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Gauguin相关的网络例句

查询词典 Gauguin

与 Gauguin 相关的网络例句 [注:此内容来源于网络,仅供参考]

Gauguin's paintings are more symbolic allegorical and decorative lines and colors.

高更的画多具有象征性的寓意和装饰性的线条和色彩。

He spent a particularly prolific and successful year in Arles, France; in October 1888, his friend and fellow painter Paul Gauguin joined him there.

他在法国阿尔勒德一年期间,也是他作品多产的一年。1888年10月,他的朋友也是同事的画家保罗。

It is more likely that, after stowing his bags, Gauguin might have taken a walk through Arles as I love to do it myself.

也许,当高更收拾好他的行囊之后,他会像我一样,孤身徒步漫游整个亚尔列斯。

Therefore Dai Shenghong's painting language has no predefined metaphors. Her direct narration transforms meaningful realistic scenario into simple image patterns "awkwardly" presented on the canvas. The painting style also goes hand in hand with the subject. In the reverberant sounds achieved by the rich and greasy black color, and forceful clumsy strokes by scrapers and brushes, these simple graphic elements break loose from academic style, and the early post-impressionism represented by Van Gogh and Gauguin vaguely emerges from behind.

因而,代生红的图像语言没有隐喻的"设定",其通过直叙,将触动自身生活的现实情景转化为朴拙的图式,表露于画布,而其画风更是与主题相得益彰,在稚拙有力的刮刀、笔触与腻黑、饱满的色彩融合下,这些质朴的绘图语素,竟游离出了所谓学院的手法和派头,隐约浮现出早期后印象主义如梵高与高更的格调。

Almost all of the artists known to us, including Dürer of Renaissance, Rafeal, Holbein and Bruegel of 16th century, Rembrandt of 17th century, Goya of 18th century, Delacroix, Daumier, Gauguin and Munch of 19th century, Paul Klee, Picasso, Matisse, Brac, Rouault of 20th century, as well as some famous painters in modern period, have ever created some print paintings.

像大家都熟知的文艺复兴时期的丢勒、十六世纪的拉斐尔、贺尔拜因、布鲁盖尔、十七世纪的伦勃朗、十八世纪的戈雅、十九世纪的德拉克洛瓦、杜米埃、劳特莱克、高更、孟克、二十世纪的保尔·克利、毕加索、马蒂斯、布拉克、鲁奥……以及至近代的许多知名画家几乎没有不从事版画创作的。

Tools and glazes to me. Emulating Renoir, Gauguin and Degas. That's the state-of

留了给我。画雷诺瓦,画高更,画杜卡,那才是上乘珐琅工艺!

Later, building on the work of Cézanne and Gauguin, he and Andre Derain developed Fauvism, a much freer and more expressive style of painting which was in fact the forerunner of Expressionism.

之后,在塞尚和高更的基础上,他和德朗一起研究野兽派。野兽派的画法更为自由,画风更富表现力,事实上它可成为表现主义的先驱。

The armchair he painted for Gauguin is more substantial, with a gaslight behind it creating a mysterious, nocturnal effect.

另一副,是为高更所备的,却是充实的,更为细腻,背景中的煤灯光下,带来一种夜的,幻曲般的神秘感。

The first known drawings by Gauguin dated 1871, when he was in his late twenties. In the broker's agency Gauguin met and befriended Claude-Emile Schuffenecker (1851-1934), a shy clerk, who shared Gauguin's interest in painting, they both started to study painting at the Colarossi Academy, worked together en plein-air and in the Louvre and met Parisian artists.

人们知道关於高更的第一幅画作应该是在1871年完成的,应该是在他二十几岁的晚期,当高更在经营经纪人业务时,高更认识了一个羞怯的办事员Claude-Emile Schuffenecker(1851-1934),并且跟他当起了朋友,他会和高更一起分享绘画的兴趣和爱好,他们更一起进Colarossi学院一起研究美术绘画,一起研究外光派的画法一起去拜访一些巴黎的画家。

He moved to Paris in 1886, living with his devoted brother, Theo, who as a dealer introduced him to artists like Gauguin, Pissarro, Seurat and Toulouse-Lautrec.

他在1886年移居巴黎,他用弟弟同住,西奥,为交易者介绍他像Gauguin艺术家、橙色、梵高、劳特累。

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