查询词典 Chopin

After reading this article, you may appreciate the Chopin's four ballades much more.

藉由此篇论文的探讨，将能帮助大家更加深刻了解体会萧邦的四首叙事曲。

Chopin wrote four piano ballades in his whole life.

肖邦一生共创作了四首钢琴叙事曲。

In this thesis, I would respectively describe the music background, the music styles, the harmony, the sections, the phrase as well as the melody of the Chopin's four ballades so that the structure of the ballades would be clear. Besides, I'd provide my own opinion about the performing on these ballades.

在这篇论文中，笔者将分别探讨萧邦四首叙事曲的创作背景及音乐风格，并透过乐曲的分析，研究和声、段落、乐句和旋律等，使乐曲的音乐架构更加清晰，另外也针对乐曲提出一些个人在演奏诠释上的见解。

Chopin: Berceuse in D flat major, Op.

萧邦：降 D 大调摇篮曲，作品 57

By the way, though Scriabin was influenced by Chopin in his early works, his music is completely different from Chopins.

顺便说一句，虽然他早年的作品受到了肖邦的影响，但是其实他的音乐和肖邦是完全不同的。

The last part of the paper emphasizes on the combination of art, technique and life of Chopins Etudes, through the mental relation of Chopin and his country, and his personal emotion experience.

第三部分着重从肖邦与祖国在精神上的联系和他个人的情感经历来诠释肖邦的练习曲是艺术、技术和人生的结合。

Chopins music creation nearly completely is, in the piano art history, which writes for the piano, like Chopin like this the complete profession all gives to the music, master whom the piano creates is unique.

肖邦的音乐创作几乎全部是为钢琴而写的，在钢琴艺术史上，像肖邦这样将全部生涯都献给钢琴创作的音乐大师是独一无二的。

Chopins work involves the massive literature styles, etude creation it may be said is in the piano etude history milestone, is the technology and the artistic perfect union, these etudes enormously have affected and the Chopin same time and the after composer.

肖邦的作品涉及大量的体裁，其中练习曲的创作可谓是钢琴练习曲史上的里程碑，是技术与艺术的完美结合，这些练习曲极大地影响了与肖邦同时代及之后的作曲家。

Most of the Creoles in Kate Chopin's stories are comparatively wealthy, usually landowners or merchants.

大部分的克里奥尔在凯特肖邦的故事是比较富裕的，通常是地主或商人。

I was completely shocked since what I heard was Liszt itself playing the Chopin Etudes.

只需短短的几个小节就已经让我震撼无比，我听到的是李斯特在演绎肖邦练习曲。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。