查询词典 Chinese painting

However, during New Trend '85, Gu Wenda differentiated himself from most artists of Chinese Painting of the time and showed his contemporary consciousness by experimenting on traditional ink painting materials and techniques. This brought out a new possibility for the contemporaneity of Chinese Painting. Since then, unremitting efforts have been made to "modernize" Chinese Painting through traditional abstract elements like ink-wash and Calligraphy. These efforts streamed into a new trend called "modern ink"(or "abstract ink","experimental ink") in late 1980's, though seemed not widely acknowledged for its resemblance to Abstract Expressionism of 1960's and 1970's American art. What is interesting is that while some artists are endeavoring to "westernize" their art, a new trend grouped as "Neo-literati Painting" appears with very traditional form and mood. This can be explained as a group of people's resistance to the reformation of traditional culture as well as their nostalgia to traditional ideals. However, this school tends to be artificial for the absence of the particular context, and the expression with traditional brushwork is also regionally limited. Of all the efforts of reformation, Chinese Painting that accordingly adopts the tradition heads the list because of the cultural identification of the big number of population and greater market as a result of the economic growth of China. Meanwhile, the immense conservative inertia of traditional Chinese culture can also be detected.

在"现代艺术"风起云涌的"85新潮"中，谷文达以传统水墨的材料和方法表达出不同于当时大多数中国画艺术家们这种文化心态和文化认知的现代意识，为中国画的现代性提供了一种方案；以水墨、还有选择中国传统书法的抽象因素等可能来进行现代性探索，一直是中国画连绵的努力，在80年代后期汇聚成"现代水墨"（又或曰"抽象水墨"、"实验水墨"），是中国画的又一流向，但是不是没有脱离60、70年代美国的"抽象主义"意义，反而还有了拾人牙慧之嫌，所以始终难以获得更大的认可和成功；很有趣的是，与此"西化"流向同时的，还有以非常传统的方式出现的"新文人画"潮流，或许可以把这看着是部分中国文化人在中国以西方为参照的新文化背景下对之的抵制，对传统理想的怀念和诉求，但由于已经失去了其语境和环境，"新文人画"显得娇情和造作，而且这种以非常地域化的传统笔墨语言来表现的方式也失去了更为普遍化的可能；反而是延续传统一脉的国画，由于有巨大的人数基础的本土文化的认同，在中国经济发展后有了更大的市场，所以还是蔚然为中国画的一大潮向，从这也可以看到中国文化承传的保守性的力量。

It has ever held a series of experimental exhibitions,such as Xu Bing "Cultural Animal"exhibition;Zhao Bandi "Moonlight"exhibition;"New Sharp Gaze----painting exhibition of artists born in 1970s", New Academism Exhibition, the power of the painting, Chinese painting's new forces Series, The younger generation's painting exhibition.etc.With widespread influence in Chinese modern art circle, it has become one of the activity center of Chinese modern art.

世纪翰墨画廊曾成功推出徐冰&文化动物&展；赵半狄&月光号&展等一系列实验艺术展；以及&新锐的目光——生于七十年代青年艺术家绘画展&，&新学院主义&展、&绘画的力量&展，中国油画新新力量系列展，年轻一代油画作品展等，在中国当代油画艺坛产生广泛影响，成为中国当代油画艺术的活动中心之一。

His works of pure ink traditional Chinese painting are the best painting in ancient China, that is to say this is the traditional Chinese painting in ancient times, this painting skills have been lost for over thousand years which was the legatary soul of the Chinese peoples art civilition.

其中国画作品多次获金奖，并授予&中国人杰出艺术家&、&世界华人艺术突出贡献奖&、&中国艺术功勋成就奖&等荣誉称号，作品荣获中国书画收研究院最高奖项&一等奖&，被国家定为族文化遗产的精髓。

This is not only because we all started our art career from traditional Chinese art. We find it regrettable that traditional art forms are in their muteness in contemporary culture. In our respective artistic practice, we have formed a common understanding about contemporaneity of Chinese Painting: Chinese Painting needs to be explored and reformed from the legacy of tradition; Chinese Painting needs to obtain its contemporary cultural significance.

这不但是因为我们都是从学习传统的中国绘画艺术开始我们的艺术之旅的，更因为我们对传统艺术方式在当代文化中无所作为的失语状态有切肤之感，在各自的艺术实践中对中国艺术的当代性有一个共同认知：中国艺术需要从传统中发掘和更新、中国艺术要努力具有当代文化的意义。

Through traditional Chinese painting study in the period of University and oil painting art study in the period of graduate student for 3 years, I seriously compared and studied the colouration between traditional Chinese painting and oil painting, I think, no matter what tradition Chinese painting is or oil painting, colouration as an art form in Chinese-the West culture systems has many difference in different history stages, their painting concept is different.

