查询词典 Chinese art paper

Jin Jianfan said that the Chinese Cultural Association hosted the Third Exhibition of Chinese paper cutting, is a grand-scale Chinese folk paper-cut art and modern Chinese paper-cutting art exhibition.

金坚范致辞中说，中华文化促进会主办的第三届中国剪纸艺术大展，是一次规模盛大的中国民间剪纸艺术和中国现代剪纸艺术的大展。

This paper gives a simple idea about the problems existing in students' writing: 1 psychological blockage, such as anxiety, lack of interest so on and so forth. 2 Chinglish frequently appears in Chinese students' composition. That is to say Chinese students often use Chinese way of thinking to writing English composition. 3 When Chinese students write, they usually commit intralingual error. Intralingual error is the mistake that students often make when they choosing words, making sentences. It also includes grammar mistake. 4 Chinese students often don't know how to organize the ideas when they face the composition topic. As a result, the compositions written by most of Chinese students don't have clear topic sentence. 5 Chinese students' compositions are usually very boring and dull. Based on the problems that exit in Chinese students' composition, this paper put forward five teaching strategies: 1 English teachers should foster positive emotion when they teach writing.

本课题简单阐述了中学生英语写作中普遍存在的5个问题：1、对英语写作存在心理障碍，比如畏惧心理等；2、中学生英语作文存在大量"中国式英语"，即学生经常借用汉语思维进行英语写作，使得文中出现不符合英文习惯的句子和表达；3、中学生在进行英语写作时经常犯言内错误，言内错误指学生在用词，造句及句法等方面经常容易犯的错误；4、中学生在面临所给的作文题目时不知道如何审题，写出来的作文中心思想不明确；5、中学生英语作文普遍存在内容单调贫乏的问题。

They indicated that the culture intension of traditional Chinese painting and the good points and function in Chinese knowledge education. The traditional Chinese painting pay attention to the traditional Chinese culture. It combimes firmly with poems and calligraphy and seal cutting. Chinese painting with other three greatest art Chinese zither, chesses, poems of Chinese classic four greatest arts combine extremely close. The traditional Chinese painting take a great part in knowledge education system .

第二，三章是全文的重点，主要论述了中国画的文化内涵以及中国画在知识教育体系中的优势以及作用，中国画重视与中国传统文化的结合，重视与诗文书印的结合，中国画还和中国古典四大艺术的其他三大艺术琴、棋、书结合得极为紧密，中国画教育是中国特色的知识教育体系的重要组成部分。

In the first charter , the development of Art of Using Concepts is stated in order to make readers know its proceedment. In the second charter ,the difference between the Art of Using Concepts and Apriorism and Expiricism in order to make readers understand the disparaty of Kant's Apriorism and Expiricism. In the third charter, the relation between true thinking and the Art of Using Concepts so that it's necessary that the Art of Using Concepts needs true thinking. In the former charter, the relation between practice and the Art of Using Concepts which indicates that the Art of Using Concepts is based on the practice.

在第一章中，阐述了"运用概念的艺术"的演化过程，主要是让读者了解一下"运用概念的艺术"的发展变化；第二章阐述了"运用概念的艺术"与先验论和经验论是根本对立的，这一章是为了让读者了解"运用概念的艺术"与康德的先验论，经验主义的区别；第三章主要阐述"运用概念的艺术"与"真实的思维"的关系，说明"运用概念的艺术"需要"真实的思维"；第四章主要阐述"运用概念的艺术"与实践的关系，说明"运用概念的艺术"是建立在实践的基础上的。

Heidegger's analysis, firstly, tried to indicate that the work of art is something different form usual recognitions; for the above-mentioned reasons, this treatise analyses the complicated relations between thingness, equipment and the work of art; then it reveals Heideggor's thought about the relation between art, the work of art and artist, in the relation, art becomes the original foundation of the work of art and artist.

海德格尔的分析，一开始就试图表明，艺术作品不是什么，以与惯常的认识相区分；基于此，本文分析了物性、器具与艺术作品的复杂关联；之后，揭示了海德格尔关于艺术与艺术作品和艺术家三者之间的关系的思想，在这种关系中，艺术成为了艺术作品与艺术家的本源性基础。

Different from the primitive commune, Henan Shifo Art Commune is open and emanative. It establishes effective resources, based on returned overseas artists and international art institutions, to have a direct contact with the international contemporary art. Its art atmosphere, art content and artistic communication have been international ever since its birth. Many artists from U.S., Italy, Germany and North Korea have been invited here for art intercommunication.

