查询词典 Chinese character

"Ji-Li" means close fortuitous and avoid inauspicious, or bring big fortune. And the word of "Ding" is the assonance of "Light", which has the significant meaning of bringing the prosperity of money and population. The year of 2006, the Dog year in the Chinese lunar calendar, is also the first Dog year in the twenty first century. The work of "Ji-Li Ding" created by Taiwanese artist, Akibo, is using concisely line to produce technological and futurity forms rather than immature cartoon format. Besides, the idea of using the red signet express the origin of our culture and character which has combined the meanings of traditional concepts and future prospects includes creativity, fashion, and traditional culture aspects. And, it also conveys the character of dogs – curiosity, loyalty, and courage.

吉利」是人民在年节时分殷切的期待—「趋吉避凶」、「大发利市」，「丁」则与「灯」的闽南语谐音，深具「添丁发财」、「人丁兴旺」的意涵。2006丙戌狗年，也是21世纪的第一个狗年，艺术家李明道Akibo创作「吉利丁」，作品的造型跳脱俗化幼稚的卡通感，反以俐落简约的线条勾描出科技感与未来性，饱满纯净的用色与圆章的创意，则又彰显文化的起源与特色，揉合传统与眺望未来，兼具创意、时尚及文化传统，也同时拥有狗儿热情顽皮的特性，也具有忠诚与骁勇的意涵。

Buddhism itself, that is, when the Sakyamuni Buddha's preaching, there was no such kind of ceremonies at all. After the Buddha's nirvana, Buddhism spread into China, being already mixed with something of Hinduism, Brahmanism and Zoroastrianism that were prevalent in India at that time. After its spreading into China, Buddhism have its temple built totally as Chinese palace to adapt itself to the time and condition of China, because the Chinese belief itself has this character that, in the mind of Chinese the emperor's authority is topmost.

佛教本身，即原来释迦牟尼佛讲经时，在那个时候根本就没有这些仪轨，而是佛灭度以后，佛教传到中国来，就已经参杂了当时在印度流传的印度教、婆罗门教和拜火教的一些东西，因此传到中国以后，为了适应中国社会的时节因缘，佛教传到中国来后，它所修的寺庙都完全像中国的宫殿，因为中国人信仰本身就是这种特色，而在中国人的思想当中，认为皇帝的威信是最高的。

The literary work reads,the character image connoisseurship,is in Chinese teaching an important content,the teacher should encourage the student to express their original opinion,makes own to the character appraisal.

文学作品的品读，人物形象的鉴赏，是语文教学中一个重要的内容，教师应鼓励学生表达他们独到的见解，对人物作出自己的评价。

Dedicated in curatorship, spreading and promotion of China's contemporary photography and management of art projects and galleries June,1996 to April, 1998, hostess of the column of "Photographer Interview" and editor of theory edition of People's Photography; April, 1998 to year 2005, photo editor and photo chief director for New Express under Yangcheng Evening News Group; August, 1998, planning and organizing South China Press Photo Advanced Seminar; 2000, compiling Chinese Story, a great realistic photographic book reflecting living status of all walks of life of China in the 20th century's; 2001 to 2003, taking a 3-year Chinese Master Course as a member chosen by World Press Photo; 2005, initiator and curator of Lianzhou International Photo Festival as project and art director; 2005 end, chosen as Top Ten Character of China Photography of the Year; January, 2006, curator for "Ever-Changing Fragrant River"--Qiu Liang Solo Exhibition, Guangdong Gallery; January, 2006, curator for "Chairman Mao in My Lens"-- Lv Houmin Solo Exhibition, Guangdong Gallery; February, 2006, curator for Moscow Photo Festival; March, 2006, attending Oracle (an international organization of museums of photography) Conference as representative for China Photo Festival invited by FotoFest; May, 2006, special curator for "China Photography 50 Years"- Large Retrospective Exhibition; November, 2006, invited judge for FOTOBILD, Berlin, Germany; January, 2007, invited curator for Chinese Work in Paris Photo Biennale; 2007, member of review panel for Rhubarb-Rhubarb, Birmingham, UK; 2007, member of review panel for FOTOBILD, Berlin, Germany.; April 2008, member of jury ot the 1st Thessaloniki PhotoBiennale 2008, Greece.

致力于中国当代摄影的策展、传播、推广以及艺术项目、艺术空间的管理。

But the character of Chinese real estate is that small enterprises, dispersive resources and low use efficiency of social resources, which is out of accord with capital denseness industries character.

