查询词典 Chinese painting

With further understanding and recognition in art, her painting style was changed continuously, especially breakthrough on artistic method and expressive forms. In 2005, Marta left Spain for Shanghai and was attracted by the purity of the Chinese traditional culture and traditional building materials. On the basis of the original artistic language, she was trying to integrate the Western and Chinese drawing language in terms of the expressive form. Generally, She planned models after modeling language of Western oil painting. Then, she pasted or collaged the traditional materials such as pearl, silk and knitting cloth on the drawing board.

随着对艺术的进一步理解和认知，她的绘画风格不断演变，尤其在艺术手法和表现形式上的突破。2005年，Marta从西班牙来到了上海，被中国传统文化的纯粹性和传统物质材料所吸引，在原有艺术语言的基础上，她试图在表现形式方面将中西方的绘画语言有意进行链接，她通常先用西方油画的造型语言塑型，然后将中国一些传统材料如珍珠、丝绸、针织布料等在画面上进行粘贴和拼贴。

From the third rural cultural festival, the Yiwu in Zhejiang Province Department of Culture, Nanjing, Song and Dance Troupe and other units to co-organize the province of professional Wucheng Theater "annual Red Cup" Grand Prix, Zhejiang class vocal group singing competition, Zhejiang Province, the new Rural amateur Wu Opera Competition,"on the River Cup" Wu Opera Music Competition,"after the house cup" of the 12th opera essay contest, and the second session of the Zhejiang Province,"the house cup" comedian competition, the North four painters painting exhibition, Zhejiang Prints 15 Year Review of the exhibition,"into the Yiwu" Chinese Artists Association, Center for Traditional Chinese Painting Exhibition of high-specification artist cultural exchange activities, greatly enhanced the level of Yiwu Cultural Festival in rural areas and standards.

从第三届农村文化节起，义乌与浙江省文化厅、南京歌舞团等单位合作，举办了浙江省专业婺剧团&年年红杯&大奖赛、浙江省组唱类声乐大赛、浙江省新农村业余婺剧比赛、&上溪杯&婺剧音乐比赛、&后宅杯&第12届曲艺小品大赛、第二届浙江省&后宅杯&笑星大赛、北方四画家国画作品展、浙江省版画15年回眸展览、&走进义乌&中国美术家协会中国画创作中心画家作品展等高规格的文化交流活动，大大提升了义乌农村文化节的层次和水平。

From the time's sequence and abstract speciality on the calligraphic manipulation, we can see, line vigour, line thickness, line rhythm are immitting to a picture making the formative line fluid and philosophic, thereby making traditional chinese painting having liquidity and philosophy of the line shape directly, and pulling the character of chinese painting having liquidity, philosophy, soul, imago on the whole aesthetic factor.

可以讲，书法用笔的时序性、抽象性，以及厚度美、力度美和韵律美等因素对绘画的不断注入，直接影响到中国画以线造型的流动性和哲理性，从而使得中国画具有心灵化、哲理化、意象化和意境化等独特品质。

Originating from ancient Chinese paintings, colored rock painting, boasting a history of a thousand years, once was a dominating category in China before the rise of Chinese ink-wash painting.

它起源于中国古代绘画，有着千年的历史，是在中国写意水墨兴起之前的中国主流绘画。

Pieces of works, the Asia-Pacific Museum of California. 1989 should be invited by the University, Ohio fen to conduct academic exchanges and organized individual exhibitions. In July 1990 in Nepal's capital Kathmandu, large-scale exhibition held at the Museum. October 1990 New Delhi, India Baha'i Museum exhibition,"Chenming," a collection. On three occasions since 1991 in Florida, where Bo and other three cities held personal exhibitions. 1992 work,"Spring Bamboo" is Queen of the Netherlands Beja Therese collection. In Sydney, Australia in 1993, organized by city, the first Asia-Pacific Chinese ink painting contest winners, work "snowy's Island," a collection. In October 1994 the National Museum of the Netherlands invited to organize large-scale solo exhibition in December 1994 in Rotterdam invited Chinese literary weeks personal exhibition was held. 1995 Chinese Culture Week was mayor of Amsterdam, the Netherlands named after a famous Chinese artist. 1996 has been Noto City, He Luolin root City,拉登维斯林City, is an ink-Wei City, Amstelveen invited to organize large-scale exhibition city.

1986年起多幅作品被美国加州亚太博物馆收藏。1989年应美国俄亥俄州芬来大学邀请进行学术交流并举办个人画展。1990年7月在尼泊尔首都加德满都博物馆举行大型个展。1990年10月在印度新德里巴哈伊博物馆举行个展，《晨鸣》被收藏。1991年起先后三次在佛罗里达州、里勃等三城市举办个人画展。1992年作品《春竹》被荷兰女王贝雅特丽丝收藏。1993年在澳洲雪梨市举办的，首届亚太地区中国水墨画大赛获奖，作品《雪原之洲》被收藏。1994年10月被邀于荷兰国家博物馆举办大型个人画展，1994年12月在鹿特丹中国文体周特邀举行个人画展。1995年阿姆斯特丹中国文化周被市长命名为荷兰著名中国艺术家。1996年先后曾被乃登市、荷罗林根市、拉登维斯林市、乃墨卫市、阿姆斯特芬市邀请举办大型个展。

Dedicated to the innovation on traditional Chinese Paintings for a new approach of"traditional Chinese painting with thick calor"with his works being collected in the Treasured Directory of Famous Chinese Artists in History, dictionary of Famous Chinese Artists in History etc.

