查询词典 Chopin

The Story of an Hour, an early feminist work written by Kate Chopin, is about a woman who experienced sharp emotional changes by the news of her husband's death.

一小时的故事》是凯特？肖邦一部体现女权主义思想的作品，它细腻地刻画了女主人公在一小时内经历的情感起伏。

This essay attempts to make an analysis of Kate Chopin's famous short story The Story of an Hour by means of combining the narrative criticism and feminist criticism theories.

文章从叙事学理论和女权主义批评结合的角度入手，通过对美国女作家凯特·肖班的短篇力作《一小时的故事》的多视角叙述手法的分析，来表明小说叙述视点的不断转换，体现出的不仅仅是叙事技巧，还整合出不同的内容，而这不同的侧面展开组合在一起，向人们展示了一曲女性寻求自由的悲歌。

The affectations and exaggerations that characterized Chopin interpretation before his arrival.

&他的 演奏去除了…在其之前代表萧邦演奏特征的做作与夸张&。

In the hands of the composer Chopin, originates from folk music sublimation of the rich ethnic style, highly artistic charm of the "Symphonic Poem."

在作曲家肖邦手中，玛祖卡已由民间音乐升华为富有民族风格、极具艺术魅力的&音诗&。

In Paris during the visit, Chopin did him in 1834, Schiller and common visited in aachen the Rhine held festivals.

在巴黎期间肖邦做了多次访问，1834年，他和席勒共同访问了在亚琛举行的的莱茵河畔音乐节。

He was also involved in the composition of Hexaméron (1837)— the sixth variation on Bellini's theme is Chopin's.

他也参与了1837年的Hexaméron的创作——贝里尼主题变奏曲的第六变奏是肖邦创作的。

Since 2000, Igor Levit has given recitals at the Salzburg Festival, in Paris, Athens, Munich, Hanover, Augsburg, the Chopin festival in Duszniki Zdroj, the 'Kissinger Sommer', Schwetzingen Mozart Festival, Braunschweig Classix Festival, 'Festspiele Mecklenburg-Vorpommern' and 'Dortmund Next Generation II'.

伊戈尔·勒维特从2000年起除在萨尔茨堡音乐节、波兰肖邦音乐节，以及德国&基辛根之夏&、Schwetzingen莫扎特音乐节、布劳恩斯魏克古典艺术节、Mecklenburg-Vorpommern音乐节和Dortmund Next Generation II音乐节等举行独奏会。还于巴黎、雅典、慕尼克、汉诺威、爱司堡等城市演出。

Even in this abstract atomic age, where emotion is not fashionable, Chopin endures.

即使是在这个情绪已不再流行的抽象的原子时代，肖邦还是存活了。

Although he won First Prizes at the 1966 Busoni Competition in Italy and 1968 Montréal Piano Competition, it was his 1970 triumph at the Chopin Competition in Warsaw, where he won the Gold Medal, that brought him worldwide recognition as one of the finest pianists of his generation. Mr. Ohlsson was awarded the Avery Fisher Prize in 1994 and received the 1998 University Musical Society Distinguished Artist Award in Ann Arbor, Mich.

尽管他在1966年的意大利布索尼钢琴大赛、1968年的蒙特利尔钢琴大赛中纷纷折桂，但令奥尔森声名大噪的还是在1970年肖邦国际钢琴大赛中夺得的金奖，并因此被外界一致公认为是他那一代人中的钢琴翘楚。1994年，奥尔森被授予埃弗里·费舍尔奖。1998年，他在密歇根大学的安阿伯分校被授予杰出艺术家奖。

By the time he wrote that, Chopin had been living in France for nearly half his life, and with music like that he breathed new life into the French keyboard tradition, which had been in decline since the deaths of the two great Baroque pioneers Couperin and Rameau.

，肖邦已经在法国生活了半辈子，而且那样的音乐，使自从两位伟大的巴洛克先锋库普兰和拉摩去世后开始衰落的法兰西的键盘传统融入到他的新生活中了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。