查询词典 Ellington

Willis Conover once said that Louis Armstrong was the heart of jazz, Duke Ellington was the soul and Count Basie was its happy dancing feet.

威利斯。科诺菲尔曾经说过，路易斯。阿姆斯特朗是爵士乐的心脏，杜克。埃林顿是爵士乐的灵魂，而康特。

And Everett Ellington knows that he's the guy to do them.

埃林顿和埃弗雷特知道，他是他们做的家伙。

But Ellington says his team does not worry about outside expectations.

但是E表示他的球队不担心外界的期望。

Everett Ellington understands that there are a lot of things that need to get done every day.

埃弗里特灵顿了解，有很多需要完成工作，每天很多东西。

Duke Ellington said (and it's true): If it sounds good, it IS good.

（只要好听的，就是好曲子。

Duke Ellington was a great artist and an elegant, articulate man.

艾灵顿公爵是一名伟大的艺术家，一个举止优雅，善于雄辩的人。

Duke Ellington certainly knew how to jive and with his music he taught the world how to swing along.

艾灵顿公爵的确深知如何摇摆音乐，而他也通过他的音乐教导世界如何跟着摆动。

Members of Ellington's family were present at the ceremony, and the jazz band of Duke Ellington High School performed.

艾灵顿家族的成员出席了这个仪式。同时艾灵顿公爵高中的爵士乐队也有演出。

OK, so the blockbuster deal that sent Jefferson, Ryan Gomes, Gerald Green, Theo Ratliff, Bassy Telfair, and two 2009 first-rounders (who became Johnny Flynn and Wayne Ellington) to the Timberwolves for Scowlin' Kevin Garnett hasn't been that pronounced a victory for Minnesota—at least not yet.

一场惊天动地的大交易，凯尔特人把杰弗森、莱恩-戈麦斯、杰拉德-格林、菲奥-拉特列夫、贝西-特尔费尔、还有两个2009年的首轮选秀权（这两个选秀权兑现成了 Johnny Flynn 和 Wayne Ellington ）送到了森林狼，以此换来了狼王加内特，对於明尼苏达来说这很明显算不上一次成功的交易–至少至今为止还算不上。

Louis Toodle-oo" is representative of the so-called "jungle sound that lead to Ellington's early success.

这首在纽约录制于1926年12月29日的歌曲是所谓&丛林之音&的代表，也使得Ellington取得了早期的成功。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。