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Francis Bacon相关的网络例句

查询词典 Francis Bacon

与 Francis Bacon 相关的网络例句 [注:此内容来源于网络,仅供参考]

Shakespeare died almost four hundred years ago but there are still a few people who believe Francis Bacon or somebody else was the ghost writer who really wrote all the plays which have Shakespeare's name on them.

莎士比亚大约四百年前就去世了,可是到如今仍然有些人认为莎士比亚的剧本实际上不是他自己写的,而是由弗朗西斯·培根或其他什么人替他写的。

"Shakespeare died almost four hundred years ago but there are still a few people who believe Francis Bacon or somebody else was the ghost writer who really wrote all the plays which have shakespeare's name on them."

这句话的意思是:&莎士比亚大约四百年前就去世了,可是到如今仍然有些人认为莎士比亚的剧本实际上不是他自己写的,而是由弗朗西斯·培根或其他什么人替他写的。&

"Shakespeare died almost four hundred years ago but there are still a few people who believe Francis Bacon or somebody else was the ghost writer who really wrote all the plays which have shakespeare's name on them."

有些人指责一些著名作家,说他们的作品实际上是由黑笔杆替他们写的,是黑笔杆使他们成名的,甚至还有人这样指责世界闻名的莎士比亚。请听下面这句话

"Shakespeare died almost four hundred years ago but thereare still a few people who believe Francis Bacon or somebody else wasthe ghost writer who really wrote all the plays which have shakespeare's name on them."

这句话的意思是:&莎士比亚大约四百年前就去世了,可是到如今仍然有些人认为莎士比亚的剧本实际上不是他自己写的,而是由弗朗西斯·培根或其他什么人替他写的。&

Such a doctrine had an important influence on the development of physical science in the late sixteenth and seventeenth centuries, being influential in the thinking of Pierre de la Ramee, Bernard Palissy, and Ambroise Pare in France; Francis Bacon, Robert Boyle, and Isaac Newton in England; and other early physical scientists.

这种理论产生了重要影响,对发展体育科学在晚16和17世纪,作为有影响力的思想皮埃尔德香格里拉苎麻,伯纳德帕利西, ambroise汇率在法国;培根,罗伯特贝尔,以及牛顿在英格兰和其它早期的物理科学家。

The fury and cruelty of this battle is quite revealed in the figure's complexion and body, or we say that to create these faces and bodies, Yin retrospected the genealogy from Goya to Francis Bacon, including many expressionists, such as Van Gogh, Munck, Oskar Kokoschka. All these artists painted 'anxious people', their brush touches looked intense and sensitive, their paints gave a horrible sense of solidity. The faces and bodies they painted are distorted and twitched under the burden of mental nightmare, so the organs are deformed, or even blurred; in 'Myth', the mental nightmare is incarnated as a stone, a battle between man and stones. Therefore, the deformed and distorted bodies look more vivid, when man strives to raise up a stone, all his muscles and expression are in an intense condition.

这种搏斗的激烈与残酷也充分表露画中人的表情和肌体之中,不妨说,在对这些面孔和身躯的塑造中,尹朝阳回顾了一个从戈雅到弗朗西斯·培根的谱系,其中应该包括了众多的表现主义者们,例如凡高、蒙克、奥斯卡·科柯施卡,所有这些画家都绘制了&焦虑的人&,他们的笔触显得激烈而敏感,颜料有一种可怕的实体感,他们所绘制的人物面孔和身躯,都具有精神梦魇的重负之下引发出的扭曲和抽搐感,器官因此而变形,甚至模糊不清;在《神话》之中,精神梦魇具化成了石头,具化成了人与石头之间的搏斗,人体的扭曲和变形的理由因此来得更为具体,当人奋力地举起一块石头时,他全身的肌肉和表情都自然地处在极度紧张的状态之中。

In order to relieve these social pressures, Sir Thomas More brings up the first colonial imagination and then, Richard Hakluyt and Francis Bacon propose ideas about exploring westward and setting up oceanic empire.

托马斯·莫尔等有识之士为解决英国社会所面临的流浪、失业、贫困、社会动荡等问题,提出了向外移民、开辟殖民地的最初设想。16世纪中后期,英国人的海上力量逐渐增强,海外殖民活动进一步发展,包括理查德·哈克路伊特、弗朗西斯·培根在内的一大批殖民思想家提出了向西开拓贸易场所、建立帝国的殖民主张。

These writers are William Shakespeare, George Gordon Byron, Francis Bacon, Robert Louis Stevenson, Johann Wofgang Goethe, Johann Christoph Friedrich Schiller, Friedrich Hebbel, Leo Tolstoy.

这些传记材料因其很少有人提及,并蕴含着王氏相当丰富的美学思想,而具有重要的历史文献价值和开拓性的学术价值。

One could point to examples in the works of Hieronymus Bosch (late fifteenth/early sixteenth century), Hogarth and Goya, Henry Fuseli and William Blake, and Francis Bacon, which have a prophetic undertone in their visions of conflict, torment, and the sinful nature of human extravagance and excess.

可以参照的例子比如希罗尼穆斯·博斯(15世纪末16世纪初)、贺加斯、戈雅(皆18世纪)、亨利·傅斯理、威廉·布莱克(19世纪)及弗朗西斯·培根(20世纪)──他们的作品呈现出的人性极端与放纵的矛盾、苦难与罪恶,具有一种预言般的隐性基调。

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