查询词典 Chopin

It can be therefore defined as the most complicated in structure, the most abundant in contents, and the richest in fantastic improvisation and singing qualities of Chopin's polonaises.

基於这个缘故，笔者因此想进一步研究这首乐曲在创作素材上的连贯性，以及音乐内在的戏剧性与即兴特质。

Chopin's nocturnes accompanied me throughout the night.

肖邦的夜曲伴随我度过了这个晚上。

If in terms of music, perhaps only Chopin's nocturnes.

论音乐，可比的许只有萧班的夜曲。

The composer has arranged Chopin's nocturnes for the full orchestra.

这位作曲家已将肖邦的小夜曲改编为合奏曲。

Although chopin did not meet field until 1832, he had probably heard, or heard of ,his nocturnes during childhood years in warsaw.

在肖邦的一生中，曾经亲自发表了18部作品，1827年到1837年间保存的三部夜曲，在下个世纪才被发现并发表。

The composer has arranged Chopin's nocturnes for the full orchestra .

那位作曲家已将肖邦的夜曲改编为交响曲。

Chopin himself published eighteen during his life, in sets of either two or three; his three remaining Nocturnes, from between 1827 and 1837, were discovered and published over the next century, but are quite worthy of their place in the canon.

在肖邦的一生中，曾经亲自发表了18部作品，1827年到1837年间保存的三部夜曲，在下个世纪才被发现并发表。但是，它们在肖邦作品中的地位却是勿庸置疑的。

Chopin's "Nocturnes" has resembled one diary right away , has recorded his thought , his emotion , his possessions , has embodied his creation style truly.

肖邦的《夜曲》就像一本日记，记载了他的思想，他的情感，他的所有，真实体现了他创作风格。

B:Oh,there're too many to list.I'd say all the Nocturnes by Chopin,Four Seasons,those of Haydn and liszt.

噢，太多了，不能一一列举，例如萧邦的所有夜曲，四季以及海顿和李斯特的作品。

Chopin created consummate musician language, form structure, harmony and tonal technique in his nocturnes.

肖邦在夜曲中创造了完美的音乐语言、曲式结构、和声及调性手法。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。