查询词典 Chinese art paper

One Show" that is, floral art exhibition, the "oriental charm, graceful bearing age" as the theme to display the traditional Chinese art of flower arrangement, and life in modern society the use of floral art, such as the affairs of state with flowers, flower arrangements at home, festive floral arrangements , wedding flower arrangements and so on;"one speech" that is, flower arranging performances at home and abroad will be able to enjoy the art of flower arranging live performances;"a race" that is, the Chinese flower arrangement floral Open and encourage the public to register for;"a scene that is, The first flower arrangement Flower Forum, aimed at summing up the theory of our flower arrangements and new techniques to explore the future of Chinese flower arrangement floral development.

一展&即插花艺术展，以&东方神韵，时代风采&为主题，展示了我国传统的插花艺术，及在现代社会生活中的插花艺术的运用，如国事用花、家居插花、节庆插花、婚礼插花等；&一演&即插花表演，将能够欣赏到国内外着名插花艺术大师的现场表演；&一赛&即中国插花花艺公开赛，鼓励公众报名参加；&一坛即首届插花花艺论坛，旨在总结我国插花理论和新技艺，探讨中国插花花艺未来的发展方向。

The limited company(original smoke set paper industry in Bohai Sea) of Laiyang silver in Shandong paper industry is 1 and deckle to product with paper to produce and the large share system of the integral whole business enterprise, belong to national point special kind paper production a base, the company main product has a food packing bag, defending false bag, the upscale culture uses bag, the fruit bag ten greatest serieses such as paper and fruit bag etc. are more than 30 specieses, producing among them of ＂ trillion plentiful ＂ card grape bag paper, apple bag paper, pear bag paper, mango bag paper, the banana bag paper waits various different specification of set bag paper.

内容提要：山东莱阳银通纸业有限公司是一家及造纸与纸制品生产与一体的大型股份制企业，属国家重点特种纸生产基地，公司主要产品有食品包装袋，防伪袋，高档文化用袋，果袋纸及果袋等十大系列三十多个品种，其中生产的＂兆丰＂牌葡萄袋纸，苹果袋纸，梨袋纸，芒果袋纸，香蕉袋纸等各种不同规格的套袋纸。

We mainly produce thermal paper roll, cash register paper, ATM paper, POS paper, thermal fax paper, computer printing paper, neutral electrostatic copy paper, fax paper, roll printing paper, mimeographing paper and such top-grade stationery paper.

我们主要生产热敏纸辊，收银机纸， ATM纸，主要官员的文件，热传真纸，电脑打印纸，中性静电复印纸，传真纸，印刷纸辊， mimeographing文件等顶端级的文具纸张。

The main paper laodelphax in the manufacture of petroleum paper processes in the business card printing and membership card production processes may occur in the anti-dropping paper, shedding and accumulate in blanket above, affect the imprinted ink dot, left the correct delivery, paper above paper and paper powder will pass the rubberand, block drum, after roller scurrying to sluicing inside, thus affecting the transport of monlchamus road, experience the paper off powder serious paper business card printing and membership card at the end of production of monlchamus tuhung riverbeds are gray, paper wool, paper powder, at which point inking at, imprinted inks are printed on your mind, and the cultiuation of 1 000 in the white paper in the blanket on adhension, you need to wipe down blanket.

纸灰次给火油纸弛在创作发明工艺方背的来因，在制卡和会员卡制作历程洋不定会表现纸弛脱粉掉不净，并且积聚在橡皮布上背，感化痕迹不朱色的网点、图不白侧确传达，纸弛上背的纸灰、纸粉不离会堵住橡皮、印版滚筒，不纬过不朱辊窜的到不朱斗槽边背去，从而感化不朱路的传输，碰到纸弛掉粉惨轻的纸弛，制卡和会员卡制作到最后不朱斗边全是纸灰、纸不净、纸粉，此时不朱量闭到最不小，痕迹不朱色也显得醲郁露底，印上1000弛纸弛白花花黏附在橡皮布上，不离必给擦洗橡皮布。

Starting with the analysis of the evolution of contemporary ceramic of China in more than 2 decades and the background of Chinese contemporary ceramic ,hackling and analyzing the westernization progress and the development situation of contemporary art education, this paper attempts to put forward an opinion that the development of Chinese contemporary art education is actually the progress to verify the global applicability of western art by our own art practice.

本文试图从二十几年来现代陶艺在中国的演进和中国现代陶艺的背景分析入手，通过对中国艺术理论&西化&进程及现代艺术教育发展状况的梳理和分析，提出中国当代艺术近几十年的发展过程，实质上是以自己的艺术实践，验证西方艺术的&全球&可应用性的过程。

Currently serves as the President of Fine Arts College of Guangxi Normal University, professor, Master student's director, the member of Chinese Book Association, Gungxi Art Association, the Japan Basis Shaping Institute, and Japan Design Association, curator of art museum, the president of Guilin Basis Shaping Research Institute, the centre director of Guilin and Japan's Culture Studying Institute and Culture Exchange Centre, the editor of "Magnificent Spectacle of Fine Art" and Ceramics Art and Science, the Master student director of Guangxi Art Academy, visiting professors of Europe Asia University, Shaoxing Academy, Guilin Engineering College, and Guangxi Occupation Tec.