数十年来，致力于中国画创新，探索出一条&重彩水墨画&，作品编入《中国历代书画名家宝典》、《中国历代书画名家大辞典》等。

This article examines anew the phenomena of the annotation in Chinese ancient philosophy and concludes as follows by analyzing some examples of the annotation in Chinese ancient philosophy: the essence of the annotation in Chinese ancient philosophy is to express the thought of the annotator in the structure-meaning-language of Classics text, the annotation in Chinese ancient philosophy is a philosophical writing way of the ancient Chinese philosophers, not the method of semantics of ancient Chinese language.

本文通过对"易注"样本的分析以及相关方面的考察，重新理解了中国传统哲学中的注释现象，得出了如下的结论：中国传统哲学中的注释，其实质乃是用母本的结构语义来表达注释者的思想；这种注释不是寻求原义的语义训诂，而是中国古代哲学家的一种哲学写作方式。

Overseas Chinese literature in the ten years of the new century, presented at a deeper level the integrity of the overseas Chinese writers in the "new old" hand-over communication between the generations, the Chinese writers generation and new immigrants from overseas due to the deep-seated patterns of Chinese literature adjustments, Chinese development in the cultural displace and spread , and all reflect the efforts of overseas Chinese literature beyond the east and west binary to point the "third element".

新世纪10年海外华文文学在深层次上呈现的中华民族文学的整体性，海外华文作家"新老"交接中的世代沟通，华人新生代和新移民作家创作引起的海外华文文学格局的深层次调整，汉语在文化流徙传播中的丰富发展，都反映出海外华文文学超越东、西二元而指向"第三元"的努力。

Chapter one is "Introduction". On the basis of summarizing the history of the study of the pictophonetic characters, we suppose some theoretical principle, such as the principle of the correspondence between the form and the meaning of the individual graph of Chinese characters, the principle of the total graphs of Chinese characters being a character-formation system, and the principle of the optimum development of the character -formation system in the history, and som analytic methods, such as the methods of structrue-function analysis, form-position analysis and meaning factor analysis, in the study of the pictophonetic characters. Chapter two is titled"General knwledge of the pictophonetic character." We discuss their origins, nature and some standards of distingnishing them, introduce the knowledge about the editions of SHUO WEN JIE ZI, analyse the functions of the modules of pictophonetic characters in detail, discuss concretely the function of phonetic graphs showing origins and pronunciations, the function of meaning graphs showing meanings and analogies, and the function of distinguishment when the two kinds of graphs are conbined. Chapter three is"The system of meaning graphs of Xiao Zhuan system."After we describe the structure of the meaning graph system, the relations between meaning graphs, the distributions of the function of meaning graphs showing meanings, and the frequency of all this kind of graphs, we get a table of all meaning graphs, a table of the frequency. Chapter four is"The system of phonetic graphs of Xiao Zhuan system."We describe the structure of the phonetic graph system, the relations between phonetic graphs, and between their function showing origins and their function showing pronunciations, and their frequency, then we get ageneral table of phonetic graphs and table of their frequency. Chapter five is "conclusion". We think that systematical methodology is useful in describing and analysing the formation system of Chinese characters. The methodology is adaptable in describing the formation system of modern Chinese characters as well as the historical character systems, adaptable in describing horizontally as well as comparing vertically. Only when we finish the systematical vertical compare on the base of systematical horizontal decription, could we know the true history of the system of Chinese characters, recover the rule of the system's development, and supply the theoretical supports for the scientifical arrangement of modern Chinese characters.

第一部分—绪论，在总结形声字研究历史状况的基础上，提出了研究形声系统的理论原则和分析方法，即汉字个体字符形义统一的思想，汉字字符集合构形系统的思想，汉字构形系统历史演变系统优化的思想等三项理论原则和结构功能分析法，形位分析法，义素分析法等三种分析方法，还扼要地介绍了具体的工作程序和论文的主要内容；第二部分—形声字概述，论述了形声字的来源、性质和鉴别标准，介绍了对《说文解字》正篆形声字说解中的传抄讹误，版本异文，说解错误校勘和考证的经过，详细分析了形声字构件的功能，具体讨论了声符的示源功能与示音功能，义符的示意功能与类化功能以及声符与义符组合中的相互区别功能；第三部分—小篆字系的义符系统，从义符系统的构成、义符间的相互关系，义符示意功能的分布及义符的构字频度等不同侧面，对义符系统进行了全面的描写，产生了义符总表、义符间意义关系总表和义符构字频度总表；第四部分—小篆字系形声字的声符系统，从声符系统的构成、声符间的相互关系，声符的示源功能与示音功能的关系以及声符的构字频度等不同侧面，对声符系统进行了全面描写，产生了声符总表和声符构字频度总表；第五部分—结束语，在全面测查小篆字系形声字的基础上，对研究汉字的方法和现代汉字发展方向的问题提出了一些看法，认为系统论的方法是描写和分析汉字构形系统行之有效的方法，系统论方法，不仅适用于历史上文字系统的描写，也适用于现代汉字构形系统的描写，不仅适用了断代描写，也适用于历史比较，只有在对汉字断代系统描写的基础上进行系统的历史比较，才能认清汉字系统历史演变的真相，揭示汉字系统发展的客观规律，为科学地整理现代汉字提供理论上的依据。

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Listen,point and check your answers.

听，指出并且检查你的答案。

Warming needle is one of effective treatment methods for knee arthralgia aggravated by cold,and it is simple,safety,so it should be developed in clinical acupuncture and moxibustion extensively.

但以本院科针灸门诊在2005年1月—2006年6月期间共收治膝痛患者100余例，经过临床的诊断后，其中施以温针治疗的48例，疗效显著，报道如下。1临床资料本组病例48