查询词典 Debussy

He, who was the most important music inheritor after Berliaz and prior to Claud Debussy, propelled the revival and development of French absolute instrumental music.

圣-桑是法国音乐史上举足轻重的人物，是继柏辽兹之后，德彪西之前最为重要的承接者，驱动着法国纯器乐的复苏与发展。

Experiencing the change of life and age, alternation of generations, Debussy recorded the story of world by music. We can realize what he saw, what he heard and what he suffered from in his compositions.

历经人生际遇及时代的巨变，新旧交替的矛盾与冲突，呈现於作品内容的，就是对於所见、所闻及所感受的真实回应。

Due to the outbreak of World WarⅡin 1914 and his suffering from cancer, Debussy had to confront with both internal and external stress. His philosophy of life, even the philosophy of music changed. However, even in such an all time low of life, he had a beau ideal in these works.

而1914年第一次世界大战的爆发，加上当时作曲家本身所承受的身体疾患，使得他同时必须面对内在以及外在压力，以致於其人生观，甚至是音乐观均因而有戏剧性的改变。

Debussy was the first composer to explore all these new resources, but looking through the century, many composers, among them Messiaen, Boulez and Britten have been deeply affected by the magical sounds of the lndonesian gamelan.

第一个探索这种新元素的作曲家是德彪西，不过若是纵观整个20世纪，有许多作曲家都受到了来自印度尼西亚的佳美兰乐队魔术般的音响的影响，其中包括梅西安、布列兹和布里顿。

In the middle, s catter ed pieces from Baroque period composers, Teleman and Handel, Classic era's Haydn, Kuhlau and Clementi, Romantic times' Schuman and Impressionist Debussy.

其中间杂着巴罗克时期的泰勒曼 Teleman ，海德尔 Handel ；古典时期的海顿Haydn ，库劳 Kuhlau和克莱门蒂 Clementi ，浪漫主义时期的舒曼 Schuman ，还有印象派的德彪西 Debussy 。

Debussy teaching materials, the design of the front-end IC designers a great help.

详细说明： debussy的教材，对IC设计前端设计人员有很大的帮助。

Among the audience was Claude Debussy, who especially cherished Castor et Pollux , which was revived in 1903: Gluck's genius was deeply rooted in Rameau's works.

在听众之中是克劳德 Debussy，他尤其珍爱铸工和北河三，在 1903 年被复苏： Gluck 的天才深深地在 Rameau 的作品被植根。

La Mer' reflected China classical aesthetic ideology, especially the aesthetic ideology consistency that China ancient scholars and painters reflected on the performance of natural landscape ,which was 'harmony between the heaven and human ','Sound outside what the string is making between the lines ' and 'approach determined by figure'. Its music reflected gamelan creative skills in many aspects,...更多 for example, the use of continuous tone and fixed voice type, the texture counterpoint imitation, the similarity of pitch and the harmony, etc. It could be seen that Debussy once studied Javanese gamelan music thoroughly on the analysis of 'La Mer' music ontology. Debussy choosed Japanese printer—Katsushika Hokusai's 'surfing in Kanagawa' as cover on the publication of 'La Mer', it was reflected that on the one hand he liked Japan Ukiyoe, on the other hand his work had painting factors.

大海》中体现了东方文化中的中国古典美学思想，尤其是与中国古代文人画家们在表现自然景观上所体现山的美学思想的一致性，即"天人和一"、"弦外之音"以及"以象立意"等；它在众多方面都体现山了加美兰的创作技巧，如持续音、固定音型的使用，织体对位的模仿，调式、和声的相似性等，在对《大海》音乐本体的分析中可以看出，德彪西对爪哇加美兰的音乐曾进行过深入的研究：作品出版时德彪西选择了日本版画家葛饰北斋的《神奈川冲浪里》作为封面，一是表现出他对日本浮世绘的浓厚兴趣，二是表达了他作品中具有的绘画性因素。

Biography of writer Louisa · Libby West in the translation of the first biography of Debussy,"Claude Debussy · asir ·" put forward:"In temperament and inclination, the Debussy and the Impressionist painters and poets in to send a symbol of almost exactly the same ......"① Debussy I think closer to his own poetic symbolism.

传记作家路易莎·利比西在德彪西最早的译本传记《克劳德·阿西尔·德彪西》中提出：&在倾向和气质上，德彪西与画家中的印象派和诗人中的象征派几乎完全一致……&①德彪西本人则认为他自己更接近于象征主义诗歌。

La Mer' reflected China classical aesthetic ideology, especially the aesthetic ideology consistency that China ancient scholars and painters reflected on the performance of natural landscape ,which was 'harmony between the heaven and human ','Sound outside what the string is making between the lines ' and 'approach determined by figure'. Its music reflected gamelan creative skills in many aspects,...更多 for example, the use of continuous tone and fixed voice type, the texture counterpoint imitation, the similarity of pitch and the harmony, etc. It could be seen that Debussy once studied Javanese gamelan music thoroughly on the analysis of 'La Mer' music ontology. Debussy choosed Japanese printer—Katsushika Hokusai's 'surfing in Kanagawa' as cover on the publication of 'La Mer', it was reflected that on the one hand he liked Japan Ukiyoe, on the other hand his work had painting factors.

大海》中体现了东方文化中的中国古典美学思想，尤其是与中国古代文人画家们在表现自然景观上所体现山的美学思想的一致性，即&天人和一&、&弦外之音&以及&以象立意&等；它在众多方面都体现山了加美兰的创作技巧，如持续音、固定音型的使用，织体对位的模仿，调式、和声的相似性等，在对《大海》音乐本体的分析中可以看出，德彪西对爪哇加美兰的音乐曾进行过深入的研究：作品出版时德彪西选择了日本版画家葛饰北斋的《神奈川冲浪里》作为封面，一是表现出他对日本浮世绘的浓厚兴趣，二是表达了他作品中具有的绘画性因素。

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。