查询词典 Chinese ink

This book is an in-depth study of contemporary Chinese art, touching upon modern ink painting, architecture, performance art, etc, The book is separated into five chapters: Modern consciousness and the establishment of a Chinese contemporary art methodology; The significance of the utopia of modern materials in contemporary Chinese architectural theory; the crisis in contemporary ink painting; maximalism, and artist case study with Xu Bing.

《另类方法另类现代——艺术大视野丛书》"Art Horizon Series： Special Method in Kind， Special Modernism in Kind"本书针对中国当代艺术进行深入的研究，内容涉及现代水墨、建筑、行为艺术等，分为五章：现代意识与中国当代艺术方法论的建立；现代物质乌托邦在中国当代建筑方法论中的意义；中国当代水墨的危机是缺乏方法论；极多主义：一种现代主义的幻觉；一个艺术家个案的研究：徐冰的艺术和方法论。

However, during New Trend '85, Gu Wenda differentiated himself from most artists of Chinese Painting of the time and showed his contemporary consciousness by experimenting on traditional ink painting materials and techniques. This brought out a new possibility for the contemporaneity of Chinese Painting. Since then, unremitting efforts have been made to "modernize" Chinese Painting through traditional abstract elements like ink-wash and Calligraphy. These efforts streamed into a new trend called "modern ink"(or "abstract ink","experimental ink") in late 1980's, though seemed not widely acknowledged for its resemblance to Abstract Expressionism of 1960's and 1970's American art. What is interesting is that while some artists are endeavoring to "westernize" their art, a new trend grouped as "Neo-literati Painting" appears with very traditional form and mood. This can be explained as a group of people's resistance to the reformation of traditional culture as well as their nostalgia to traditional ideals. However, this school tends to be artificial for the absence of the particular context, and the expression with traditional brushwork is also regionally limited. Of all the efforts of reformation, Chinese Painting that accordingly adopts the tradition heads the list because of the cultural identification of the big number of population and greater market as a result of the economic growth of China. Meanwhile, the immense conservative inertia of traditional Chinese culture can also be detected.

在"现代艺术"风起云涌的"85新潮"中，谷文达以传统水墨的材料和方法表达出不同于当时大多数中国画艺术家们这种文化心态和文化认知的现代意识，为中国画的现代性提供了一种方案；以水墨、还有选择中国传统书法的抽象因素等可能来进行现代性探索，一直是中国画连绵的努力，在80年代后期汇聚成"现代水墨"（又或曰"抽象水墨"、"实验水墨"），是中国画的又一流向，但是不是没有脱离60、70年代美国的"抽象主义"意义，反而还有了拾人牙慧之嫌，所以始终难以获得更大的认可和成功；很有趣的是，与此"西化"流向同时的，还有以非常传统的方式出现的"新文人画"潮流，或许可以把这看着是部分中国文化人在中国以西方为参照的新文化背景下对之的抵制，对传统理想的怀念和诉求，但由于已经失去了其语境和环境，"新文人画"显得娇情和造作，而且这种以非常地域化的传统笔墨语言来表现的方式也失去了更为普遍化的可能；反而是延续传统一脉的国画，由于有巨大的人数基础的本土文化的认同，在中国经济发展后有了更大的市场，所以还是蔚然为中国画的一大潮向，从这也可以看到中国文化承传的保守性的力量。

The argumentation way in which this literary grace using is based on color painting, setting out from two angles separately " color"、" ink and wash", making criticizition in texts of Chinese ancient drawing history; analyzing how "color" painting was on the way from ripe to losing; emphatically analyzing the reason of losing in color center, that is to say the reason of "the change of ink and wash ", and its reconstructional way of combination, development with "ink and wash" it was "replaced" by the afterward manner. In a word, the developing "replaced"by the afterward manner.

本文所采用的论述方式是：立足于色彩绘画，分别从&色彩&、&水墨&两个角度出发，先对它们在中国古代画史论著中作一考证；分析隋唐时期&色彩&绘画是如何从体制的成熟、完备而走上&失落&的道路；着重分析色彩绘画中心&失落&亦即&水墨之变&的原由；及其在被水墨&替代&后与&水墨&结合、衍变的重建之途。

Five thousand years of Chinese civilization from top to bottom, forming a source of a long stream of cultural knowledge, traditional cultural elements are naturally very broad inclusive, the following lists a small part of the elements: Chinese calligraphy, carving, Chinese knots, Qin Han brick tiles, Peking opera mask, shadow play Chinese lacquer ware, bamboo Han, Oracle, four treasures (ink stone, brush, rice paper, ink) Vertical bindings, paper cutting, kite, Ruyi pattern, clouds designs, Chinese tapestries embroidery, etc.

五千年中华文明的从上到下，形成一个长期的文化知识流源，传统文化元素，自然是非常广泛的包容性，下面列出了一小部分的内容：书法，雕刻，中国结，秦砖汉瓦，京剧脸谱，皮影戏中的漆器，竹韩，甲骨文，文房四宝垂直绑定，剪纸，风筝，如意图案，云彩设计，中国挂毯，水葫芦，陶器，紫壶，中国瓷器，国画，敦煌壁画，石狮，唐装，筷子，汉字，金元宝，如意，八卦等。

Also on offer are antique furniture imitations, what is known to the Chinese as the "Four Treasures of the Study"(writing brush, ink stick, paper and ink slab), old books and paintings, agate, jadeite, ceramics, ancient Chinese and foreign coins, bamboo and animal bone sculptures, leather puppets for shadow play and a wide range of Chinese opera masks.

还提供古董家具仿冒，什么是已知中国作为&四宝的研究&(毛笔、墨、纸张和油墨板)、旧书画、玛瑙、翡翠、陶瓷、中外古钱币竹骨及动物雕塑，为皮革木偶皮影戏及各式各样的京剧面具。

I fancy it as a Chinese ink painting of bamboo, and it seems that I am looking at a real painting.

我幻想它是一幅墨竹，我就真看到一幅画。

Can you be Chinese ink head was jammed?

会不会是墨头被堵塞了呢？

Wu Guanzhong's contribution to the Chinese ink art revolution and his inheritance of it.

吴冠中先生对中国水墨的革命和继承是人所共知的。

Mike: Thanks. I am studying the Chinese ink and wash technique.

麦克： 谢谢。我现在正在学习中国水墨画。

Why is traditional Chinese ink landscape painting in the late Tang Dynasty?

为什么中国传统的水墨山水画出现在晚唐？

So that more consumers can enjoy more delicious quality, technology is even better than wine.

让更多的消费者可以品尝到品质更为鲜美，工艺更为精湛的葡萄酒。

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在你最喜爱的文本编辑器中将它打开。