通过在大学时的中国画学习和三年研究生阶段对油画技法及创作艺术的研习，对中西绘画的色彩观进行了认真的比较研究，我认为在色彩上无论是中国画还是油画，作为中西两种不同文化体系中的艺术形式，其色彩观念上有许多不同之处，在不同的绘画历史阶段，他们的绘画色彩观念也并不一样。

Chinese painting shouldn't be negatived at all only for some shortage in traditional painting elements. Meanwhile, in the college , which is regarded as one of the most important way to hand down Chinese painting, Chinese painting education also faced unprecedented challenge.

做为传承中国画最重要的方式之一的学院中国画教育同时也面临着空前的挑战，而中国画教学问题的根本仍然是中国画自身的问题，中国画教育问题的混乱正反映了中国画问题的混乱。

Court by the original artist painting in Radio IAS education classes part of the composition of well-known Chinese artists, such as bird-house-dake this expensive,(China International Painting and Calligraphy Institute full-time painter, the country well-known Chinese painter), Wang Fu,(China International Institute of full-time painter painting , a famous Chinese painting and calligraphy at home).

本院画家由原在中国文联国画高研班进修的部分中国著名画家组成，如花鸟画家岳本贵、（中国国际书画研究院专职画家，中国著名国画家）王富华、（中国国际书画研究院专职画家，中国著名书画家）。

They indicated that the culture intension of traditional Chinese painting and the good points and function in Chinese knowledge education. The traditional Chinese painting pay attention to the traditional Chinese culture. It combimes firmly with poems and calligraphy and seal cutting. Chinese painting with other three greatest art Chinese zither, chesses, poems of Chinese classic four greatest arts combine extremely close. The traditional Chinese painting take a great part in knowledge education system .

第二，三章是全文的重点，主要论述了中国画的文化内涵以及中国画在知识教育体系中的优势以及作用，中国画重视与中国传统文化的结合，重视与诗文书印的结合，中国画还和中国古典四大艺术的其他三大艺术琴、棋、书结合得极为紧密，中国画教育是中国特色的知识教育体系的重要组成部分。

The author apply a new way to analyze calligraphy and painting market, which according to creativity or reprography of a calligraphy or painting work, not by the old way of cataloguing the market into Chinese painting, Chinese calligraphy, oil painting, board-craving painting etc.

发展书画市场就要研究书画市场，笔者一改国内对于书画市场研究分中国画、油画、版画等门类的方法，打破具体书画艺术门类的界限，对书画市场进行调查后，按照书画的创意性和是否可复制的特性进行分类、研究。

In recent years, Beijing asked to cite the success of art and cultural center to organize, plan and through the postal sector has published a country "artists of Chinese Painting and Calligraphy Stamp Prestige Edition"- traditional Chinese version,"Chinese Painting and Calligraphy artists Stamp Prestige Edition"- calligraphy version , which contains a contemporary Chinese painting circles, famous artistsé·¨Liang years, Shu-Fang Hsiao, Huang Jun, Qin Lingyun, Lou division white, the Arab-Israeli elderly, soup Wenxuan, Qi Gong, Xie Bing-yan,×, Yang Kai, Kwok election, Feng Yong, Wang Xuezhong, Qian Shaowu, Li Duo, Shen Peng,±etc. More than 60 artists painting and calligraphy works of art stamps, by art lovers and philatelists and collectors of praise.

近几年来，北京托举文化艺术中心成功地组织、策划并通过国家邮政部门印制了《中国书画艺术家作品邮票珍藏版》——国画版、《中国书画艺术家作品邮票珍藏版》——书法版，其中包含了当代国画界、书法界著名老艺术家梁树年、萧淑芳、黄均、秦岭云、娄师白、阿老、汤文选、启功、谢冰岩、黄苗子、杨仁恺、郭仲选、冯其庸、王学仲、钱绍武、李铎、沈鹏、刘炳森等60多位艺术家的书画艺术作品邮票，受到美术爱好者及集邮爱好者的好评及收藏。

The absorption and distribution of chromium were studied in ryeusing nutrient culture technique and pot experiment.

采用不同浓度K2CrO4(0，0.4，0.8和1.2 mmol/L)的Hoagland营养液处理黑麦幼苗，测定铬在黑麦体内的亚细胞分布、铬化学形态及不同部位的积累。

By analyzing theory foundation of mathematical morphology in the digital image processing, researching morphology arithmetic of the binary Image, discussing two basic forms for the least structure element: dilation and erosion.

通过分析数学形态学在图像中的理论基础，研究二值图像的形态分析算法，探讨最小结构元素的两种基本形态：膨胀和腐蚀；分析了数学形态学复杂算法的基本原理，把数学形态学的部分并行处理理念引入到家实际应用中。