查询词典 Ellison

In 1998, Ellison and Sayonara won the Sydney to Hobart race, overcoming near-hurricane winds that sank five other boats, drowning s

1998年，埃利森和Sayonara赢得了悉尼至霍巴特的比赛，克服近飓风沉没其他5艘，溺死6人。

In 1998, Ellison and Sayonara won the Sydney to Hobart race, overcoming near-hurricane winds that sank five other boats, drowning six participants.

1998年，埃利森和Sayonara赢得了悉尼至霍巴特的比赛，克服近飓风沉没其他5艘，溺死6人。

The Ellison of Oracle announced a kind of new computation facility to common people, this machine does not have his hard disk, soft drive, all data are accessed through the network, all programs also move through the network, this locality needs a browser only normally, and the Java machine that can run Java program can, this machine is of NCnetwork computer.

这一下子就让我想起13年前埃利森对NC的鼓吹。1995年，Oracle的埃利森向世人宣布了一种新的计算设备，这个机器没有自己的硬盘、软驱，所有的数据都通过网络存取，所有的程序也都通过网络运行，本地通常只需要一个浏览器，以及可以运行Java程序的Java机即可，这个机器就是NC。

Having cut his teeth running a charitable project at Oracle—Mr Ellison is not entirely stony-hearted—Mr Benioff launched Salesforce with a "1-1-1 Model": 1% of Salesforce's equity was donated to its foundation; 1% of every employee's time was to be dedicated to volunteering, and 1% of profits was to be given away—which, over time, has evolved into 1% of products, as Salesforce has provided free services to thousands of non-profits.

在甲骨文公司主办一项慈善计划初试牛刀后（艾里森先生也不是十足的铁石心肠），贝尼奥夫创建了Salesforce公司，并提出了"1：1：1"的模式，即：将Salesforce公司1%的股权投入本公司的一项基金中，每位员工要花1%的工作时间来为基金做志愿服务，公司将捐出盈利的1%（随着时间的推移，逐渐演变成了捐出公司1%的产品，因为Salesforce公司为成千上万的非营利性机构免费提供服务）。

Ellison left the Tuskegee Institute in 1936 and moved to New York City, where he settled in Harlem.

埃里森离开塔斯基吉研究所于1936年移居到纽约市，他在那里定居在哈莱姆。

Today, Lawrence Ellison has his principal home in Woodside, California.

今天，劳伦斯埃里森其主要伍德赛德家中，加利福尼亚州。

This dissertation attempts to map out African American dreams for personal fulfillment, for equal opportunity, for recognition in the society, and for a place to start all over again respectively in four major novels written by African American writers in the twentieth century: Their Eyes Were Watching God (1937) by Zora Neale Hurston, Native Son (1940) by Richard Wright, Invisible Man (1952) by Ralph Ellison, and Paradise (1998) by Toni Morrison.

本文以非洲裔美国作家于二十世纪创作的四部作品（佐拉·尼尔·赫斯顿于1937年发表的《他们眼望上苍》、里查德·赖特于1940年发表的《土生子》、拉尔夫·艾里森于1952年发表的《无形人》和托妮·莫里森于1998年发表的《乐园》）为对象，从文化研究的角度分别考察了非洲裔美国人追寻自我价值的实现、平等寻梦的机会、主流社会的认可和获得新生的机会等梦想。

Ralph Ellison nimbly defends the blacks' humanity with his outstanding cultural vision, and his witty use of metaphors in language. He outdid the traditional literature focusing on moralistic propaganda by Mrs. Stowe, and the naturalistic protest fiction centering on hard boiled remonstration and violence by Richard Wright, firstly by speaking highly of the 191 century classic works by such white writers as Melville, Faulkner and Mark Twain, who showed humanistic spirit affirming the blacks' humanity, and secondly by making use of the highly symbolic arid subversive language both to represent negro's humanity and whites' inhumanity, and more importantly by probing into the universal human nature by alluding to the Riddle of the Sphinx, which demonstrates, in a broad sense, the author's humanistic concern for the living dilemma of the contemporary people and also his advocatory tendency to revive the humanistic spirit of the 19th century writers.

拉尔夫埃利森通过对梅尔维尔、福克纳和马克吐温等19世纪美国经典白人作家的作品解读，赞赏了这些作家在肯定黑人人性时表现出的人道主义精神；同时运用高度象征性和颠覆性的语言，展示了黑人的人性，揭示了白人的非人性；并通过&斯芬克斯之谜&典故的阐释，对普遍意义上的人性作了探讨，体现了作者对所有现代人的生存困境的关注，从而超越了以斯陀夫人小说为代表的注重道义宣传的传统文学，以及以理查德赖特的创作为代表的注重态度强硬的抗议与暴力表达的自然主义文学，体现出回归与提升19世纪人文主义作家人道主义精神的创作倾向。

As are the world's five richest men (Gates, Buffett, Allen, Ellison and Albrecht).

作为是世界上最富有的5个男人（盖茨，巴菲特，艾伦，艾里森和Albrecht ）。

As are the world's five richest men (Gates, Buffett, Allen, Ellison and Albrecht).

美国的总统和副总统的姓氏就是这样分别以B和C开首。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。