查询词典 Chopin

There Chopin would reside until he departed Warsaw in 1830 — unbeknown to him — forever.

在那里肖邦一直住到1830年他离开华沙，他当时并不知道那次离开就是永别。

To most of the people, this kind of virtuosity is unimagineable, but this set of the Chopin Etudes never touch my heart.

不过面对这套录音，我却没有什么特别的心灵上的感动。

Former Minister of Culture Waldemar Dabrowski is adamant about Chopin's legacy.

前文化部长WD坚决捍卫肖邦的文化遗产。

Many of Lisitsa's performances, including Frédéric Chopin's Op. 10 and Op. 25 Etudes and Beethoven's Appassionata Sonata, have been made available on her YouTube channel, often in high quality.

她的YouTube频道上有许多她的演奏视频，比如肖邦练习曲（Op.10和Op.25）和贝多芬热情奏鸣曲，大多是高质量的视频。

On this occasion he won first place in an international piano competition with 151 contestants. The pieces he performed included Chopin's Piano Concerto No.1, Sergei Rachmaninoff's Piano Concerto No.2, and Ludwig van Beethoven's Piano Sonata No. 23 in F minor, Appassionata.

这次他在有151名参赛者的国际钢琴大赛夺冠，弹奏了包括萧邦的钢琴协奏曲第一号、拉赫曼尼诺夫第二号钢琴协奏曲及贝多芬第23号钢琴奏鸣曲「热情」。

This is the Chopin Ballade No3 played by Vivian. It was recorded about a month ago.

这是Vivian弹的萧邦第三号敍事曲，在大约一个月前录的。

Meanwhile, the analysis of the creative characteristics of F Major Ballade showcases that it has the complete features and spirit of Chopin's

同时通过对《F大调叙事曲》创作特征的分析总结，表明该作品具有肖邦叙事曲的整体特征和肖邦作品的精神内

Chapter one introduces Chopin's life, musical writing stages, writing style, and the origin and dramatic structure of his Ballade in G minor.

第一章概述肖邦的生平、创作阶段、创作风格、 g 小调叙事曲的体裁渊源和戏剧性结构

As one of the greatest romantic composers in the 19C., Chopin, with his incomparable musical talent, released his works from the shackle of words. Based on studying on balladry and vocal ballade, he transplanted balladry to piano works for the first time.

作为十九世纪浪漫派最伟大的作曲家之一，肖邦以其无人能及的音乐才华彻底摆脱了文字的束缚，在借鉴了叙事诗和声乐叙事曲的基础上，将叙事诗这一体裁首次移植为钢琴作品。

Spearman finally broken in the house, hiding in his military officer in Germany before the playing of Chopin's first Ballade, the bunch of moonlight straight from Spearman shed to the top of the left shoulder, the kind of light symbolizes a kind of sacred; have a bunch of astigmatism in the German officers to fight the front, and this light treatment, this made us think he is like a penitent sinner.

在斯皮尔曼最后藏身的破房子里，在他在德国军官面前弹奏肖邦的第一叙事曲时，一束月光径直的从斯皮尔曼左边的肩膀上方洒下来，那种光象征着一种神圣；还有一束散光打在德国军官的正面，而这种光线的处理，却让我们觉得他像一个正在忏悔的罪人。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。