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In Il Corriere della Sera, Gourguff said:'I will look at Lyon, Peris Saint Germain and Milan, I will decide after the Under-21 European Championships.

据晚邮报报道， Gourguff 说：&我会考虑里昂，巴黎圣热尔曼和米兰，在21岁以下欧洲冠军杯后我将作出决定。&

Initially it was the Oratorians at S Maria della Consolazione who supported the oratorio with works by Giovanni Legrenzi maestro di cappella at St Marks dominating the repertoire.

起初，它是在S玛利亚孔索拉齐奥（该法瓦的Oratorians）支持谁在圣商标与工程独霸演奏大师乔万尼莱格伦齐迪无伴奏合唱清唱剧。

He was maestro di cappella at Duke Alessandro II della Mirandola 's court at 1680, and was elected principe at the Accademica Filarmonica in Bologna .

他是无伴奏合唱大师迪在杜克亚历山德罗二梅兰多拉氏在1680年法院，并当选为在博洛尼亚 Accademica Filarmonica 普林西比。

Some connections are drawn between this idea in the writing of Pico della Mirandola and its resurfacing in abstract guise in the writings of phenomenologists such as Merleau-Ponty and Michel Henry.

这种思想反映在皮科德拉米兰多拉以及现象学家墨罗－庞蒂和麦切尔亨利作品的抽象掩饰中，本文对它们之间的关系进行了梳理。

This work was created by Giovanni della Robbia.

是乔凡尼·德拉·洛比阿的作品。它显示了乔凡尼·德拉·洛比阿富于想象的创造力。

Giovanni della Robbia, was born into a famous artistic family in Italy at the time of Renaissance---the Robbia family.

这尊上釉彩陶雕塑，是乔凡尼·德拉·洛比阿的作品。

This family is famous for their mastery of multi-colored ceramics sculpture. This style, which was developed by the older Luca della Robbia, spread throughout Florence for about spread in the Florence city for about 150 years of the Renaissance.

这个家族以精湛的彩陶雕塑工艺闻名于世，他们的第一代雕塑家——卢卡·德拉·洛比阿所创造的赤陶彩色雕塑工艺，流行于文艺复兴时期的佛罗伦萨城达一百五十年之久。

The absence of the stigmata, halo, and title of saint in this fresco form its chief claim to be considered a contemporary picture; it is not, however, a real portrait in the modern sense of the word, and we are dependent for the traditional presentment of Francis rather on artists' ideals, like the Della Robbia statue at the Porziuncola, which is surely the saint's vera effigies, as no Byzantine so-called portrait can ever be, and the graphic description of Francis given by Celano Vita Prima, c.

没有该stigmata ，光环，和标题圣在这壁画的形式，其行政声称被视为当代图片，这是没有，不过，一个真正的画像，一所现代意义上的Word ，我们依赖传统的出示的弗朗西斯，而不是对艺术家们的理想，像岱拉洛比亚的雕像在porziuncola ，这是肯定圣人的维拉，高，因为没有拜占庭，使所谓的肖像以往任何时候都可以，和图形的描述弗朗西斯所给予的切拉诺

The ceramics bore the imprint of Luca della Robbia.

陶器上印有卢卡·德拉·罗比亚的字样。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。