查询词典 Chopin

In those senses the Nocturnes, for all their intimacy, are built up of essentially the same type of material as Chopin's Balades or other large works, and often contain just as dramatic contrasts and conflicts.

这些夜曲构筑了作为肖邦叙事曲和其他大型作品的最基本素材，这其中常常包含着显著的对比与冲突。

Although Chopin did not meet Field until 1832, he had probably heard, or heard of ,his Nocturnes during childhood years in Warsaw.

尽管1832年以前肖邦和JOHN FIELD从未谋面，但他幼年在华沙可能就听说过JOHN FIELD，或者是听说过JOHN FIELD的作品。

Chopin himself published eighteen during his life, in sets of either two or three; his three remaining nocturnes, from between 1827 and 1837, were discovered and published over the next century, but are quite worthy of their place in the canon.

但是，它们在肖邦作品中的地位却是勿庸置疑的。

Field's Nocturnes, published under that title between 1812 and 1836, were based on a format of singing melody, much ornamented, over accompanying bass patterns to fill in the harmony ---- obviously Chopin's departure point.

JOHN FIELD于1812和1839发表的作品都是基于演唱旋律的模式，华丽而并非用低音模式来使旋律协调——这显然就是肖邦的起点。

Field's Nocturnes, publishe d under that title between 1812 and 1836, were based on a format of singing melody, much ornamented, over accompanying bass patterns to fill in the harmony ---- obviously Chopin's departure point.

JOHN FIELD 于1812和1839发表的作品都是基于演唱旋律的模式，华丽而并非用低音模式来使旋律协调——这显然就是肖邦的起点。

Yet, though most of Chopin's output was composed after his arrival in Paris, the music he had produced in the two or three years before that ---- including both his Piano Concertos, most of his first book of Studies(op.10), and sever of his 21 Nocturnes nos.

可以想象这一切对于一个20多岁的作曲家来说会有怎样显著的影响。

Kate Chopin's "Story of An Hour" by scholars as one of Feminist Literary Masterpiece.

凯特·肖邦的《一小时的故事》被学界视为女性主义文学的名篇之一。

When Kate Chopin's novel",The Story of An Hour",was first published,it was sharply criticized.

凯特·肖邦的《一小时的故事》在初次出版时，受到了当时社会的严厉谴责。

The Story of an Hour construction deconstruction consciousness of female liberty Kate Chopin

一小时的故事建构解构女性自由意识凯特？

The present author's essay "Narrative Text and Ideology"takes issue with previous interpretations of Kate Chopin's "The Story of an Hour".

笔者的《叙事文本与意识形态》一文挑战了以往对肖邦《一小时的故事》的研究。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。