查询词典 Chinese painting

Second is the theory of evolution thought in the Chinese painting world"s influence, this article tries from person and so on Chen Duxiuto propose "the fine arts revolution* and person and so on KangYouwei, Xu Beihong advocates carries on " the traditional Chinese painting improvement" with the realism, in between the fine arts history development course various stages compares " the principle argument", with "Chinese and the western art fusion" and so on the aspects, carries on a simple elaboration and the explanation.

其二是进化论思想在中国画坛的影响，本文试从陈独秀等人提出的"美术革命"和康有为、徐悲鸿等人提倡的用写实主义进行的"中国画改良"，美术史发展历程中的各阶段之间比较中的"主义之争"和"中西艺术的融合探索"等方面，进行一点浅显的论述与说明。

His paintings were widely nurtured by classical art, impressionism and fauvism. Additionally his study and research on traditional Chinese art and folk art also laid an influence to his paintings. In 1930, Lin devoted himself to the exploration in reforming traditional Chinese painting. He applied tools and materials found in Chinese traditional painting in the representation of contemporary Western format.

其绘画广泛吸收古典艺术、印象主义、野兽主义艺术的营养，并加以消化，同时又研究中国传统美术和民间艺术。1930年代后开始致力于改革传统绘画的探索，用中国传统的绘画工具、材料参以西方现代绘画的某些表现手法。

In 1997, his traditional Chinese painting was collected by National Painting Art Committee and National calligraphic sodality and National Art Association. His works are awarded as the exquisiteness prizes of the second session for Xi Bi Spring National Calligraphy and Painting invitation Competition which have selected into " Xi Bi Spring Exquisiteness Ink and Wash Painting Record".

近期作品在国务院管理局主办的《中国机关后勤杂志》中陆续刊登，并应邀在中南海、全国政协、北京国际商会会馆、国务院北戴河服务局、国务院西山服务局及驻京部队等单位作画，大量作品被以上单位及个人收藏，并颁发收藏证书。2005年元月作品被人民大会堂及中国历史博物馆收藏。

It's near 30 years from August 1979 to now, Ma Hongbin embarked upon painting and calligraphy when he indited the Qi-yan poems ( Name of Ancient poetry metrics ) for the Chinese painting by Chinese painting master Mr.

马鸿斌对书画艺术的热爱，是从1979年8月读国画大师吴作人先生和黄胄先生作的国画作品而作七言诗算起至今将近30年。1981年起，在读大学一年级起，开始临历代名家书法字帖及练习现代硬笔书法，创作名人铅笔素描并在大学师生书画展览获奖。

A Chinese painting of the Israel-loving painter said that China should be painted so that we like Chinese paintings of people look or Chinese painting.

一位爱好中-国画的以色列画家说，中国画应该是-我们喜欢中国画的人看起来还是中国-。

A Chinese painting of the Israel-loving painter said that China should be painted so that we like Chinese paintings of people look or Chinese painting.

一位爱好中国画的以色列画家说，中国画应该是让我们喜欢中国画的人看起来还是中国画。

A Chinese painting of the Israel-loving painter said that China should be painted so that we like Chinese paintings of people look or Chinese painting.

几年前，曾发生某画家的布幕国画被归类到油画展的事情，震惊了国画界……于是产生诸如&中国画末路穷途&、&笔墨等于零&等悲观论调。

His concept of creation of painting. In his opinion, pure painting art has to be relative to lives and unpractical. And an artist should have a respectable character as well as skillful techniques. He thought the Chinese painting was more subjective and metaphysical but the western one is more objective and realistic. Feng had great achievement on cartoons because it was the kind of painting that relied on simple brushworks, meaning, symbols, and literary which all correspond to his principles.

二、绘画创作理念：在绘画艺术方面，丰氏认为其要与生活相关联，并且不具有实际之效用，方才是纯正之绘画艺术；而艺术家除了具备巧妙的技法之外，更重要的是要具有高尚的人格；在中西绘画方面，丰氏认为中国画较主观、写意，西洋画则较客观、写实；而因为认为漫画是简笔而注重意义的一种绘画，并具有象徵性、文学性，最符合其作画原则，因此丰氏在此领域著墨最多，成就也最高。

Since the beginning of the twentieth century, traditional Chinese painting encountered violent impingement, especially after 80's," traditional Chinese painting has already dead","west modernist painting is modernistic art, because of high frequency, new conception and many ploys".

自二十世纪以来，中国画屡受冲击，特别是 80 年代后，&传统中国画死了&、&西方现代派频率高、观念新、手法多，才是现代性的艺术&。

It is applied as the basic features of make-up soil to create a wealth of decorative techniques, that is, all kinds of colored glaze decoration, depiction of flowers, pick flowers, and white flowers, white painted underglazed designated flower, and red and green color, low-lead three-color glaze and white printing, printing and so on more than 30 kinds of celadon; techniques in particular rust spent five kilns broke through the limitations of single-colored glaze, with the artistic effect of traditional ink painting and traditional Chinese painting, calligraphy, art and porcelain technology combine to create a new integrated arts, explore the ancient ceramics of the new realm of aesthetics; for the future and colorful blue and white porcelain had paved the way for development.ci zhou yao decorative themes are rich and varied, unique, artist have a very cool way, and masterly skills of painting, will be pleased to see civilyu chong bird, rare birds andrui shou , landscape character, opera stories, poems Qu Fu,min yan motto, children at play Zaju painted on porcelain, etc., to retain a large number of ancient folk painting, calligraphy and folk customs reflect the kind of information, forming a simple, free and easy, a crisp, Haofang's artistic style and rich color and a distinctive non-governmental national characteristics, and the world at large on the domestic ceramics have had a profound impact.

它以施用化妆土为基本特征，创造了丰富的装饰技法，即有各类色釉装饰、刻划花、剔花、白地黑花、白地釉下绘划花，又有红绿彩、低温铅釉三彩和印花白瓷、印花青瓷等三十多种；尤其是铁锈花技法突破了五大官窑单色釉的局限，具有传统水墨画的艺术效果并把中国的传统绘画、书法技艺与制瓷工艺结合起来，创造了新的综合艺术，开拓了古代陶瓷美学的新境界；为以后青花和五彩瓷器的发展开辟了道路。磁州窑的装饰题材丰富多彩，别具一格，画师们以极其潇洒的手法和高妙的画技，将民间喜闻乐见的花鸟鱼虫、珍禽瑞兽、山水人物、戏曲故事、诗词曲赋、格言民谚、婴戏杂剧等绘于瓷器，保留了大量古代民间绘画、书法及反映民俗民风的实物资料，形成了质朴、洒脱、明快、豪放的艺术风格及浓郁的民间色彩和鲜明的民族特色，对国内乃至世界陶瓷产生了深远的影响。

The absorption and distribution of chromium were studied in ryeusing nutrient culture technique and pot experiment.

采用不同浓度K2CrO4(0，0.4，0.8和1.2 mmol/L)的Hoagland营养液处理黑麦幼苗，测定铬在黑麦体内的亚细胞分布、铬化学形态及不同部位的积累。

By analyzing theory foundation of mathematical morphology in the digital image processing, researching morphology arithmetic of the binary Image, discussing two basic forms for the least structure element: dilation and erosion.

通过分析数学形态学在图像中的理论基础，研究二值图像的形态分析算法，探讨最小结构元素的两种基本形态：膨胀和腐蚀；分析了数学形态学复杂算法的基本原理，把数学形态学的部分并行处理理念引入到家实际应用中。