查询词典 Dionysus

View of artistical value; will to power; spirit of Dionysus; spirit of science; metaphysical truths; nihilism

艺术价值观；权力意志；酒神精神；科学精神；形而上学真理；虚无主义

A frenzied,impassioned choric hymn and dance of ancient Greece in honor of Dionysus.

赞美酒神的合唱诗古希腊为纪念酒神狄俄尼索斯，而唱的狂暴而令人激动的合唱颂歌和跳的舞

A canticle or prayer sung or intoned in this manner.A frenzied, impassioned choric hymn and dance of ancient Greece in honor of Dionysus.

赞美酒神的合唱诗古希腊为纪念酒神狄俄尼索斯，而唱的狂暴而令人激动的合唱颂歌和跳的舞

On the one side, Bakhtin borrows resources from the mythological world, and permutes"Dionysus"with the"Carnival"by way of"displacement"in discourse, and at last, develops Nietzsche's Dionysian spirit into his unique carnival spirit; on the other side, Bakhtin apparently leads a different way from Nietzsche ranging from interpreting contexts to religious attitudes and spiritual orientations in the following souls of the Dionysiac Theory. He eventually transforms Nietzsche's aesthetically artistic ideal of"Traum und Rausch"("Dream and Drunk") into a religious spiritual demand of"leading two lives", and fulfills"a transcendental journey from the God to the man".

尼采的酒神理论和巴赫金的狂欢理论之间，存在着无比亲密的&对话关系&：一方面巴赫金从神话世界中索取理论资源，通过话语的置换，用&狂欢&取代了&酒神&，将尼采倡导的酒神精神发展成自己独特的狂欢精神；另一方面巴赫金又在遵循酒神理论精髓的同时，在阐释语境、宗教态度、精神所指上，与尼采存在明显的不同，并最终将尼采&梦与醉&的审美艺术理想转换为走向&两种生活&的宗教精神诉求，实现了一种&从神到人的超越之路&。

On the one side, Bakhtin borrows resources from the mythological world, and permutes"Dionysus"with the"Carnival"by way of"displacement"in discourse, and at last, develops Nietzsche's Dionysian spirit into his unique carnival spirit; on the other side, Bakhtin apparently leads a different way from Nietzsche ranging from interpreting contexts to religious attitudes and spiritual orientations in the following souls of the Dionysiac Theory. He eventually transforms Nietzsche's aesthetically artistic ideal of"Traum und Rausch"("Dream and Drunk") into a religious spiritual demand of"leading two lives", and fulfills"a transcendental journey from the God to the man".

尼采的酒神理论和巴赫金(来源：A4eBC论文网www.abclunwen.com)的狂欢理论之间，存在着无比亲密的&对话关系&：一方面巴赫金从神话世界中索取理论资源，通过话语的置换，用&狂欢&取代了&酒神&，将尼采倡导的酒神精神发展成自己独特的狂欢精神；另一方面巴赫金又在遵循酒神理论精髓的同时，在阐释语境、宗教态度、精神所指上，与尼采存在明显的不同，并最终将尼采&梦与醉&的审美艺术理想转换为走向&两种生活&的宗教精神诉求，实现了一种&从神到人的超越之路&。

It is concluded that as the speaker of Dionysus,Zarathustra sings the force of life in Dithyrambus,both denying the claims of all kinds of amoralists and affirming the brave actions of super-nihilists as "thinkers of the thought of eternal return".

本文指出，作为狄奥尼索斯的&代言人&，查拉图斯特拉以&酒神颂歌&的声音歌唱生命，既承担着&非道德论者&的否定，又以&永恒轮回思想的思想者&担当超越虚无主义的最高肯定。

India , where Herakles and Dionysus traveled…all these men who went East, Theseus…Jason, Achilles, were victorious.

印度，赫拉克勒斯和狄俄尼索斯都去过。所有这些去过东方的人，特修斯、伊阿宋、阿喀留斯都胜利了。

Lndia, where Herakles and Dionysus traveled.

赫拉克勒斯和狄俄尼索斯都去过印度

His first solo recital in March of 1998 received rave reviews: Back in the '80's, Apollo and Dionysus, Florestan and Eusebius, were at war in Chen's pianistic personality. He could play with poetic insight, he could also erupt into an almost terrifying overdrive.

Richard Dyer在波士顿环球报中写道：回顾他80年代的演奏，就如太阳神与酒神，弗洛雷斯坦与欧赛贝乌斯般，充满强烈对比的演奏个性在陈的内心战斗，他能够以发自内心如诗般的演奏，也能够爆发惊心动魄的效果。

Dionysus Thrax of Alexandria later wrote an influential treatise called The Art of Grammar, in which he analyzed literary texts in terms of letters, syllables, and eight parts of speech.

亚历山大的狄俄尼索斯后来写出一篇影响深远的论文，称为《语法的艺术》，他在其中分析文学文本中的字母，音节，和八段话语。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。