查询词典 Chopin

Frederic Chopin stayed in this room during his visit.

肖邦当时就是住在这个房间里。

Anniversary of the birth of Frederic Chopin , who was born and raised in a village just outside Warsaw.

这个春天标志着弗雷德里克肖邦200周年诞辰。肖邦生长在华沙旁的一个村庄。

Piano, and then to use these instruments to play chopin's fifth fugue in G minor.

相信我，你的孩子不想学小提琴，钢琴，然后去演奏肖邦的第五g 调幻想曲。

Since his triumph as winner of the 1970 Chopin International Piano Competition, pianist Garrick Ohlsson has established himself worldwide as a musician of magisterial interpretive and technical prowess.

自从在1970年肖邦国际钢琴大赛中夺魁后，加瑞克·奥尔森就以其权威的演绎和非凡的技术而闻名于世。

Scriabinwas a productive composer although his life was very short. His pianoworks styles were diverse and the music creative techniques were fineand gracile, they can match with the Chopin's piano works.

斯克里亚宾虽一生短暂，却是一位多产的音乐家，他的钢琴作品体裁多样化，创作手法精细纤弱，可以与肖邦的钢琴音乐媲美。

The first one and the eleventh one are concentrate to the tensibility of finger, the second one is famous of it"s fingering technique which is the typical fingering of Chopin, the third and six one are experience the layer of mufti voice parts, the fourth one is keenness which carries on by its speed and music the alone difficulty , the fifth one is the"black keyetude , harmonic innovate are visibly reflected at the seventh, the tenth and the eleventh one, humorousness is performance in the bass field in the eighth one, the ninth and the twelfth one are training stretching and running technique of left hand.

第一首与第十一首是针对手指的伸张技术；第二首是赋予了肖邦典型技术特征的指法；第三首与第六首是多声部织体的演奏；第四首是以其速度和音乐进行的尖锐性而独具难度；第五首是"黑键"练习曲；和声的创新手法在第七、第十以及第十一首里都有明显地体现；第八首最大的特点在于它用左手在低音区表现出谐谑式的旋律；第九首与第十二首在单纯手指技术上是分别训练左手的伸张及快速均匀的跑动。

The first one and the eleventh one are concentrate to the tensibility of finger,the second one are famous of it"s fingering techri-ique which is the typical fingering of Chopin,the third and six one are experience the layer of multi voice parts,the fourth one is difficult at it"s sharp-- pointed music proceeding and the fifth one are playing almost all black keys,humorousness is performance in the bass field in the eighth one,the ninth and the twelfth one are training stretching and running technique of left hand,harmonic innovate are visibly reflected at the seventh,the tenth and the eleventh one.

在分析其技术特征的同时，为了体现肖邦钢琴语汇的实用价值及练习的目的性，还采用对比比较分析的方法，有针对性地列举谱例，比较肖邦练习曲及其与肖邦其他钢琴作品典型技术课题的对应关系；还在演奏技术方面稍作探讨并在艺术性与美学方面略有探究，论述了肖邦练习曲的音乐个性和宝贵练习价值。

I was a child then, I wrote: Chopin's piano is as comfortable as my bed, as it an impalpable sword goes straight to my heart.

那时，我还是孩子，曾这样写到：肖邦的音乐就象被窝一样舒服，又如一把无形的剑，直抵我的心。

Mozart was known to be able to sit at the keyboard and produce endless variations on a theme; Beethoven was a renowned improviser well before he was a renowned composer; and Chopin was rumored to have rarely performed his own compositions the same way twice.

众所周知，莫扎特能坐在键盘前，即兴演奏出一段主题的无数种变调；贝多芬在成为著名的作曲家前，早已因他的即兴能力闻名；而有关肖邦的传闻早就声称，这位钢琴家面对自己的作品时，几乎从未作过两次完全相同的演奏。

It explains separately the skills of the deviating from the key and modulation,the overlapping and interlacement of tune in deviating from the key and modulation to Chopin's《Polonaises》.Chapter three dissertates skills of a chord interlacement,and expending and appreciation about function of the chord subordinate in the《Polonaises》.

在肖邦《波兰舞曲》离调与转调技法中，对离调技法与转调技法，调性的重叠、交错分别进行阐述；第三章对肖邦在《波兰舞曲》中的和弦交织、下属功能的扩展与升值技法展开论述；第四章则是肖邦《波兰舞曲》的和弦外音、半音和声技法。。。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。