查询词典 Flagstad
- 与 Flagstad 相关的网络例句 [注:此内容来源于网络,仅供参考]
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In 1941, Flagstad returned to Norway to be with her husband, which led to rumors that she was a Nazi sympathizer. However, the only appearances she made outside of Norway were in Switzerland.
1913年,弗拉斯达德在奥斯陆挪威国家歌剧院首次登台,出演阿尔伯特的歌剧《低地》中的奴利一角,表现平平,没有引起人们的注意。
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In two performances of Die Walküre, audiences in the War Memorial Opera House heard Flagstad as Brünnhilde and Lotte Lehmann as Sieglinde, with Fritz Reiner conducting, Lauritz Melchior as Siegmund, Emanuel List as Hunding, and Friedrich Schorr as Wotan.
于是乎在歌剧《女武神》的第二幕演出中,在旧金山著名的战争纪念剧院里,观众们听到了前所未有的巨大威武却又美妙无比的声音之艺术,其中就有我们的顶级瓦格纳女高音弗拉格丝塔特小姐所饰演的拿手好戏——主角"布伦希尔德"以及另一位超级瓦格纳女高音劳特莱曼小姐所饰演的"齐格琳德"一角,在匈牙利著名指挥大师弗朗兹莱纳的杰出指挥棒下,还有名伶大师的加盟呢:那就是歌唱大师劳瑞兹梅尔乔所饰演的"齐格蒙德",埃曼努尔里斯特所饰演的"洪丁"以及大师弗里德里希肖尔所饰演的"沃坦":这样那令人叹为观止的舞台表现和戏剧效果是不是活灵活现的呈现在你眼前了呢?
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In two performances of Die Walküre, audiences in the War Memorial Opera House heard Flagstad as Brünnhilde and Lotte Lehmann as Sieglinde, with Fritz Reiner conducting, Lauritz Melchior as Siegmund, Emanuel List as Hunding, and Friedrich Schorr as Wotan.
于是乎在歌剧《女武神》的第二幕演出中,在旧金山著名的战争纪念剧院里,观众们听到了前所未有的巨大威武却又美妙无比的声音之艺术,其中就有我们的顶级瓦格纳女高音弗拉格丝塔特小姐所饰演的拿手好戏——主角&布伦希尔德&以及另一位超级瓦格纳女高音劳特莱曼小姐所饰演的&齐格琳德&一角,在匈牙利著名指挥大师弗朗兹莱纳的杰出指挥棒下,还有名伶大师的加盟呢:那就是歌唱大师劳瑞兹梅尔乔所饰演的&齐格蒙德&,埃曼努尔里斯特所饰演的&洪丁&以及大师弗里德里希肖尔所饰演的&沃坦&:这样那令人叹为观止的舞台表现和戏剧效果是不是活灵活现的呈现在你眼前了呢?
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After several years of singing operetta and light opera in Norway, Flagstad was persuaded to take on heavier, dramatic roles, including those of Verdi and eventually Wagner.
再经过了几年轻歌剧的演唱和于挪威的轻歌剧院演出后,弗拉格丝塔特小姐被人说服去演绎那些更具分量,更有戏剧性效果的正歌剧角色,包括意大利歌剧泰斗威尔蒂的重要歌剧名角。最后,当然包括歌剧殿堂内终不可少的德意志民族终极歌剧大帝——瓦格纳的经典作品。
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In later years Flagstad's voice darkened and she lost some of her previously brilliant upper register.
但可惜无比,在那之后的几年中我们弗拉格丝塔特小姐的声音竟有点日渐阴黯化并逐渐失去了一些先前她所具有的光辉熠熠,且傲视群雄之显赫威武的天才音域。
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In 1940, with the outbreak of war and then the occupation of Norway, Flagstad wished to return home, to be with her husband, Henry Johansen.
随着时光的飞速流逝,转眼间二战便爆发了,由于二战的爆发与她祖国挪威的占领,我们的弗拉格丝塔特小姐于是希望回到故乡,希望在这非常时期陪伴在她丈夫——亨利约翰森的身旁。
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Virtually unknown outside of Scandinavia until she was nearly 40 years old, Flagstad exploded upon the operatic firmament with that Metropolitan Opera debut, which just happened to be broadcast across the United States and Canada.
事实上在她家乡斯堪的纳维亚半岛以外都未曾知晓,直至她年龄近40岁时,才被对音乐无知且平庸的人们和评论家认识到,她那次仅以广播的形式对美国和加拿大两国播送的大都会歌剧院首演实况,就是她在歌剧艺术的天空下,其歌唱天才及辉煌技艺的实际爆发。
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The post-war years were difficult for her, while her husband's business and estate, including some of her own property and savings, were held by the state; and Flagstad was met with malicious newspaper articles and demonstrations wherever she performed.
这样在战争结束之后的几年里对她来说无疑是举步艰难,因为那时正当她丈夫的生意事业与资财地产,就连包括她自己私人所拥有的财产,所有权资产和个人存款积蓄在内,竟都被洗劫一空——被没收扣留到了国家的腰包;并且我们不幸的弗拉格丝塔特小姐还时不时地受到来自最自作多嘴,最恶毒媒体报纸中那愚蠢歹毒,心怀不轨之文章评论的邪恶攻击和恶言中伤,甚至还要承受来自她所演出地点那些不明事理的终极蠢人们对她的示威反对。
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Toward the end of her career, Flagstad gave mostly concert performances.
由于她奉献一生的职业歌唱艺术生涯的终结,我们的弗拉格丝塔特小姐于是开始几乎仅登台于音乐会的演出舞台上;其间她还录制了相当数量且水准极高的艺术歌曲——马勒、格里格、西贝柳斯及其他大家;更是荣誉出席加盟了柏纳德米莱斯的梅迈德剧院之企划设计落成仪式;接着又于1951年,为英国巴洛克时期作曲大帝普塞尔之经典歌剧《蒂多和埃涅阿斯》的录音制作,进行献演。
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Kirsten Flagstad was the daughter of Norwegian conductor Michael Flagstad (1869-1930) and pianist Marie Flagstad Johnsrud.
基尔斯腾弗拉格丝塔特是挪威指挥大师迈克尔弗拉格丝塔特(1869—1930)与钢琴大师玛丽弗拉格丝塔特约翰斯路德的独生女。
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歌手leona刘易斯和前率领的飞艇的吉他手吉米页出现巴士转化为基层所涵盖的嘉年华花车,和一双合并为一移交&整个lotta爱&。
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