但是我国房地产业的特点是企业规模小、资源分散、社会资源使用效率低，与资本密集型行业特点不符。房地产业与金融业有着十分密切的关系，但我国的房地产业的发展却缺乏金融的支持。

The dramatist and musical characters and the perfect combine between music and drama are the purports. The thesis is divided into three parts: the preface, four chapters and the conclusion. In the preface it is explained that what in this thesis is expounded and what kinds of study about the opera there are in Chinese and in the other area of the world. The first chapter is a summary about Gounod and his"Faust", which is the typical work in lyric operas. In the second chapter analysis on drama, the character and figures of the roles in the opera is made, and the characteristic of the plot ,the creation of opera and framework is put together. In the third chapter the music in the opera is studied, and the characteristics are put together on the base of particular analysis on typical passage of aria chorus ensemble. In the last chapter, perfect combine between drama and music is presented by study on Faust's character and psychology,and it is discussed that music implied the plot. And the conclusion is a whole comment of the opera and it's musical characteristics

更多论述。全文由引言、四个章节、结论等几个部分组成：引言是关于论文的选题、国内外研究现状的陈述，指明笔者选题的意义以及国内外学者对此课题的研究程度；第一章是对抒情歌剧作曲家古诺以及抒情歌剧的典范之作《浮士德》的一个总体上的概述；第二章从人物性格与戏剧情节、戏剧结构、戏剧创作等方面对歌剧《浮士德》进行分析，归纳其戏剧特点；第三章是对歌剧《浮士德》音乐特点的研究，通过对咏叹调类、重唱类、合唱类唱段中有代表性唱段的具体分析，总结其在音乐创作方面的主要特点；第四章从音乐刻画人物的性格与心理、音乐暗示戏剧情节的发展等方面，论述了歌剧《浮士德》在戏剧与音乐方面的完美结合；结论是对歌剧《浮士德》的整体论析。

In relation to the doctors body calligraphy, folk artists also intelligently designed many charm and amusing character graphics. The graphic design of character is very common in ancient Chinese folk culture.

在中国古代的民间文化中，文字图形化的处理较为常见，存在大量优秀的文字图形作品。

However, the Chinese people to people looking for the glory of noble character and advanced the "honor roll" to promote the people's noble character.

不过，中国人也把人的高尚品德看为荣耀，先进人物的"光荣榜"宣扬的是人的高尚品德。

The history of Chinese addiction to piquancy could be traced back to prehistory.And in Chinese "hot" is separated from "peppery"and it refers in particular to the piquancy more than general peppery. The character of "Hot" appeared after Han Dynasty in Chinese.

中国人嗜"辛辣"的历史可以追溯到史前，"辣"是由"辛辣"一词析出而特表辣味的，是更甚于一般意义辛的特别"辛"，"辣"的文字表述出现于汉代以后。

It is the center of this article that how to put the costumes art of china's ethnic groups to good use in the modern character design. The writer expounds and proves the inevitability and necessary of the combination of external works and china's costumes art of traditional ethnic groups, according to which the writer chose several characters from famous classical novel ?The Creation Of Chinese Gods and recreated them with interrelated knowledge. These recreative examples and: Nvwa Sudaji nine-tailed Fox Denchanyu and Longji princess. Their vivid creative images and design prove the superiority of the two combinations. Meanwhile, some good relative suggestions have been put forward and a theory has been concluded in which modern character design is "skeleton", the comprehensive artistic display of the costumes art of china's ethnic groups is "blood and flesh".In addition, the topic is discussed according to higher practical field. Through the tentative analyses of productive economy and social development in china, the writer applies the costumes art of china's ethnic groups to modern character design, which will be good for the development and improvement of products' economic results, the improve and perfect of educational system, the standard of continuing cultural tradition and the resist of foreign culture invasion.

本文围绕中国传统民族服饰艺术在角色设计中的运用这一论题进行论述和研究，通过国外角色作品对中国传统民族服饰艺术的运用，论证了两者结合的必然性和必要性，并以服饰是角色灵魂设计的重点作为切入点，结合了融会贯通的中国传统民族服饰艺术知识进行了对名著《封神演义》人物：女娲、苏妲己、九尾狐、邓蝉玉及龙吉公主的实例创作，以生动的形象和实际设计的演练论证了两者结合的优越性，同时，也为创作提出了相关的建议，并提出了以现代角色设计为&骨骼&，以中国传统民族服饰的综合艺术表现为&血肉&的结论。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。