查询词典 Chinese cabbage

The major dominant species of predatory enemies were Erigonidium graminicola and Theridion octomaculatum and their individuals were 81.4 percent of the total predatory enemy individuals of the community.1.2 Spatial patterns and their dynamics of major dominant predatory enemies ofarthropod communityThe research results showed that Pieris rapae distributed mainly on heart leaves and back of inner leaves of cabbage plants, Plutella xylostella distributed mainly on the back of cabbage leaves and Lipaphis erysimi distributed widely in cabbage plants. Among the major dominant species of predatory enemies, Sitticus sinensis distributed mainly on the front of leaves of cabbage plants in spring cabbage fields, and Misumenopos tricuspidata and Propylaea japonica distributed widely in cabbage plants.

在捕食性天敌中蜘蛛10种，捕食性昆虫3种，主要优势种为草间小黑蛛、八斑球腹蛛，其数量占捕食性天敌总数量的81.4%。1.2节肢动物群落主要优势种的空间格局及其动态研究结果表明，害虫优势种菜青虫主要分布于甘蓝心叶和甘蓝叶反面，小菜蛾主要集中分布在甘蓝叶的反面，而菜蚜在甘蓝植株内的分布较广；春甘蓝田捕食性天敌优势种中华跃蛛在外层叶正面分布较集中，三突花蛛与瓢虫类在甘蓝植株内的分布较广。

This paper researched cabbage of Cruciferae colewort by planting cabbage in soils which were polluted by cadmium of different concentration. We analyzed poison of cabbage which was polluted by cadmiums in different concentration by using OCT machine system to measure cabbage lamina and observing physical change of fabric of cabbage, and confirmed the characteristic of Cadmium circulation of supergenic geochemistry accordingly.

本文主要以十字花科芸苔属植物甘蓝为研究对象，通过在不同浓度的受镉离子污染的土壤中进行种植，观察甘蓝组织结构物理表征变化，并应用光学相干层析成像系统（Optical Coherence Tomography，OCT）对甘蓝叶片组织样本检测其变化情况，从而分析得出不同镉离子浓度对甘蓝的累积毒害作用以及镉的表生地球化学循环特点。

In this study, the effects on the growth of cabbage, Chinese cabbage and rape planted on fly ash plus vinasse substrate and fly ash plus sewage sludge substrate were studied and the remediation of cabbage, Chinese cabbage and rape on heavy metal Cd, Cu and Zn was discussed by calculating absorption coefficient, transmission coefficient and absorption modulus.

该文研究了粉煤灰加酒糟和粉煤灰加污泥两种基质对甘蓝、小白菜和油菜生长的影响，并通过计算吸收系数、转运系数和吸收模量讨论了甘蓝、小白菜和油菜对基质中重金属Cd、Cu、Zn的修复情况。

Based on a systematic field investigation and laboratory experiments, the structures of arthropod communities and the evalution of dominant predatory enemies in cabbage fields of different seasons were studied. The main results were as follows:1 The structures and their dynamics of arthropod communities in cabbage fields1.1 Species composition and population dynamics of each species of the arthropodcommunities in the cabbage fieldsThe research results showed that the occurrence of Pieris rapae in spring cabbage fields was relatively grave.

本文在田间系统调查和室内试验的基础上，对不同季节甘蓝田节肢动物群落结构及捕食性天敌优势种的评价进行了研究，主要结果如下：1甘蓝田节肢动物群落结构及其动态1.1节肢动物群落物种构成和各种群数量动态研究结果表明，春甘蓝田菜青虫的发生比较严重，菜青虫在调查期间种群数量呈上升趋势，5月初高峰期平均每株甘蓝接近20头；菜蚜与小菜蛾的发生相对较轻，菜蚜在5月中旬有个明显高峰。

CMS as sterile cytoplasm of-ferer and Chinese cabbage as its accepter,the alloplasmic male sterility line CMS3411-7 in Chinese cabbage have been obtained by interspecies cross and continuedbackcross with Chinese cabbage 3411-7,so 3411-7 was its maintainer line.

CMS3411-7是以甘蓝型油菜Polima不育胞质为供体和大白菜自交系3411-7杂交后，再以3411-7为轮回亲本，经多代回交后得到的含有Polima胞质的异源胞质雄性不育系，3411-7就为其相应的保持系。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城"2000中国古典音乐系列音乐会"委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城&2000中国古典音乐系列音乐会&委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

Internet promotion: In Ali, the bright acute hearing 360, the Chinese glass net, the Chinese curtain wall net, the fine prosperous international glass purchase net, the glass mechanical device net, the Chinese glass commerce network, the Chinese glass Asia net, the Chinese glass business snares of love, the Chinese building materials commerce network, the Chinese glass information network, the Chinese glass fibrous reticulum, the Chinese curtain wall net, the Chinese everyday use glass information network, the Chinese glass industry network, the Chinese glass craft network and so on in several hundred specialized websites publishes anxiously unfolds meets the advertisement, unfolds in the domestic and foreign famous search website registration meets the information, will unfold promptly can the most recent news issue on-line, will send the electronic invitation broadly using the Internet, will cause to unfold meets the information fast dissemination.

互联网推广：在阿里巴巴、慧聪360、中国玻璃网、中国幕墙网、嘉隆国际玻璃采购网、玻璃机械设备网、中国玻璃商务网、中国玻璃亚洲网、中国玻璃商情网、中国建材商务网、中国玻璃信息网、中国玻璃纤维网、中国幕墙网、中国日用玻璃信息网、中国玻璃工业网、中国玻璃工艺网等数百家专业网站上刊登展会广告，在国内外著名搜索网站注册展会信息，及时将展会最新消息发布在网上，利用互联网广发电子请柬，使展会信息快速传播。

The occurrence of Pieris rapae was significantly lighter in autumn cabbage fields than in spring cabbage fields, but the occurrence of Lipaphis erysimi was relatively grave, which rose steadily during the investigation period from October 9 to November 5, until the cabbage was ripe. In 13 species of predatory enemies there were 3 species of predatory insects and 10 species of spiders.

但菜青虫的发生量较春季明显较轻；菜蚜发生较重，在10月9日至11月5日的整个(来源：Ae8BC论文网www.abclunwen.com)调查过程中是稳步上升，由于该年秋季气温较高雨水较少有利于菜蚜的发生，直到甘蓝成熟其发生量均较大。

Catarium that is naturally decomposed outdoors has an inhibitive effect on cabbage seed germination. While the inhibition effect increases with increase in extract concentration, it, however, decreases with decomposition time. With regards to the length of cabbage root, 0.1 g·mL-l aquatic extract of E. catarium inhibits root growth at every decomposition stage. With the exception of undecomposed E. catarium , other concentration extracts during decomposition enhances root growth. Aquatic extract from E. catarium also enhances cabbage stem growth.

滤纸培养皿试验结果表明：假臭草植株提取液对小白菜种子发芽的抑制作用随浓度增大而增大，且随植株分解时间的延长而逐渐减弱；就幼苗根长而言，不同分解时期0.1 g·mL-l的假臭草提取液对根长均表现为抑制作用，除未分解的假臭草以外，其他时期其他浓度的假臭草提取液对根系生长均有促进作用；假臭草提取液对小白菜茎长总体表现为促进作用。

But this is impossible, as long as it is engaging in a market economy, there are risks in any operation.

但是，这是不可能的，只要是搞市场经济，是有风险的任何行动。

We're on the same wavelength.

我们是同道中人。