查询词典 Chinese characters

As an important part of the Chinese modern architectural history, Kaiping Diaolou blends both Chinese and western traditional architecture characters under the special local condition such as history and culture. They are the outcomes of the western architechure influents upon Guangdong modern architecture . Thus, they have been generally recognized as the evidence of the history development of overseas Chinese.

作为中国近代建筑史的重要组成部分，开平碉楼是在当地特定的历史、文化、社会、地理环境等条件下，融合中西建筑特征的特有的建筑形式，是近代西方建筑通过民间传播渠道，对广东侨乡地区产生影响的产物，是近代侨乡发展历史的见证。

All characters that have been used to delimit more narrowly defined species in other treatments of Chinese Clethra exhibit a strongly continuous pattern of variation from west to east across the range of the species in China (i.e., leaf size and shape, the number of secondary veins on each side of the midvein, anther size and shape); they also exhibit geographically correlated or seemingly random patterns, but without correlated gaps in character states among any two or more characters (i.e., style pubescence, corolla abaxial surface, stamen exsertion).

用来界定更狭窄定义的中国的Clethra的其它种的全部特征，从中国种的分布区的西部到东部，展示了一种强烈的连续变异的样式（如，叶大小和形状，中脉每边次脉的数目，花药的大小和形状）；他们还展示出地理分布的相关或好像随机的样式，但是在任何2或更多特征状态间没有相关的特征间隔（如，花柱被短柔毛，花冠背面、雄蕊伸出）。叶大小与形状，在中脉，花药大小与形状的每边次脉的数量；也的他们展览好象地理上有相互关联或随机模式，但是没有有相互关联特征差距在任何2 特征或更多中说明即，花柱短柔毛，花冠背面，雄蕊exsertion。

Chinese Exegetics is an important part of Chinese traditional linguistics,which studies the meanings of the characters and words in ancient Chinese.

训诂学原为我国传统语言学的一个组成部分，它研究的主要对象是古代的字义和词义。字词教学是中学语文教学的基本内容。

According to stratum and tectonic characters, judging from the time of tectonic movement and anamorphic characters, the fold in the area happened mainly in Indo-Chinese epoch.

根据地层与构造特征，从构造运动影响的时序及变形特点上判断，本区主要在印支晚期才发生褶皱。

During the detailed dissertation in this paper, it explains the meaning of the conception of "To perceive object voluntary and paint it" from the history and ideological background that make it be produced and considers that it is the principle of Chinese traditional painting ,relationship of main body and object which contained in it effect each other and being dialectic unity; Secondly, in the text it analyzes the characters of ancient scholars' painting between main body and object, then concludes that the characters of ancient scholar's painting are "not in pursuit of the similitude of appearance ","simple" and "formality".

在具体的论述中，本文从"应物象形"产生的历史条件与思想背景入手，还原"应物象形"概念的涵义，认为"应物象形"是关于中国传统绘画造"形"的准则，其中所包含的绘画创作主客体之间的关系是两相并举，互渗互化，辨证统一的；其次，文章对于文人画造"形"的特点和主客体进行分析，将文人画的造"形"特点归纳为："不求形似"、简约、程式化，并认为文人画造"形"严重偏向于主体，轻视客体；最后，文章分别将文人画造"形"的主客体与"应物象形"的主客体进行比较，得出结论：文人画造"形"不同于"应物象形"。

Bikesheng-a linguist said in his essay Sociology Research on Chinese character: the more the characters get rid of lingual limit and fetter to communicate with thinking directly, the more it can bring into play its social effect of the characters' diachronical dimension and synchronical dimension.

中华传统文化的包容性还体现在作为文化载体的语言和文字上，中国的汉字也是尊道贵德、修之身的大智慧的祖先们留给子孙后代增智开慧，陶冶心身，承传文明的工具。

At first, the article elaborates the appearance of the property rights of corporation artificial person and its set-up in China, and reviews the devious development of corporation in China. Then it states the specific characters of the Chinese current corporation system, including homological character and practical character, different characters of the property rights of corporation artificial person in Limited Liability Company, Stock Company and State-owned Sole Proprietorship Company. After that, it discusses the jurally character of the property rights of corporation artificial person and the final adscription of the property of corporation artificial person.

本文首先阐释了公司法人财产权的产生及其在我国的确立，回顾了公司制度在我国一波三折的发展历程；然后阐述了我国现阶段公司法人财产权的具体特征，包括法理意义特征、实践意义特征、有限责任公司法人财产权特征、股份有限公司财产权特征和国有独资公司法人财产权特征；继而论述了公司法人财产权的法律性质和公司法人财产的最终归宿；最后重点探讨了公司法人财产权的民法保护。

In Chinese, I use a box around characters I don't recognize at all, an underline for characters I recognize but whose pronunciation or meaning I am not certain about, and a squiggly underline for phrases or grammar that I should remember to use more in the future or that I just don't understand.

在阅读中文时，我会在完全不认识的生字周围画上方框，在我虽然认识但不确定读音或意思的字下划横线，在我得记得在将来加强使用，或干脆就是不认识的短语或语法点下划上波浪线。

During the detailed dissertation in this paper, it explains the meaning of the conception of "To perceive object voluntary and paint it" from the history and ideological background that make it be produced and considers that it is the principle of Chinese traditional painting ,relationship of main body and object which contained in it effect each other and being dialectic unity; Secondly, in the text it analyzes the characters of ancient scholars' painting between main body and object, then concludes that the characters of ancient scholar's painting are "not in pursuit of the similitude of appearance ","simple" and "formality".

在具体的论述中，本文从&应物象形&产生的历史条件与思想背景入手，还原&应物象形&概念的涵义，认为&应物象形&是关于中国传统绘画造&形&的准则，其中所包含的绘画创作主客体之间的关系是两相并举，互渗互化，辨证统一的；其次，文章对于文人画造&形&的特点和主客体进行分析，将文人画的造&形&特点归纳为：&不求形似&、简约、程式化，并认为文人画造&形&严重偏向于主体，轻视客体；最后，文章分别将文人画造&形&的主客体与&应物象形&的主客体进行比较，得出结论：文人画造&形&不同于&应物象形&。

We can see from his adaptations of Chinese poems and from some of his Cantos that classical Chinese poetry inspired Pound through its method of Juxtaposing images and through the images he deciphered from the Chinese written characters.

从他翻译的中国诗以及从他的部分作品中我们可以看出中国古典诗歌鼓舞了庞德使用意象叠加的手法，通过这些意象，他也译解了中国书写文字。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。