查询词典 Chopin

Her taste runs also to arrangement of Chopin and Joplin, as well as to Japanese and Brazilian music

她的品味也包括改写的萧邦和［美国作曲家］Joplin的曲子，以及日本、巴西音乐。

Effect. Chopin considered legato as the most important skill to develop for a beginner.

肖邦认为连奏是初学者最须要建立的技能。

In his school years, Chopin was noted to be an accomplished sketch artist and a talented, witty letter-writer.

在他的学生生涯里，肖邦熟练的素描功底和诙谐的写作才能很引人注目。

Backhaus did not disappoint me with his Chopin Etudes(like most of his other recordings), the only letdown might just be his lionlike style sometimes weakened certain interesting point in the music. But so what?

Backhaus的这套录音没有让我失望，或者让你失望的或者只能是狮王般的作风有时让某些趣味的旋律显得生硬，然而这又是什么很至关重要问题么？

Chopin once wrote in a letter:......at this moment Liszt is playing my studies.....

肖邦曾经在他的信件上写过：。。。。。。

Undoubtedly, the piano works of Chopin was influenced in great part by editors all along. Because of the disarray and the manifoldness of the edition of score, people have paid great attention to these piano works.

肖邦钢琴音乐作品的乐谱版本一直以来在很大程度上受到编者的干预，因其多而杂乱，一直以来备受人们的关注。

Masurium Zuka is in Chopin's creation the richest national disposition work In 58 Masurium Zuka unfolds this Polish artist's rich inner world.

玛祖卡是肖邦的创作中最富有民族性格的作品。51首玛祖卡中展现出这位波兰艺术家丰富的内心世界。这种体裁直接来自民间，这些舞曲中充满浓厚的波兰乡土气息，情感的变化异常迅速而且丰富多样。

Maupassant's novel in translation, Chopin take his model.

莫泊桑的小说翻译中，肖邦以他的模式。

This paper Chopin's Mazurka characteristics and styles done a brief discussion.

本文对肖邦玛祖卡的特点和风格做了简要的论述。

His interpretations reflects the essence and authenticity of the masterpieces, whether it's Mozart's Fantasy, Schubert's Sonata, Chopin's Mazurka or Debussy's Berceuse.

无论是莫扎特的幻想曲，舒伯特的奏鸣曲，还是肖邦的玛祖卡，德彪西的摇篮曲，海顿的奏鸣曲，傅聪展现的总是大师的精彩技艺。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。