查询词典 Fairy Tales

Solo Show: 2004 Hong Hao Base Gallery, Tokyo Japan. Hong Hao's Reading Room Chambers Fine Art, New York U.S.A 2003 Hong Hao at Rencontres d 'Arles 2003 Arles, France. 2000 Scenes from the Metropolis The CourtYard Gallery, Beijing China. Suspended Disbelief Art Beatus Gallery, Vancouver Canada. Selected Group Show: 2006 One Work: the Taikang Project of Hong Hao+Yan Lei Taikang Top Space, Beijing China. 2005-2006 Noly One Wall Beijing Commune, Beijing China Art Space Sydney, Australia. 2005 FAIRY TALES FOREVER, AROS Arhus Kunstmuseum, Arhus, Danmark. Mahjong Kunstmuseum Bern, Bern, Switzerland. CHINA: CONTEMPORARY, ART PERSPECTIVES Art Museum, Milan, Italy.

参加2000年以来的版画艺术美国，纽约现代美术馆；参加拾贰 2006中国当代艺术奖中国，上海证大现代艺术馆；参加今日中国——中国当代艺术的转世魅影奥地利，维也纳， ESSL博物馆；参加H+Y 一件作品之泰康计划泰康顶层空间中国，北京；参加第五届亚太当代艺术三年展澳大利亚，昆士兰昆士兰美术馆2005-2006年；参加麻将-希克中国当代艺术收藏展瑞士，伯尔尼美术馆德国，汉堡当代美术馆

In Vrizzi's work, the setting provides the background to a chameleonic role-play where parody restages myths, iconic characters, fairy-tales and motifs of 15th - 16th century iconography.

在威利齐的作品中，场景为她变色龙式的角色扮演提供了背景，她模仿了神话人物、标志性人物、童话故事人物以及十五至十六世纪绘画中的基调。

This rich and colorful Bronze Mirror veins bear the popular fairy tales in Han Dynasty, and reflect the idea of people who lived in that time hoped to live immortally.

这些丰富多彩的铜镜纹饰，承载了汉代社会流行的神话传说，反映出汉代人渴望长生不老、羽化登仙的思想。

I try to forget those fairy tales which are inrooted in my brain

我试着用心去爱一个人，我试着忘记曾经脑海里根深蒂固的童话

Section 2 selects the Queen with a mirror in Snow White, Maleficent in The Sleeping Beauty, the enchantress in Rapunzel and other ordinary negative figures in fairy tales as powerful monsters in contrast to angels to explain how patriarchal society deforms capable and assertive women, denounces them as sinful devils.

第二部分以《白雪公主》中的魔镜皇后，《睡美人》中的Maleficent，《长发姑娘》中的女巫及其他童话故事中不具魔力的反面女性角色作为妖妇的代表，分析父权中心社会异化自信、有能力的女性，诬其为罪孽深重的恶魔的现象。

Section 2 selects the Queen with a mirror in Snow White, Maleficent in The Sleeping Beauty, the enchantress in Rapunzel and other ordinary negative figures in fairy tales as powerful monsters in contrast to angels to explain how patriarchal society deforms capable and assertive women, denounces them as sinful devils.

第二部分以《白雪公主》中的魔镜皇后，《睡美人》中的Maleficent，《长发姑娘》中的女巫(来源：AB8bC论文e5e5网www.abclunwen.com)及其他童话故事中不具魔力的反面女性角色作为妖妇的代表，分析父权中心社会异化自信、有能力的女性，诬其为罪孽深重的恶魔的现象。

Using the premise that Morphea contains the living creatures from our imaginations, allows the author to play with characters from folklore and fairy tales.

前提是，Morphea包含从我们的想像力，让作者发挥民间传说和童话故事。

The evolution of philosophical discourse has experienced four periods from ancient to present-day:the preli minary philosophical discourse of human being was the "children discourse",which marked a "fairy tales"times of philosophy;later emerged the"myster ious discourse",which brought into the "myth"times of philosophy;the"phi losophical discourse"during the period of European Renaissance was the"hum ane discourse",which was also called the"humane"times of philosophy;from modern times,philosophical"power discourse"became popular,it tried to judg e and control people's spirit life,which was"official jargon"times of phil osophy.

从古代到现代，哲学话语的演变大致经历了四个时代：人类的早期哲学话语是&儿童话语&，以&儿童话语&为主流的时代是哲学的&童话&时代；随后出现的是&神秘话语&，以&神秘话语&为主流的时代是哲学的&神话&时代；欧洲文艺复兴时期的哲学话语是&人文话语&，这一时代可以称为哲学的&人文&时代；从近代哲学开始，&权力话语&泛滥，哲学力图裁判和主宰人们的精神生活，这一时期是哲学的&官话&时代。

The result of this study divided into there parts. Before the scripts of sociodramatic play created by young children themselves, they selected and adopted fairy tales to be their scripts of sociodramatic play. In this process, the most important of young children's negotiation behavior was the "roles", which was one of the essential factors of sociodramatic play. Young children took several methods to negotiate the problems of sociodramatic play, such as metacommunication, interpretation and explanation.

在研究结果方面分为三部分讨论，首先讨论的是幼儿在尚未开始以自创故事为架构所进行之社会戏剧游戏，幼儿是以其所知的童话故事为主干进行社会戏剧游戏，幼儿在此历程中协商的重点，是社会戏剧游戏中三大要素里的「角色」这个要素，以后设沟通、说明与解释等方式为主要协商社会戏剧游戏问题的策略。

When I saw you, I thought of fairy tales and almost asked if you'd bewitched my horse.

当我在小道上第一眼看见你时，我还以为自己身在童话，我想是不是你令我的马儿着迷了。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。