查询词典 Giles

House into the shell of Giles Gilbert Scott's heroic Bankside Power Station, the Tate Gallery has a new home for part of its collection that will act as an exciting stimulus for artistic creativity and urban revitalization.

泰特现代艺术博物馆自从扩迁驻入原由斯科特设计的伟岸的河岸电厂内后，不仅使近现代的国际艺术品有了新的栖身之所，而且改建后的泰特现代所吸引的如潮的人流，极好地证明了其无论对于艺术创造、或城市更新运动而言，都是一项令人兴奋的尝试。

In transforming Sir Giles Gilbert Scott's Bankside Power Station into a pristine space for contemporary art, Swiss architects Herzog and de Meuron lit a match that kindled a British love affair with modern art.

泰特现代由一座旧电站改建，重新赋予它生命的瑞典建筑师 Herzog 和 de Meuron 借此点燃了英国民众对现代艺术的热情。

To his delight,his old Chathamschoolmaster,William Giles,sent him a snuff-boxinscribed t0'The Inimitable Boz',a phrase heimmediately adopted as his favourite description ofhimself.

他们付给狄更斯2，000多英镑，这个数目超过了他们起先打算付的数额。

He co-edited 'Restructuring the Chinese City: Changing Society, Economy and Space', Routledge, London and GeoDynamics, CRC press, New York (with Peter Atkinson, Giles Foody, and Steven Darby).

还与 Laurence Ma合著了《中国城市重建：社会、经济与空间的变革》，与Peter Atkinson， Giles Foody， Steven Darby合著《地球动力学》。

With the support of a major research grant of Zhejiang Province (No. 001101027) and the Plan of Promoting Education of Excellence of Zhejiang University in the 21st Century, this dissertation is devoted to address the above problems and fabricate an L-band EDFA with low cost, high performance and technological innovation.First the mechanism of an erbium doped fiber amplifier is introduced. Various theoretical models based on classical rate propagation equations are summarized and compared for their applications. We use a modified numerical model based on the Giles model, which agrees with the experimental results well. This serves as the theoretical base for the whole thesis and will be used to optimize the characteristics of EDFAs. A novel method based on a map of noise figure and gain is proposed to analyze efficiently the dependence of the noise figure and gain for EDFAs on the EDF length and the pump power. The characteristics of various EDFAs are studied and compared.Secondly, some important parameters are introduced to describe the characteristics of EDFAs. The methods and the experimental setups for measuring the gain and noise figure of an EDFA are emphasized. We introduce how to measure the characteristics of each component of an EDFA, especially the gain and absorption coefficient of an erbium doped fiber.Thirdly, four types of simple and novel L-band EDFA structures with low noise, high gain and low gain ripple are proposed to satisfy the requirement of a DWDM system. They can be classified into two categories. In the first category, a single ASE pumping is served asa secondary pump. This category includes the following three types. Type: a new construction using a fiber Bragg grating in an unpumped EDF section at the input side. Type: a new structure of L-Band EDFA with two-stage pumps, which utilizes the forward ASE as a second pump.

本论文本着科技创新、服务于生产实践的精神，以设计价格低廉，性能优越、结构合理简单的L-band EDFA为目标，依托浙江省科技厅重大科学基金资助项目(001101027)和浙江大学振兴教育计划资助的全光网络的搭建—《光通信技术》课程实验建设项目，展开了如下工作：首先，介绍了掺铒光纤放大器的工作原理，归纳总结了基于速率方程基础的EDFA的各种理论模型，分析比较了各个模型的特点和适用场合，最终选择完善的Giles理论模型作为本论文分析设计EDFA的理论基础；针对实际实验条件提出了修正的EDFA模型的数值计算方法；创新地提出了增益—噪声系数全局分析法，直观有效地分析了EDFA的增益和噪声系数与掺铒光纤长度和泵浦功率的依赖关系，并对各种EDFA的性能作了全面的比较；第二，介绍了掺铒光纤放大器特性参数的定义与测量方法，重点介绍了噪声系数和增益系数的测量方法及实验装置；介绍了组成掺铒光纤放大器各组件的特性测量方法，重点介绍了测量掺铒光纤参数的方法和实验装置；第三，针对WDM系统对L-band EDFA谱平坦、低噪声、高增益的要求，我们创新地提出了四种不同的L-band EDFA结构，按设计思路可以分为两大类：一类是基于单抽运二级泵浦法，这一类包括在未泵浦掺铒光纤的输入端插入一根布拉格光纤光栅的两段L-band的EDFA的新结构；基于前向ASE光作为二级泵浦源推动下一级EDF工作的泵浦分配、两段级联L-band的EDFA的新结构；基于单根光纤光栅、泵浦分配、两段级联的EDFA；另一类则是基于同时应用前后向C-band ASE作二级泵浦源的双抽运法，如基于前后向ASE光作为二级泵浦源的三段级联L-band的EDFA的新结构。

REPORTER: Yes, Ashray Giles who finished that series in England with 10 wickets as England regain the Ashes. But Giles played in just 4 more test matches before hip injury forced him to announce his retirement from the game 6 weeks ago.

记者：是的，阿斯瑞·吉尔在英国已经连续取得了10门，又使英国赢得了灰烬杯的胜利。6周前，吉尔刚又打完四场练习赛，大腿就损伤了，这使他被迫宣布离役。

Giles Tully is a British producer/singer/songwriter who's instruments include saxophone, clarinet, flute, keyboards, bass, decks and computers.

Giles Tully是一位英国的音乐制作人，歌曲作者以及歌手。他最拿手的乐器包括萨克斯，单簧管，长笛，键盘，贝斯，唱机还有电脑。

Giles Tully is a British producer/singer/songwriter who's instruments include saxophone, clarinet, flute, keyboards, bass, decks and computers.

Giles Tully是一位英国的音乐制作人，歌曲作者以及歌手。

So taking bread and a flask of wine, he went his way, and with great difficulty arrived at the church, where he found Brother Giles and his companion most devoutly absorbed in prayer; but so wasted were they with hunger that they looked rather like dead men than living; and he had great compassion for them, and having warmed and comforted them he returned and told his neighbours of the extremity and necessity of these friars, praying and exhorting them, for the love of God, to provide for their needs.

所以，他拿了一些面包和一瓶酒，上路了，克服很多艰难后，终于来到了这个教堂，在那里，他发现Giles和他的同伴看上去快要死了；他很同情他们，给与他们安慰和温暖以后，他回去了，并且把这些修士的苦境和需求告诉他的邻舍，恳求并且忠告他们为了上帝的爱，给这些修士提供必需品。

The literal, free and zero translation, thinking that translation is more than the mere exchange of words, but also a process that always has its preconditions of cultural background, and all strategies and skills are conditioned by social and cultural factors. By comparison between the original and target contexts, especially the criticism of the misunderstandings and mistranslations in Giles'version, we can see that it is hard to convey the original content as well as style to translate word for word or to deviate from the original.

在对《孙子兵法》和Giles英译本的对比分析及其历时研究的基础之上，尤其是针对该译本中存在的误读误译问题及其原因，作者指出完全按照字面直译和彻底脱离原文的意译都难以传达原作的风格与内容；相对而言，直译甚至零翻译可以比意译更有效地体现和传递源文化，尽管可能不如意译那样通顺。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。