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It took him almost 30 years to complete his Der Ring des Nibelungen cycle.

他花了将近30年才完成了《尼伯龙根的指环》。

And The "Der Ring des Nibelungen" honored as "a giant of music, the epic of drama "now will have its debut on the Chinese stage after its popularity for 130 years, which will undoubtedly play a decisive role in the promotion of classic opera in China.

而在此次音乐节上带来被誉为"音乐的巨人、戏剧的史诗"的旷世巨作《尼伯龙根的指环》在风靡130多年后首次登上中国的舞台，无疑为这一经典歌剧在中国的推广起到了决定性的历史作用。

And their offer of "Der Ring des Nibelungen," will furthermore meet the tastes of the customers who always pursue high-quality symphonic music.

而为中国听众带来《尼伯龙根的指环》这一经典歌剧，将进一步满足高品味客户对享受精品交响音乐的追求。

Das Rheingold, the first of four operas in Der Ring des Nibelungen by German composer Richard Wagner, was first performed in Munich.

1869年，德国作曲家瓦格纳创作的歌剧《尼伯龙根的指环》的第一部分《莱茵的黄金》在慕尼黑首演。

It is joked by singers that Wagner's character of Siegfried in Der Ring des Nibelungen ought to have been called S ah gfried as his name is sometimes pronounced that way by sopranos looking to get the most volume out of their voices.

歌唱家中流传的笑话说瓦格纳《尼伯龙根的指环》中的角色齐格弗里德应该被称为"查"格弗里德，因为女高音为了提高她们的声量时偶然会这么唱他的名字。

It is joked by singers that Wagner's character of Siegfried in Der Ring des Nibelungen ought to have been called S ah gfried, as his name is sometimes pronounced that way by sopranos looking to get the most volume out of their voices.

歌唱家中流传的笑话说瓦格纳《尼伯龙根的指环》中的角色齐格弗里德应该被称为"查"格弗里德，因为女高音为了提高她们的声量时偶尔会这么唱他的名字。

Wagner's mesmerising masterpiece "Der Ring des Nibelungen" tells much the same story: a family's pursuit of power and glory and its inevitable decline.

它的家族史也正是瓦格纳的巨作《尼伯龙根的指环》的真实写照：一个家族对权力和辉煌不断追逐，和不可阻挡的没落。

In all, Smith and Wolfe looked at four of the composer's works, including Tristan und Isolde and three operas from Wagner's magnum opus, Der Ring des Nibelungen.

史密斯说。史密斯和沃尔夫总共研究了四部瓦格纳的作品，包括《特里斯坦与伊索尔德》以及《尼伯龙根的指环》里的三部歌剧。

This dissertation will study the ideological implications of Wagener's Musikdrama Der Ring des Nibelungen,(will be abbreviated as the Ring),.

本论文旨在研究瓦格纳乐剧《尼伯龙根的指环》的思想寓意。

When physicist John Smith spent the night in his garden with the score to G"otterd"ammerung the final opera in Richard Wagner's four-part 15-hour epic Der Ring des Nibelungen he wasn't interested in its account of the apocalyptic struggle of Norse gods for control of the world.

当物理学家约翰·史密斯拿着《众神的黄昏》——理查德·瓦格纳长达15个小时的《尼伯龙根的指环》四部曲中的最后一部——的曲谱在他的花园度过一夜时，他对其中记录的北欧众神对世界控制权的末世斗争并不感爱好。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。