查询词典 Eliot

S. Eliot took boxing lessons from an ex-pugilist in a toughish gym in Boston's South End.

SE在波士敦城南一处设施简陋环境不堪的体育馆中学习拳击，师从一位退役拳手。

T.S. Eliot took boxing lessons from an ex-pugilist in a toughish gym in Boston's South End.

艾略特在波士顿南端一个简陋的④体育馆里，跟一位退役拳击手学拳击。

T.S. Eliot took boxing lessons from an ex-pugilist in a toughish gym in Boston's South End.

当韦德汉姆·刘易斯进入艾斯拉·庞德在巴黎的工作室时，他惊奇地看到

As a second experiment, I produced the wordle above of the contents of a collection of five of my own poems, and below it the contents of my favourite poem, TS Eliot's Four Quartets .

下面是我的第二个试验，我先将我自己写的五首诗做成一幅文字云，然后把我最喜欢的诗—艾略特的《四个四重奏》也做成文字云，放在下面。

T. S. Eliot ; the Lyric Poetry of Alfred Prufrock ; non-individualization ; corresponding object ; self-satirized monolog

一、&诗歌不是表现个性，而是逃避个性&[1]作为英美新批评的奠基者，艾略特反思了浪漫主义衰微的历史命运，创造性地综

George Eliot所说:Blessed is the man who,having nothing to say,abstains from giving uswordy evidence of this fact.

&&在没什么好写的情况下，作者如果能克制自己发表空洞的长篇大论，就算是很有自知之明了。

In the first part, the origin and connotation of"Wasteland"consciousness in Mu Dan's Poetry were introduced. His inspiration was from"Wasteland"of western Eliot. He analyzed the origin and connotation of"Wasteland"consciousness cauterized Chinese character combining Chinese time background and his learning atmosphere as well as his absurd fortune.

第一部分为穆旦诗歌&荒原&意识产生的渊源及内涵：他从艾略特《荒原》的产生及定义中得到启示，并结合中国的现实背景，自身的学习氛围以及个人的荒诞际遇来分析烙上中国印的&荒原&意识的形成及内涵。

A blush is not language; only a dubious flag-signal which may mean either of two contradictories.

George Eliot）脸红不是语言；只是一个含糊的旗语，可能有着完全相反的含义。

Eliot debases them every time; there is not, I believe, a single occasion where his context is as mature as the quotation which he inserts into it; he does not invent such phrases for hilf, nor, evidently, does his understanding quite appreciate them, for they require an organization of experience which is yet beyond him.

我相信，他的上下文没有一次象他&塞&进去的句那样&成熟&。他并不是为他自己创作这样的句，而且他之所见显然并不欣赏这些句，因为他还不曾具备这种句所要求的生活体验的积累。

The third chapter elaborates from the narrative angle of view, Eliot's novels passed through the route from by "focusing" the male to "focusing" the female, which partially demonstrated the feminine authority, however the novel presented the tendency of desalinating the feminine perspective unceasingly, which partially dispersed the feminine authority.

第三章从叙事视角展开论述，爱略特前后期的小说走过了从以&聚焦&男性到以&聚焦&女性为主的视角路线，部分地显示了女性权威，然而小说又呈现不断地淡化女性视角的趋势，又部分地消解了女性权威。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。