查询词典 Chopin

No. 3, with its glimpses of mazurka, followed by a solemn chorale section that suddenly curtails the piece without the expected return to the opening material ---- evidently a late inspiration, since an early manuSCRIPT fragment of the piece assumes the conventional da capo return.(the other side of the same manuSCRIPT contains the study op. 10 no. 9, suggesting that this nocturne was at least partly composed well before the date of 1833 usually ascribed to it.) chopin is said to have associated the piece with hamlet ---- one of many literary images prompted by his music.

最为典型的例子是op.15no.3，在它中间有着玛祖卡舞曲的惊鸿一瞥，之后是肃穆的赞美诗部分，这一部分突然缩减了这一篇章，而不是象预期的那样回到开始之处，而早期的手稿中这里是采用了传统的da capo返回（这篇手稿的另一面还写有op.10no.9，这表明这部夜曲至少有一部分是在1833年以前创作的）据说肖邦把这个乐章和哈姆雷特——在他的音乐中提及的众多文学映像之一——联系在了一起。

In this article, I trace back the history of nocturn and make analysis to his OP.9, then discuss how Chopin succefully inherited from tradition while carrying forward this style at the same time.

本文通过对肖邦夜曲的追溯和肖邦夜曲OP.9的一组作品的分析，来探讨肖邦在继承传统的同时如何将夜曲这一体裁发扬光大。

Chopin created lots of piano works in his short life, and nocturne was the most important component of his works.

肖邦在短暂的一生创作了大量的钢琴作品，而夜曲是其钢琴作品中的重要组成部分。

As I played the last notes of the Chopin Nocturne, I saw my hands trembling.

当弹到《肖邦小夜曲》的最后一个音符时，我看到我的手在颤抖。

When I played Chopin's nocturne or waltz to them, those who were too shy to talk to me suddenly became active and began to share with me about their dreams.

我为他们表演肖邦的《夜曲》或《华尔兹》时，那些之前害羞不敢同我讲话的孩子们突然变得很活跃，还和我分享他们的梦想。

I'm playing a Chopin's nocturne in memory of my past love, a sound sharing something in common with the night breeze.

为你弹奏萧邦的夜曲，纪念我死去的爱情，跟夜风一样的声音。

The composer has arranged Chopin's nocturne s for the full orchestra.

那位作曲家已将肖邦的夜曲改编为交响曲。

Romantic period in the history of the music is an important period, Chopin as an important representative of this period, he created the "Nocturne" for the genre of the piano works of the Romantic embodies the creative techniques and progress Thinking.

音乐专业论文，摘要的翻译。浪漫主义时期是音乐发展史上的一个重要时期，肖邦作为这一时期的重要代表人物，他创作的以"夜曲"为体裁的钢琴作品，集中体现了浪漫派的创作技法和进步的思想。

I had heard a lot of Chopin before played by the old Paderewski, by Edwin Fischer, Lipatti, Cortot and many other great pianists.

在那之前我听过很多音乐家演奏肖邦，如Edwin Fischer，lipatti，Cortot 和许多其他的伟大的钢琴演奏家。

So it was significant that the first piece of Chopin's to be published - he wrote it, by the way, at the august age of seven - drew its form and style from the most famous of Poland's national dances, the Polonaise.

所以，肖邦将要出版的第一部作品是很有意义的--他创作了它，另外提一句，在他七岁的那个八月--它的形式和风格是从波兰最有名的自然舞蹈中提取出来的，这就是波罗奈兹。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。