查询词典 Chopin

Several of Chopin's pieces have become very well known — for instance the Revolutionary étude (Op. 10, No. 12), the Minute Waltz (Op. 64, No. 1), and the third movement of his Funeral March sonata (Op. 35), which is often used as an iconic representation of grief.

肖邦的一些作品非常的有名，例如：革命练习曲（作品10，第12号），一分钟圆舞曲（作品64，第一号），和奏鸣曲（作品35）第三乐章葬礼进行曲，常常被作为象征悲伤的标志。

Where Felix Mendelssohn and Liszt were lionised, Chopin preferred Bach and Wolfgang Amadeus Mozart.

尽管门德尔松和李斯特备受推崇，肖邦却偏爱巴赫和莫扎特。

But in Chopin's Four Mazurkas Op.

但是在随后的肖邦马祖卡里。

Also on the program are Chopin's Mazurkas, A Night on Bald Mountain by Mussorgsky and Ravel's Waltz.

她被列入在东京举办的著名的&二十世纪百位伟大的钢琴家&系列中。

Additionally, Chopin was the first western classical composer to imbue Slavic elements into his music; to this day his mazurkas and polonaises are the cornerstone of Polish national classical music.

另外肖邦是西方古典音乐作曲家中第一个将斯拉夫元素融入作品的，今天，他的马祖卡和波兰舞曲仍是波兰民族古典音乐的奠基石。

The waltz format also includes mazurkas; these originated as Polish dances, which is why Chopin composed so many mazurkas.

不正确的指法是另一个问题：有些指法在合手、慢速弹奏时，看起来是很自然的，但是不可能做快速的弹奏。

Legendary Polish-American pianist Emanuel Ax is revered for his profound poetic insight supported by flawless technical ability – characteristics prominently on display in Chopin's Second Piano Concerto.

传奇波兰矞美国钢琴家依曼纽艾斯对音乐有深刻独到而充满诗意的理解，技巧无懈可击，萧邦的第二钢琴协奏曲的演绎尽显他的名家风范。

He is perhaps the showiest performer since Vladimir de Pachmann, a Chopin specialist of a century ago who used to milk cows to exercise his fingers and dip each digit in a glass of brandy before recitals.

一个世纪以前，那位善于弹奏肖邦作品的巴哈曼曾经通过挤牛奶锻炼他的手指，并且在演奏前把每一个手指都浸在一杯白兰地中。

In terms of melody, harmony, rhythm, acoustics and structure, the skillful use of piano pedal by Chopin created his unique music taste.

在旋律、和声、节奏、音响以及结构方面，肖邦对延音踏板的巧妙运用，创造了他自己新颖独特的审美理念。

Chopin's polonaises brought the musical form to a higher level than anyone had envisioned the musical style to be capable of.

肖邦的波兰舞曲将这一音乐形式带到了更高的层次，这是没有人预见到的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。