查询词典 Edna

Edna: I thought it was a great movie.

埃德娜：我觉得那是一部很不错的影片。

Edna: I wished I could do that.

埃德娜：我但愿我能这么做。

Edna: Then it's just as well you will never be my boyfriend!

恩达：这也是为什么你永远也不会是我的男朋友。

Edna: I am glad that I could teach you something.

艾德娜：我很高兴我能教你些东西。

Edna: If that was the case, you would never be allowed to sing again!

埃德娜：如果是这样的话，那你永远都不要再唱了！

Edna: It is a very competitive industry.

埃德娜：那是个竞争很激烈的产业。

Edna: That's true, but if they succeed, they will never need to work again.

不过如果他们成功了，他们就永远都不用再工作了。

Edna: What do you think is the main difference between the actors then and now?

艾德娜：你觉得当时的演员和现在的演员主要的不同之处是什么？

Edna: With all of those actors, producers, directors and music stars I think you are right.

埃德娜：有那么多的演员、制片人、导演和音乐明星，我想你是对的。

I am your father, and Edna is your mother; and we belong to you and to your beloved now and forever.

我是你的父亲，厄得纳是你的母亲。从现在起我们永远是你的，也是你妹妹的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。