查询词典 Chopin

The programs provide some idea of the richness of Parisian artistic life during this period, such as the concert on March 23, 1833, in which Chopin, Liszt and Hiller played the solo parts in a performance of Johann Sebastian Bach's concerto for three harpsichords, and the concert on March 3, 1838, when Chopin, Alkan, Alkan's teacher Pierre Joseph Zimmerman and Chopin's pupil Adolphe Gutman played Alkan's 8-hand arrangement of Beethoven's 7th symphony.

节目表现了当时巴黎艺术生活的丰富多采，比如：1833年3月23日的音乐会上，肖邦、李斯特和希勒表演了JS巴赫三大键琴协奏曲的独奏部分，1838年3月3日的音乐会上，肖邦、Alkan、Alkan的老师Pierre Joseph Zimmerma和肖邦的学生Adolphe Gutman演奏了Alkan改编的贝多芬第七交响曲八手联弹版。

I Like Chopin Gazebo Remember that piano So delightful, unusual That classic sensation Sentimental confusion Used to say I like Chopin Love me now and again Woh~~ Rainy days, never say good-bye To desire when we are together Rainy days growing in your eyes Tell me where's our way Imagine your face in a sunshine reflection A vision of blue skies Forever distractions Used to say I like Chopin Love me now and again Woh~~ Rainy days, never say good-bye To desire when we are together Rainy days growing in your eyes Tell me where's our way by lune

我喜欢萧邦眺望台记得那一架钢琴如此令人愉快，不寻常的那第一流的感觉感伤性的混乱过去一直说我喜欢萧邦现在和再爱我 Woh~~下雨的每天，从不发言权再见需要当我们一起下雨的天在你的眼睛中增加告诉我我们的方法在哪里想像你的脸进入愉快的反映一个蓝色天空的愿景永远地娱乐过去一直说我喜欢萧邦现在和再爱我 Woh~~下雨的每天，从不发言权再见需要当我们一起下雨的天在你的眼睛中增加告诉我我们的方法在哪里 lune制作金山词霸翻译的。

This article from analyzes the Polish nationality music, analyzes Chopin's piano music creation style and the Masurium Zuka creation, analyzes the Chopin music the national characteristic three aspects to obtain, further studies and studies Chopin's Masurium ancestor card music.

这三种舞曲的特点往往混合在一起构成肖邦的玛祖卡，结构上多是对称性乐句构成的三段形式。钢琴织体简单朴素。本文从分析浪漫主义时期及波兰民族音乐入手，到简述肖邦的生平及其钢琴音乐创作风格及玛祖卡的创作，分析肖邦音乐演奏应注意的问题四个方面入手，进一步学习和研究肖邦的玛祖卡音乐。

In music structure, through the contract of the musical form structure of this work and the typical classical concerto musical form structure, it summarized the inheritance of classicism concerto structure and the personalized innovation of national style of this work, and emerged Chopin"s inheritance in concerto creation and his innovative spirit in this area. In melody, by centering the elaboration on the vocal and colorful melody, it fully displayed Chopin"s unique artistic style and distinct romanticized characteristic in melody creation. In rhythm, with the analysis of the third music movement"s rhythm, we could learn the rhythm of mazurka which penetrated the entire music movement and which had typical Poland national characteristics, the national characteristics of the work, and the primary form of characteristic rhythm. Furthermore, it revealed the national essence and the origin material in Chopin"s works. At last, in harmony, from the aspects of linearity and the sound thought of semitone, the counter-function harmony proceeding in breaking traditions, the harmony technique in function-extended, the charm in detuned chord, the blending of sound rhythm and music situation, it analyzed and summarized the distinct romanticism in harmony arranging in the work.

音乐结构上，通过作品曲式结构与古典协奏曲典型曲式结构的对比，总结作品对古典主义协奏曲结构的沿袭和民族风格的个性化创新，展现了肖邦在协奏曲创作的继承和创新精神；旋律上，主要围绕作品旋律的歌唱性和色彩性进行论述，充分展现肖邦在旋律创作上独特的艺术风格和鲜明的浪漫主义特征；节奏上，通过对第三乐章的节奏分析，展现了贯穿整个乐章的具有典型波兰民族特色的玛祖卡节奏，阐述作品的民族特色，并追溯特征节奏的原形，进一步揭示肖邦创作的民族本质和素材来源；和声上，从半音化的线性和声思维、突破传统的反功能和声进行、功能延伸式的和声手法、音阶化的转调模进手法、离调和弦的色彩魅力等几个方面入手，分析和总结了作品在和声运用上新颖、鲜明的浪漫主义特色。

Through running down Chopin-nocturn and analysing a group works of Chopin-nocturn op.9 , the article discusses how did Chopin nocturn inherit the tradition and at the same time made the style of nocturn carried forward.

本文通过对肖邦夜曲的追溯和肖邦夜曲OP.9的一组作品的分析，来探讨肖邦在继承传统的同时如何将夜曲这一体裁发扬光大。

Chopin is awarded for notable Chopin recordings, both remastered and newly-recorded work.

Chopin奖将定期地授予杰出的肖邦录音，无论是翻录作品还是新录的作品。

With support by EMI(1976-90) and his unbelievabletechnique gathered lots of fans and later with more recordings under DG label. His vast repertoire includes Handel, Bach, Beethoven, Mozart, Chopin, Liszt, Schumann, Schubert, Brahms, Ravel, Rachmaninoff, Tchaikovsky, Balakirev, Prokofiev.

由于演奏技术了得，他的保留曲目范围十分广，Handel， Bach， Beethoven， Mozart， Chopin， Liszt， Schumann， Schubert， Brahms， Ravel， Rachmaninoff， Tchaikovsky， Balakirev， Prokofiev，这些作曲家的作品他都是录音过的。

"Actually, Chopin doesn't need to be promoted, but we hope that Poland and Polish culture can be promoted through Chopin," said Monika Strugala, who is coordinating the Chopin 2010 program under the aegis of the Fryderyk Chopin Institute, a body set up by the Sejm in 2001 to promote and protect Chopin's work and image.

此次负责此次&肖邦年&活动协调工作的莫妮卡·Strugala表示：&事实上，虽然肖邦名誉全球，但是我们还是希望通过宣传肖邦来推广波兰和波兰文化&。此次活动是由费雷德里克·肖邦研究会主办的。肖邦研究会是由波兰议会设立的一个政府组织，旨在宣传和保护肖邦的音乐作品及形象。

Little Chopin was so famous, that from that day onwards, he was invited to perform for the Polish Nobles in their grand salons. He was the favourite of the nobles. In 1825, Tsar Alexander I of Russia visited Warsaw in order to attend the Sejm, or Polish Parliament. When the Tsar was in Warsaw, he attended one of Chopin's concert, the Tsar was so amazed by Chopin's talent that he gave Chopin one diamond ring.

从此，肖邦就以钢琴演奏&神童&的身分，经常被华沙的贵族邀请去演奏，一时成为贵族沙龙中的宠儿。1825年，前来华沙参加波兰议会的俄国沙皇亚历山大一世，也出席了肖邦的一次演奏会，还赐给了肖邦一枚钻石戒指。

Among his huge discography, complete piano works by Rachmaninoff, Chopin , Schumann are the mostly mentioned.

在他的庞大录音目录中，Rachmaninoff，Chopin，Schumann钢琴作品全集可能是其中最常被提及的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。