查询词典 Eliot

S.Eliot;('ambagious' is archaic).

·S·埃利奥特；（ambagious是古旧用法）。

T.S.Eliot;('ambagious' is archaic).

t·s·埃利奥特；（ambagious是古旧用法）。

For Eliot and Lewes — whose cohabitation began at roughly the same time Victoria gave birth to her eighth child, the hemophiliac Prince Leopold — living in defiance of convention permitted "affection, respect and intellectual sympathy" to deepen over the years, and provided an atmosphere in which Eliot was able fully to realize her early intuition that "we have begun life afresh — with new ambitions and new powers."

译者加：她和乔治。亨利。刘易斯公开承认同居关系）艾略特和刘易斯同居时，维多利亚女王生下了她的第八个孩子——得了血友病的王子利奥波德。她们两个没有接受传统的、根深蒂固的"感情，尊重和同情"的婚姻准则，艾略特还提出另一种婚姻生活氛围，可以使她实现早期的直觉，"我们已经开始重新生活——一种有野心的、积蓄力量的生活。"

The publication of her first collection of stories in 1857 , under the male pseudonym of George Eliot, brought immediate acclaim from critics as prestigious as Charles Dickens and William Makepeace Thackeray, as well as much speculation about the identity of the mysterious George Eliot.

出版她的第一部文集的故事在1857年，根据男性化名乔治艾略特，立刻使人们赞誉评论家声望正如查尔斯狄更斯和William斯萨克雷萨克雷，以及推测的身份神秘的乔治艾略特。

George Eliot: Harmonizing Idealism and Realism——Reexamined Within the Framework of Mid-Victorian Realism Abstract This dissertation is a study of Eliot's idealism in relation to the prevalent debate during the mid-Victorian period on two artistic modes—realism and idealism.

乔治〓艾略特：理想主义与现实主义的"调合"—维多利亚中期现实主义背景下的重新审视本文试图在维多利亚中期两种主要艺术模式之间论争的大背景下探讨乔治〓艾略特的理想主义因素。

The poet and critic T. S. Eliot argued against Shaw that Shakespeare's "primitiveness" in fact made him truly modern.[166] Eliot, along with G.

诗人和评论家托马斯·斯特恩斯·艾略特反对萧伯纳的观点，认为莎士比亚的"原始性"才真正使他成为现代派。

On one hand, freedom and individuality in romanticism developed in excess early in the 20th century and clashed with the demands of times and Eliot's opinion. On the other hand, religion became aesthetics taste and God became unreligious in romanticists, but Eliot insisted on rebuilding God and Christianity to save the world and times.

一方面浪漫主义创作特征中固有的"自由"与"个人化"在二十世纪初推向情感滥觞的极致而为时代需要和艾略特主张所摒弃；另一方面，浪漫主义者所具有的个体宗教感受与对"上帝"的审美化认识使得宗教不再具有权威性和神圣性，这必然与世纪初因缺乏宗教信仰而急需重建信仰的西方世界，与艾略特希望通过重构基督教信仰以拯救西方世界形成冲突，而这无疑也是一种"个性化"与"非个性化"之间的对立。

Eliot's poetry and criticism , and argues that Eliot's literary, religious, social, and political thought, as revealed in his works, is profoundly Dantean.

本论文通过详细论述但丁对T·S·艾略特的诗歌和批评的影响，以期说明艾略特的作品所展示的文学、宗教、社会乃至政治思想，都有但丁的烙印。

This thesis is an inquiry into the religious impact on Eliot's criticism, which systematizes the religious factors in Eliot's criticism, analyses the characteristics and essence of Eliot's religious thought, evaluates it and summarizes the enlightenment it brings to Chinese contemporary criticism.

本论文是对艾略特批评中的宗教影响的研究，系统地梳理了艾略特批评中的宗教因素，分析了艾略特宗教思想的特点与实质，并在此基础上对之做出评价，同时还总结了它给我国当代批评带来的启迪。

George Eliot: Harmonizing Idealism and Realism——Reexamined Within the Framework of Mid-Victorian Realism Abstract This dissertation is a study of Eliot's idealism in relation to the prevalent debate during the mid-Victorian period on two artistic modes—realism and idealism.

乔治〓艾略特：理想主义与现实主义的&调合&—维多利亚中期现实主义背景下的重新审视本文试图在维多利亚中期两种主要艺术模式之间论争的大背景下探讨乔治〓艾略特的理想主义因素。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。