查询词典 Chinese characters

To break through the baffle and to accord with the tendency of the wide adoption of the Chinese characters as well as to urge Chinese character software can deal more Person name and place name characters, the Bureau of the National Technology promulgated the extended Character Set GB18030-2000 which includes 27,533 Chinese characters.

为适应汉字应用国际化的新形势，使国产软件更快地走向世界，为了规范进口中文软件的汉字集，2000年3月17日，国家技术监督局颁布了扩展汉字集GB1

They had even engraved on a taihu rock four Chinese characters:"Er Quan Ying Yue" meaning "two springs reflecting the moonlight." These characters were painted red and written in an ancient calligraphic style. The homesick Chinese teachers seemed to feel that at the sight of these characters, they could by a flight of the imagination bring to their presence a native moon smilingly beaming over the West Lake.

他们在池中放了些水草恶化金鱼，可能是为了抒发对祖国的怀念之情吧，还在太湖石上用秀丽的隶书字体刻了"二泉映月"四个红字，似乎这么一来，西湖便在他们的怀抱之中了，故乡的月便也在向着这些游子微笑了。

Perhaps out of a yearning for their homeland, they had even engraved on a taihu rock four Chinese characters:"Er Quan Ying Yue"meaning"two springs reflecting the moonlight."These characters were painted red and written in an ancient calligraphic style. The homesick Chinese teachers seemed to feel that at the sight of these characters, they could by a flight of the imagination bring to their presence a native moon smilingly beaming over West Lake.

他们在池中放了些水草和金鱼，可能是为了抒发对祖国的怀念之情吧，还在太湖石上用秀丽的隶书字体刻了"二泉映月"四个红字，似乎这么一来，西湖便在他们的怀抱之中了，故乡的月便也在向着这些游子微笑了。

The ages gives us brand-new form beautiful, so we were beautiful to the race literalness form to have the variety of the deeper time, this kind of variety also came from the demand of the economic development, the Chinese characters of the modern ear should appear more form of written designs to satisfy the demand of different realm, making Chinese characters as the information of the race culture carry a body to integrate more well to go in every trade, this is also the Chinese characters and the Chinese characters form of written to design in the important relation in the merchandise economy.

时代赋予我们崭新的形式美，所以我们对民族文字的形式美有了更深层次的变化，这种变化同时也来自经济发展的需要，新时代的汉字应出现更多的字体设计来满足不同领域的需要，使汉字作为民族文化的信息载体更充分的融入到各行各业中去，这也是汉字与汉字字体设计在商品经济中的重要关系。

In this dissertation, the author's works about hinting technique for outline Chinese characters and management of Chinese fonts in page description language are summarized as follows:(1) By analyzing the anomalise of outline Chinese characters when rasterized, flexible methods of grid—fitting for Chinese characetrs in different applications are proposed.

本文针对曲线轮廓汉字库应用中的若干技术问题，以字形控制技术为重点，主要做了以下几个方面的研究工作：(1)分析了曲线轮廓汉字绘制时的小字失真现象和汉字栅格适配的特点，并根据不同的应用要求，归纳出曲线轮廓汉字栅格适配的分级目标和灵活方法。

This dissertation gives a description of pictophonetic characters system of Xiao Zhuan system with the methodology of systematism. On the basis of the description, we discuss the basic theory on the pictophonetic characters system and the character-formation system of the Chinese characters and advanced some preliminary views on the analytic method of the character-formation system of the Chinese characters and the developmental direction of the modem Chinese characters.

本文采用系统论方法，对小篆字系的形声系统进行了全面的测查和描写，并在此基础上，对形声系统和汉字构形系统的基本理论问题进行了研究，对汉字构形系统的分析方法和现代汉字的发展方向的问题也提出了初步的看法。

In studying work : Using the six categories of Chinese characters which are " the pictographic characters, intentioned characters, associative compounds characters, pictophonetic characters, borrowing characters, phonetic loan characters." Each word of the scriptures, which conducted a preliminary analysis. some of the more complicated characters,we use the "characters combination" and the "language of words" to sum up the two concepts. Meanwhile, the classification of some difficult words also made a personal perspective.

