查询词典 Constantinian

Although Anabaptism gave birth to no major Protestant tradition, its rejection of the Constantinian state - church and all its works (endorsed unreservedly by all three primary Protestant traditions) became in time the common property of most of Protestantism, especially outside Europe.

虽然Anabaptism生下没有发生重大的新教传统，它拒绝君士坦丁状态-教会和所有的作品（毫无保留地赞同所有三个主要的新教传统）成为时间的共同财产大部分新教，尤其是欧洲以外地区。

Strangely enough, we do not find it in the Constantinian basilica.

奇怪的是，我们不认为它在constantinian大殿。

The main modification to the Constantinian church plan was performed at the "sacred area" above the grotto.

对 Constantinian 教堂设计的主要改变呈现在地窟上方的「圣所」。

Thus, even in a medieval, Constantinian setting, formally religious in character, men and women were not immune from having their life, thought, and work shaped by secular, this-worldly considerations.

因此，即使在中世纪， constantinian设置，正式宗教性质的，男人和女人不能幸免，从他们的生活，思想，工作和形成的世俗，这-世俗的考虑因素。

The Constantinian settlement continued to see Christianity as the legitimate heir of Judaism, but its mingling of ecclesiastical and spiritual authority led both to persecution of Jews and to substantial disillusionment when Rome, perceived as the successor of Jerusalem, was ransacked by barbarians.

该constantinian解决继续看到基督教为合法的继承犹太教，但其混杂的教会和精神管理局领导的既要迫害犹太人和大量的幻灭时，罗马，被视为继任者在耶路撒冷，被洗劫野蛮人。

According to a posterior source the rebuilding of the Church in Bethlehem is attributed to this emperor. This same source says that the Emperor himself was not "satisfied" with the job carried out by his architects who had pulled the Constantinian church down, damaged during the Samaritan uprising, and built in its place a new one. The Emperor found that this new church was "dark" and he even accused the architect of wasting the Empire's money. So much was his dissatisfaction that the architect was executed!

根据幕后消息指出白冷的教堂因为这个皇帝而重建，同一消息指出，皇帝本身并不满意他的建筑师在拆掉叛乱中受损的 Constantinian 教堂，而在原址上新建的那一座，他发现新教堂「黑暗」并指责建筑师浪费帝国公款，如此的不满意之下，他处决了那位建筑师！

A first church of the IV-V century was enlarged in the VI. In this reconstruction, in the apse of the Church, the builders used stones coming from the Constantinian octagonal construction of the Basilica of the Nativity. The remains of two semicircular altars and inscriptions in mosaics confirm the sacred character of the site.

第一座教堂建於第四、五世纪并在第七世纪时扩建，建筑用的石头自 Constantinian 圣诞大殿的八角形结构移来，两个半圆形祭台及马赛克图案标示神圣的地点仍尚存。

A first church of the IV-V century was enlarged in the VI. In this reconstruction, in the apse of the Church, the builders used stones coming from the Constantinian octagonal construction of the Basilica of the Nativity. The remains of two semicircular altarsand inscriptions in mosaics confirm the sacred character of the site.

第一座教堂建於第四、五世纪并在第七世纪时扩建，建筑用的石头自Constantinian圣诞大殿的八角形结构移来，两个半圆形祭台及马赛克图案标示神圣的地点仍尚存。

The atrium was raised to o higher level. The fa ade retreated back about two metres. The Constantinian mosaic floor was covered up with two feet of imported soil and a new marble pavementwas laid at a higher level. The lower part of the interior walls was also covered with marble and the upper parts with mosaics. It was one of these mosaic scenes that spared the Church from destruction during the Persian invasion (614 AD).

中庭被提高了，正面退缩了约两米，Constantinian马赛克地板被覆上两英尺的泥土之后铺上大理石，殿内墙壁下层亦覆以大理石，上层是马赛克，其中一幅马赛克使教堂在波斯人入侵（西元614年）时免於被摧毁。

The atrium was raised to o higher level. The fa?de retreated back about two metres. The Constantinian mosaic floor was covered up with two feet of imported soil and a new marble pavement was laid at a higher level. The lower part of the interior walls was also covered with marble and the upper parts with mosaics. It was one of these mosaic scenes that spared the Church from destruction during the Persian invasion (614 AD).

中庭被提高了，正面退缩了约两米， Constantinian 马赛克地板被覆上两英尺的泥土之后铺上大理石，殿内墙壁下层亦覆以大理石，上层是马赛克，其中一幅马赛克使教堂在波斯人入侵（西元614年）时免於被摧毁。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。