the Gothic church of St. Kolumba, destroyed during World War II, a chapel built in 1950 to enclose a late-Gothic statue of the Virgin that survived the war, an archeological excavation conducted in the 1970s that discovered Roman and Medieval remains.

博物馆科隆大主教多层次相结合的历史-废墟中的哥特式教堂圣Kolumba ，销毁二战期间，一个小教堂建于1950年附上晚期哥特式雕像的美属维尔京说，幸存的战争，一个考古挖掘中发现了上世纪70年代古罗马和中世纪遗迹。

Gutniska'' shows a number of similarities with Gothic which are not shared by other Old Norse dialects: lack of a-umlaut in short high vowels ( e.g.''fulk'': Old Icelandic ''folk''), lowering of '' u '' to '' o '' before '' r ''( e.g.''bort''), the use of '' lamb '' with the sense "sheep", the appearance in both of an early Germanic loanword from Latin ''lucerna''( Gothic ''lukarn'', Old Gutnish ''lukarr''), and, arguably, the preservation of the Proto-Germanic diphthongs *''ai'' and *''au''.

Gutniska''和哥德语有著许多不见於其他古诺斯语方言的相似处，如在高短母音里不具有 a 变音(如''fulk''这个字与古冰岛语的''folk''的对比)、在'' r ''前面'' u ''到'' o ''的低音化、以「羔羊」的字来指代「绵羊」、早期日耳曼语的拉丁语借词''lucerna''(哥德语''lukarn''、古顾特语''lukarr'')的从在，以及具争议性的一条，也就是原始日耳曼语双母音*''ai''和*''au''的存留。

A close look at the "fear/sublime-mongering" conventions of Radcliffean Gothic romance shows that, although Radcliffe consciously subscribes to the contemporary Deist belief, and her characters are often described as aspiring "beyond the awful veil that obscures the features of the Deity", this Deity is indeed obscured in her Gothic text: The mysterious Supreme Being is forever fading away in the repeated assertion and regression of the veil.

通过分析拉氏哥特传奇中制造恐惧和崇高的套路，本文认为，尽管拉德克利夫的崇高描述与18世纪的自然神论观点常有相似之处，她笔下的主人公不时被崇高自然所震慑，似乎要穿越一层肃穆的帷幕去企及隐藏在幕后的上帝，然而小说中帷幕之后的这个终极存在的面目却始终十分含混，所谓上帝只是在不断重复、不断被声张却又不断后退的帷幕中逐渐隐去。

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雅典卫城导热油；称谓标志导热油；冠军哥特式导热油；克莱斯勒导热油，犹他州导热油，迪多导热油，埃姆克导热油，恋物癖第338号导热油，塔导热油，世界街头导热油；世界街头圆导热油；手取消导热油；历史导热油；赫夫勒文本导热油；赫夫勒字幕导热油；淘汰赛系列A至G导热油；利维坦导热油，水星导热油；数；国宾简明导热油；安魂曲解锁导热油；萨拉森导热油；施奈德勒字幕导热油；今天挪威国家石油公司，出版社导热油；惠特尼导热油；惠特尼指数导热油；惠特尼数字导热油； Woodtype仿古XXXCond导热油； Woodtype哥特式扩展导热油； Ziggurat的导热油

Putting in comparison the life of this leading novels author, J. R. R Tolkien along with the milieu of the creation of the trilogy as well as its plots and the characterization and the counterparts of Gothic novels, we can find evident similarities between them and the plain impact on the novel from Gothicism. It is within the framework of Gothicism that the novel presents the persistent religious issues and technophobia that most Gothic novels lay bare.

通过对小说原著作者托尔金的生活背景，以及小说的创作背景和小说中情节和人物的分析，可以看出指环王系列小说的创作背景与哥特小说的背景有明显的相似处，而小说本身也受到传统哥特风格的影响，并且在这个风格框架下，小说继续体现了典型的哥特小说中的宗教问题和对现代技术的恐惧。

More direct, directer ; most direct, directest

径直的，笔直的

Do you know how to use a chain saw?

你知道如何使用链锯吗？