研究方面的工作：采用"象形、指事、会意、形声、借形、假借"六书，对经文中出现的每个字都进行了初步分析，对于一些较为繁复的字形，提出了"字组"和"语段文字"两个概念加以归纳，同时对一些疑难字词的归类也提出了个人的观点。

Chapter one is "Introduction". On the basis of summarizing the history of the study of the pictophonetic characters, we suppose some theoretical principle, such as the principle of the correspondence between the form and the meaning of the individual graph of Chinese characters, the principle of the total graphs of Chinese characters being a character-formation system, and the principle of the optimum development of the character -formation system in the history, and som analytic methods, such as the methods of structrue-function analysis, form-position analysis and meaning factor analysis, in the study of the pictophonetic characters. Chapter two is titled"General knwledge of the pictophonetic character." We discuss their origins, nature and some standards of distingnishing them, introduce the knowledge about the editions of SHUO WEN JIE ZI, analyse the functions of the modules of pictophonetic characters in detail, discuss concretely the function of phonetic graphs showing origins and pronunciations, the function of meaning graphs showing meanings and analogies, and the function of distinguishment when the two kinds of graphs are conbined. Chapter three is"The system of meaning graphs of Xiao Zhuan system."After we describe the structure of the meaning graph system, the relations between meaning graphs, the distributions of the function of meaning graphs showing meanings, and the frequency of all this kind of graphs, we get a table of all meaning graphs, a table of the frequency. Chapter four is"The system of phonetic graphs of Xiao Zhuan system."We describe the structure of the phonetic graph system, the relations between phonetic graphs, and between their function showing origins and their function showing pronunciations, and their frequency, then we get ageneral table of phonetic graphs and table of their frequency. Chapter five is "conclusion". We think that systematical methodology is useful in describing and analysing the formation system of Chinese characters. The methodology is adaptable in describing the formation system of modern Chinese characters as well as the historical character systems, adaptable in describing horizontally as well as comparing vertically. Only when we finish the systematical vertical compare on the base of systematical horizontal decription, could we know the true history of the system of Chinese characters, recover the rule of the system's development, and supply the theoretical supports for the scientifical arrangement of modern Chinese characters.

第一部分—绪论，在总结形声字研究历史状况的基础上，提出了研究形声系统的理论原则和分析方法，即汉字个体字符形义统一的思想，汉字字符集合构形系统的思想，汉字构形系统历史演变系统优化的思想等三项理论原则和结构功能分析法，形位分析法，义素分析法等三种分析方法，还扼要地介绍了具体的工作程序和论文的主要内容；第二部分—形声字概述，论述了形声字的来源、性质和鉴别标准，介绍了对《说文解字》正篆形声字说解中的传抄讹误，版本异文，说解错误校勘和考证的经过，详细分析了形声字构件的功能，具体讨论了声符的示源功能与示音功能，义符的示意功能与类化功能以及声符与义符组合中的相互区别功能；第三部分—小篆字系的义符系统，从义符系统的构成、义符间的相互关系，义符示意功能的分布及义符的构字频度等不同侧面，对义符系统进行了全面的描写，产生了义符总表、义符间意义关系总表和义符构字频度总表；第四部分—小篆字系形声字的声符系统，从声符系统的构成、声符间的相互关系，声符的示源功能与示音功能的关系以及声符的构字频度等不同侧面，对声符系统进行了全面描写，产生了声符总表和声符构字频度总表；第五部分—结束语，在全面测查小篆字系形声字的基础上，对研究汉字的方法和现代汉字发展方向的问题提出了一些看法，认为系统论的方法是描写和分析汉字构形系统行之有效的方法，系统论方法，不仅适用于历史上文字系统的描写，也适用于现代汉字构形系统的描写，不仅适用了断代描写，也适用于历史比较，只有在对汉字断代系统描写的基础上进行系统的历史比较，才能认清汉字系统历史演变的真相，揭示汉字系统发展的客观规律，为科学地整理现代汉字提供理论上的依据。

The uniqueness of the activity is the combination of Chinese characters with contemporary elements. We did not merely try to transmit the historical culture of Chinese characters, but also emphasize interpreting and understanding Chinese characters with a modern mindset and contemporary vision, thus imbuing them with ever-lasting vigor and vitality.

此次活动的独特亮点是汉字艺术的当代结合，我们不仅仅只是传递汉字的历史文化，更注重用现代人的心灵和眼光去诠释、理解，传递历史与当代相结合的活的汉字文化，这种传承力和生命力才是汉字艺术的独特魅力。

In studying work : Using the six categories of Chinese characters which are " the pictographic characters, intentioned characters, associative compounds characters, pictophonetic characters, borrowing characters, phonetic loan characters." Each word of the scriptures, which conducted a preliminary analysis. some of the more complicated characters,we use the "characters combination" and the "language of words" to sum up the two concepts. Meanwhile, the classification of some difficult words also made a personal perspective.

研究方面的工作：采用&象形、指事、会意、形声、借形、假借&六书，对经文中出现的每个字都进行了初步分析，对于一些较为繁复的字形，提出了&字组&和&语段文字&两个概念加以归纳，同时对一些疑难字词的归类也提出了个人的观点。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。