查询词典 Eli

Eli : You know, it's none of my business...

要知道，这事本来跟我无关。。。

And he ran to Eli and said, Here I am, for you called me.

3：5 他就跑到以利那里，说，你呼唤我，我在这里。

Eli : No. No, no, no. That's not what I'm saying.

不是不是。。。我可没这么说。

5 And he ran to Eli and said, Here I am; you called me.

3：5 就跑到以利那里说、你呼唤我、我在这里。

Mom, Eli says that's what I say right before l...

妈妈，艾莉说那是我的话就是之前我。。。

And he ran unto Eli, and said, Here am I; for you called me.

005 就跑到以利那里，说：你呼唤我？我在这里。

Eli : At least you know now it wasn't you.

至少你知道不是你的问题了。

And he decided to go see Eli.

然后，他决定去见

And he rose up and went to Eli and said, Here I am, for you called me.

撒母耳起来，到以利那里，说，你呼唤我，我在这里。

And he ran to Eli and said,"Here I am; you called me."

就跑到以利那里，说，你呼唤我。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。