查询词典 Gabriel

The CD cover of my first Gabriel Faure piano album is a scenery oil painting of Renoir.

作品描述：我的第一张福雷钢琴曲集的CD封套是一幅雷诺阿的风景油画。

Gabriel·Faure(1845-1924)is an important French composer between 19th and 20th .

加布里埃尔·福雷是法国19世纪末20世纪初重要的作曲家。

Gabriel Faure was deeply touched by Victor-Marie Hugo's poetry, and decided to creative his famous song 《Dream of love》: If there is a charming lawn, irrigated by the nature, and there are flowers in all seasons, there, people can pick up lilies, honeysuckles and jasmines, I will pave a path with these flowers, where you can step on it.......This leads to his philosophy: a man, full of love with his heart, will be blessed by the God, will feel happy forever.

作品描述：雨果的诗深深地打动了福雷去创作他的著名的艺术歌曲《爱之梦》："假如有一片迷人的草地，天灌溉着它，在那里所有的季节都开着鲜花，在那里人们可以采下满捧百合花、金银花和茉莉花，我愿用这些花铺一条路，在那里你的脚可以踩踏……"从而引出他的哲理：一个充满爱心的的人会得到上帝的祝福，永远快乐。

In the 19th century ending French composers, the Saint-Saens 's piano music inherited the classical style, melts into French's skillful wisdom and humorous, the disposition and the clear form which teases, has formed his unique piano music style. His music influenced afterwards French composer Gabriel Faure and Maurice Ravel.

作为十九世纪末的一位法国作曲家，圣桑的钢琴音乐在继承了古典乐派的创作风格之后，融入了法国人的巧智与幽默，戏谑的性格与清晰的形式，形成了他独特的的钢琴音乐风格，并极大的影响了后来的福雷与拉威尔的音乐创作。

Gabriel: No, I need you. I need your help.

不，我需要你，我需要你的帮助。

Gabriel: I can't do that.

我不能那么做。

Gabriel: You have to believe me. I would if I could, B...

你必须相信，我要是可以我会还钱的，但。。。

Gabriel: Is that what you think is going on?

你是认为发生了这样的事吗？

Can you show me the way to Gabriel's house?

你能告诉我去加布里埃尔家的路吗？

Gabriel: I'm not. My husband is.

我不是。我丈夫是。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。