查询词典 Edgar

Well,well,'said Mr Edgar crossly,'there's no need to get excited.

"好，好，"艾加先生不痛快地说道，"没有必要激动。"

Painting is easy when you don't know how, but very difficult when you do. Edgar Degas

你不知道怎么回事的时候，绘画很简单；等你知道了，就很困难。

In the 19th century, William Blake and Edgar Degas experimented with the technique

在19世纪，布雷克和窦加曾用此画法作画。

Edgar Degas is perhaps most famous for his beautiful depictions of ballet dancers and nudes.

时一瞬间的动作，生动地表现出舞蹈者轻柔的动作和跳动起来的生动姿态，更成功的是他

On that path Edgar encounters disruption among his crew men, while falling in love with an uptown girl from whom "Dinero" must conceal his strong ties with the violent barrio underworld.

走这条道路中断埃德加遇到他的船员之间的男子，同时爱上了一个女孩，其中住宅小区" Dinero "必须掩饰他强烈的联系暴力巴里奥黑社会。

I got the dishcloth, and rather spitefully scrubbed Edgar's nose and mouth, affirming it served him right for meddling

我拿起擦碗布，恶狠狠地揩着埃德加的鼻子和嘴，说这是他多管闲事的报应。

I got the dishcloth, and rather spitefully scrubbed Edgar's nose and mouth, affirming it served him right for meddling.

我拿抹布，愤懑的为埃德加擦脸和嘴，觉得他多管闲事是罪有应得。

I got the dishcloth, rather spitefully scrubbed Edgar's nose mouth, affirming it served him right for meddling.

我拿抹布，愤懑的为埃德加擦脸和嘴，觉得他多管闲事是罪有应得。

Debussy and Edgar Varese in the twentieth.

20世纪的德彪西和埃德加。瓦雷兹这些人。

One might add, for the sake of completeness, a fourth type of composer - the pioneer type: men like Gesualdo in the seventeenth century, Moussorgsky and Berlioz in the nineteenth, Debussy and Edgar Varese in the twentieth.

为完整起见也许还应加上第四种作曲家--先锋型，诸如17世纪的杰苏尔多、19世纪的穆索尔斯基和柏辽兹，以及20世纪的德彪西和瓦雷兹。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。