查询词典 Dionysus

And because you had deserted Dionysus.

因为神话死在你手上。

Whenever you need a new idea, to improve, to explore something you have never done before, and especially when you want to know more about yourself, the Dionysus energy can help. It worked for Alexander the Great and it can work for you too!

无论何时你需要新点子，去改进、去研究未曾做过的事，特别是你想多了解自己的时候，他的能量既然可以帮助亚历山大帝有伟大的成就，当然也能帮助你喔！

Dionysus consented, though sorry that he had not made a better choice.

酒神虽然对迈达斯没有提出一个更好的愿望感到遗憾，但还是答应了他的要求。

Dionysus was the God of wine and revelry.

狄俄尼索斯是酒神和狂欢。

Yet in truth that hero is the suffering Dionysus of the mysteries.

然而，其实这个英雄就是秘仪所崇奉的酒神，是曾亲身经历个性化之痛苦的神。

This thesis attempts to study the cult of Dionysus in ancient Greece, based on available ancient literature and archaeological materials.

本文是以古典文献和考古发掘资料为基础、对古希腊狄奥尼索斯崇拜这一宗教现象所作的一项专题研究。

He was the first to recognize and welcome Dionysus, god of feast and wine, the The ban land.

此外，雅典娜给了他魔术般的本领，使他既知过去，也能预测未来。

He was the first to recognise and welcome Dionysus, god of feast and wine, on the The ban land.

在底比斯，泰瑞西斯第一个认出了宴会神、也是酒神的狄俄尼索斯，并向他表示欢迎。

The godness of love,who gave her beauty;Dionysus,the god of wine,added nectar

赋予了它美丽的容貌；让酒神狄俄尼索斯浇洒了神酒

The Platonic distinction between the idea and the eidolon is deemed rooted in the Greek temperament If we wished to use Plato's terminology we might speak of the tragic characters of the Greek stage somewhat as follows: the one true Dionysus appears in a multiplicity of characters, in the mask of warrior hero, and enmeshed in the web of individual will.

借用柏拉图的术语来说，我们不妨这样论述希腊的舞台形象，真实的酒神以各种姿态出现，化装为一个仿佛陷于个人意志之网罗中的战斗英雄。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。