查询词典 Cool

Add the magic of Hollywood and later the sound of the Beach Boys' pop and cool West Coast jazz: no wonder the world thought California to be especially blessed.

再加上好莱坞的魔力，以及后来的沙滩男孩流行音乐，还有安静的西海岸爵士乐：无怪乎全世界都认为加州曾受到过特殊的祝福。

Although Chet Baker was a major player in the Western movement of "cool jazz" in the '50s and '60s, he is not as well known as other jazz musicians that played during that same time.

虽然切贝克是50-60年代西方酷派爵士的重要乐手，但是他却不如同时期的其他的爵士乐手一样被人所知。

Where "hot" jazz was fast-paced, exhilarating music you could dance to,"cool" jazz was more understated and laid-paced.

而它在20世纪40年代里的流行则归功于使用此词的爵士音乐家们。尽管"热"爵士是欢快活泼的音乐。

In the late '40s, Miles Davis ushered in "cool jazz"' s smoother, more harmonic sound.

戴维斯开创了乐音更流畅、更和谐的"酷派爵士乐"。

Where "hot" jazz was fast-paced, exhilarating music you could dance to,"cool" jazz was more understated and laid-back.

尽管"热"爵士是欢快活泼的音乐，你可以将其用作伴舞之用，但"冷"爵士却更为内敛和轻松。

Enjoy cool jazz and blues at the Universal Bar or bop to live tunes over a handcrafted beer at the Brass Monkey.

在Universal 酒吧享受很酷的爵士乐和蓝调，或者在Brass Monkey手拿一杯自酿啤酒随着音乐的曼妙轻舞。

The quartet became known for playing what was called West Coast cool jazz at local colleges.

这个乐队因为在当地大学里演奏西海岸酷爵士乐而出名。1954年，他们录制了〈Jazz Goes to College〉，这是为哥伦比亚唱片公司录制的第一张专辑，这张唱片销售了十万多张，从而使这个乐队在全国闻名。

Although Chet Baker was a major playerin the Western movement of "cool jazz" in the '50s and '60s, he isnot as well known as other jazz musicians that played during thatsame time.

虽然切贝克是50-60年代西方酷派爵士的重要乐手，但是他却不如同时期的其他的爵士乐手一样被人所知。

Hitting rhythms of be-bop and the laid-back, mellow harmonies of cool jazz to the jittery, atonal forays of free

随着这一新风格的发展，爵士乐被分成了几个流派：从快速，节奏硬朗的比博普，以及有着松弛，柔美旋律的酷派爵士乐，到以颤抖，无调的打击乐为主的自由爵士，还有散发着朴实韵味的心灵爵士。

I think I need to, uh, cool off.

我想，我要先凉快凉快

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。