与原始社会公社不同的是，河南石佛艺术公社对外是开放的、发散的，公社依托归国艺术家与国际艺术机构建立的有效资源直接与国际当代艺术接轨，其艺术氛围、艺术内容、艺术交流形式从诞生之日起就具有国际性，先后邀请了美国、意大利、德国，韩国的众多艺术家到石佛村进行交流。

Selected Group Exhibition 2007 Post-Landscape, Nanjing Single Art Center / Umweg über China, Hebbel Am Ufer 2,Berlin Kreuzberg / The Weight of the Reality, Marella Gallery Beijing / 2006 Regenesis, Museum of Contemporary Art, Haikou / Conversation 10+10, Shanghai Zendai Museum of Modern Art, Shanghai / 2005 920 Kilograms, Shanghai Duolun Museum of Modern Art, Shanghai / Romour Décor, DDM Warehouse Art Center, Shanghai / Siemens Art Programe-Part 5: What are they doing here?

展览 2007 后风景，南京，圣划艺术中心/迂回中国艺术节，柏林，HAU2剧场/现实的重量，玛蕊乐画廊，北京酒仙桥路4号798艺术区/ 2006 限制与自由——秋市，武汉，美术文献艺术中心/再生，海口，当代艺术馆/画幅决定态度，首届5×7照相双年展，山西省平遥古城，平遥国际摄影大展/谈话十+十，上海，证大现代艺术馆/ 2005 当绯闻遭遇粉饰，上海东大名创库/ WHS+8/他们在这里做什么？

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述，分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观，并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点：一，勋柏格对于音乐历史的认识：通过德奥音乐界前辈给予他的创作启示，以及勋伯格对自己几个创作阶段的发展历程的总结，阐述了他对于艺术中的传统与革新之间的关系的辩证认识，并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系；二，勋柏格的民族主义音乐观：通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识，总结了他的&重艺术音乐，轻民间音乐&、&重西欧音乐，轻非西欧音乐&的观点，从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&，这是一个浸润着浓厚的西欧文化中心论色彩的观点，也是贯串他毕生的音乐思想的重要观点之一；三，勋柏格对音乐教育问题的见解：勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养；四，勋柏格对当代音乐批评家与音乐批评方法提出的要求：音乐批评家必须具备作为一名音乐家的专业修养，要以真实、客观的态度对待音乐批评这门神圣的职业，充分运用内心的艺术联想向公众再现作曲家的意图，而不是将个人见解强加于受众；同时，批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测，在音乐批评的具体范畴中，应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

In the opinion of Arthur Danto, the innovation of modernism artThe article regards abstraction of modernism art as the first part: the emergence of impressionism, post-impressionism, the development of modernism—it is a course of gradual abstraction; Art after Duchamp is as the second part: Duchamp and Dadaism, Surrealism, the device and Neo-Dadaism, Pope"s art, from Minimist art to idea art, New-figuration—it is a diversion of abstract art, has realized its oneself Along with Greenburgh"s impetus, and already obtained what it wanted at the beginning ------ so it has ended.

依阿瑟·丹托之见，现代主义艺术的创新随着格林伯格的推动已经实现了它自身，已经取得了它在出发伊始就想要取得的东西——所以它终结了。那么在这个&艺术已经终结&后的&后历史&、&后美学&或&后现代主义&时期，艺术需要以新的方式重新解读。

As collector of formerly Western contemporary art he now has formed the most substantial collection of contemporary Chinese art in the world. He also established 1997 the Chinese Contemporary Art Award, an art award for Chinese contemporary artists living in China. He is a member of the International Council of New York MOMA and International Advisory Councils of Tate Gallery, London, and documenta, Kassel.

作为收藏家和西方当代艺术的先驱，他是世界上到目前为止收藏中国当代艺术最丰富的收藏家。1997年他建立了中国当代艺术奖，专为生活在中国的当代艺术家设立的，同时他也是纽约现代艺术博物馆国际协会、伦敦Tate画廊国际咨询协会和卡塞尔文献展的一员。

In the days of sailing vessels the crew were afraid they would be becalmed on the ocean.

在使用帆船的时代，船员们担心他们会因为无风而无法在海洋上航行。

As long as foreign donors pay the PA's salary bill, few expect a new intifada.

只要外国继续为巴权力机构的薪水买单，希望发动新暴动的人便寥寥无几。