现为广西师范大学美术学院院长、教授、硕士生导师，中国书协、广西美协，日本基础造型学会、日本设计学会会员，师础坚艺术馆馆长，桂林基础造型学研究会会长，桂林日本文化研究所及桂林研美文化转播交流中心主任，《美术大观》、《陶瓷艺术与科学》编委，广西艺术学院兼职硕士生导师，马来西亚欧亚大学、绍兴文理学院、桂林工学院、广西职业技术学院等客座教授。

Secondly, the thesis tries to find out aspects on the works of art that are on the surface of impersonal existence, associated with art and people, and most likely to draw people's attention other than their reality. These aspects are images and forms, especially the using of lines, which is the most living form in my study of Chinese painting. The topic extends from the using and exhibition of lines in the sketching and art creation, further to the intuition, which is the way and measure of obtaining the form of the works of art. Intuition is a nonfigurative emotional activity that melting the sensibility and logos of human being. The thesis discloses that emotion is the momentum of art intuition.

然后试图找到艺术作品这一客观实物上最为表层的、与艺术、与人相关的，除了它的实在以外最容易被关注的部分---形式，尤其是我所学习的中国画中，线这一最具生命感的形式，在花鸟写生和创作中的运用和体现，进而深入到艺术作品的形式获得的途径和方法---直觉，这种人类感性和理性相融合的情感的复杂抽象活动，并揭示出艺术直觉的动因是情感，人们为了满足某种心灵的需要而进行艺术的直觉和积累。

SHADOWS PHOTOGRAPHY ART CENTER, 9 THEATER, 318, ASPACE, ANI GALLERY, ARARIO GALLERY, ART WALK, BEIJING ART SEASONS, CHEN LING HUI CONTEMPORARY SPACE, CHINESE CONTEMPORARY, CONTINUA GALLERY, DOART BEIJING -GALLERY HYUNDAI COMPANY, EAST PIONEER THEATER, GREEN TEA HOUSE, HOT SUN ART SPACE GALLERY, MARELLA GALLERY, MUST BE CONTEMPORARY CENTER, OFFICINA, PARIS-BEIJING PHOTO GALLERY, PLATFORM CHINA, RED GATE GALLERY, RED T SPACE, SANCTUARY GALLERY, SOUTH GATE SPACE, SPACE DA, TANG GALLERY, THEATRE IN MOTION, XINDONG CHENG SPACE FOR CONTEMPORARY ART, YAN CLUB GALLERY

合作伙伴 PARTNERS：三影堂摄影中心，9个剧场，318， A 空间，安妮画廊，阿拉里奥北京艺术空间，北京漫步，季节画廊，陈绫蕙当代空间，中国当代，常青画廊，都亚特北京-韩国现代画廊，东方先锋剧场，紫云轩茶社，炎午空间，玛蕊乐画廊，玛斯德比当代艺术中心，意中艺术工作室，巴黎-北京摄影空间，站台中国，红门画廊，红T画廊，圣所空间，南门空间，画廊大仓库，唐人画廊，动舞台，程昕东国际当代艺术空间，仁俱乐部画廊

So it is wiser for us to come back to the Chinese art context and start discussion with the simple question "What is art?" and what kind of contemporary art is of contemporariness , rather than being entangled with the concepts of western art and fighting for a justifiable name for the so called "contemporary art".

其实，与其纠缠西方艺术谱系中的概念，为所谓&当代艺术&正身，还不如回到中国艺术自我语境，从&艺术是什么&这样一个简单问题入手，讨论怎样的当下艺术才具有当代性。

Chinese Pop Art in the early 90s, described as Living Pop art, has a clear signification and concept. The Gandy Art (from 1995 and later) however turned into a more formalist art. It lacks an avant-garde approach and has no references to daily life anymore. Also it has a Benthamistic and pragmatistic character: being more business oriented to the Western art market.

中国90年代的波普艺术统属于生活波普。90年代初的生活波普与后来的艳俗艺术有些差异性，前者的意指和观念都很明确，后者却是一种形式主义的东西，缺乏现实生活的参照系，有功利主义和实用主义的倾向。

In the days of sailing vessels the crew were afraid they would be becalmed on the ocean.

在使用帆船的时代，船员们担心他们会因为无风而无法在海洋上航行。

As long as foreign donors pay the PA's salary bill, few expect a new intifada.

只要外国继续为巴权力机构的薪水买单，希望发动新暴动的人便寥寥无几。