查询词典 Edie

Edie Britt: You say that every time ,Umberto, and then you're too tired.

每次你都这么说 Umberto 每次你回来后都太累了。

Edie Britt: It will. Give it time.

会好的。多花点时间。

Edie Britt: Look ,I don't like it either, but the harder we try to keep them apart

看那，我也不想这事发生，但是我们越是想拆散他们

Edie Britt: Yeah. He's home.

是的。他回家了。

Edie Britt: And he would have been right...as usual.

他会是对的，他永远都是对的。

If you think Edie Britt cares about anybody other than herself, you are living in a fool's paradise.

如果你认为依迪会关心其他人而不是她自己的话，那你就真是愚昧无知。

Edie Britt: So you wasted your time installing that light in the closet, because...

壁橱里的灯你算是白装了，因为。。。

Edie Britt: What the hell are you doing?

你在干什么？

Edie Britt: Hey, you wanna go to a rock show tonight?

嘿，你今晚想去摇滚演出吗？

Edie Britt: I don't need to resort to deception to land a man.

我不用诡计就能降服他。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。