查询词典 Elliott

Under the new name of Jane Elliott, she finds a job as village schoolmistress and tries to forget her seemingly hopeless love for Rochester.

她竭力想忘掉她对罗切斯特的看来毫无希望的爱情。

You are Grace Elliott, a Scotswoman born in 1754. Brought up in a French convent in Edinburgh, you are known for your great beauty, your style, and your wicked ways!

你是一个名叫格雷斯·艾略特的苏格兰女人，出生于1754年，在苏格兰首府爱丁堡的一间法国修道院里长大，你拥有出色的美貌和迷人的气质，当然还有邪恶的手段，这些都让你远近闻名！

Or perform with only a smidgeon of your previously displayed charisma (like Kellie Pickler and Elliott Yamin).

或者是表演没有前面那么卖力（凯丽·皮克拉和埃里奥特·亚明）。

By Will Elliott Want to catch a big steelhead trout this winter?

由埃利奥特会想钓大鳟鳟今年冬天？

TALER: Hey, Elliott, where's your goblin ?

泰勒：嘿，艾略特，你的小妖怪在哪呀？

It is hoped for that the thesis is able to make performers further understand the connotation and performing techniques of Elliott Carter's composition. Also it may serve as a catalyst that facilitates more researchers to get involved in the works and performance of timpani.

希冀本文之乐曲分析与探讨能让演奏者能更进一步了解艾略特E卡特的作品集「八首为四个定音鼓所写的作品」的内涵与演奏方式，也希望能带动更多研究者探讨有关定音鼓的作品与演奏方式。

This thesis discusses the composition Eight Pieces for Four Timpani by the American composer Elliott Carter and analyzes its interpretation. Moreover, it deals with the application of timpani skills and the timbre change of musical notation.

中文摘要本文撰写以美国作曲家艾略特E卡特的作品集「八首为四个定音鼓所写的作品」来探讨作品中的乐曲分析与演奏诠释，并以乐谱的记谱法来探讨定音鼓技巧应用与音色变化。

Elliott, looking for his dag in the backyard, heard strange noises coming from the toolshed.

艾略特在后院找他的狗，听见从工具棚里发出了奇怪的声音。

ELLIOTT: Mom, Mom, there's someone out there. It's in the toolshed. It threw the ball at me...Quiet!

艾略特：妈妈，妈妈，外面有什么人，在工具棚里，还向我扔球呢……安静，听着！

Excerpt from a talk with Pierre Elliott Trudeau, former Prime Minister of Canada.

这是邓小平同志会见加拿大前总理特鲁多时的谈话。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。