查询词典 Chinese art paper

"Monkey Boys" remade the Monkey King Ming dynasty in Beijing 2006, they rebuild Monkey King which in subversion institutional feudalism dynasty into the background of globalization and electronic Monkey King post technology. No matter what games of their art is unthinkable, but the subject of Havocing in the welkin is also clear at a glance,"Monkey Boys" only increase a great many of entertainment and readability for new Monkey King that set up with the contemporary social background of consume, this generation can be seen as independent art students in a sign of China's rise, this generation of artists even see the network integration of this information, more use information itself, they let you feel the zooty and unclean art, also outpouring disdain with tradition art, or just make the tradition art become a back ground of art creative with themselves, only child artist is the first generation artist of the gibberish. This"control+n"group exhibition of artists forced to make fun of the lies about a monkey hero of the ancient Chinese legends and modern society link, trying to create a contemporary, and even is the pop cultural hero of network game.

公猿男孩'在2006年的北京重新制造了明版的孙悟空，他们将颠覆封建王朝制度的孙悟空改造成一个在全球化背景下的、在后科技背景下的电子版的孙悟空，不管他们的艺术游戏怎样的不可思议，但传统大闹天宫的主题还是一目了然，只不过'公猿男孩'他们增加了新孙悟空很多建立在当代社会消费背景下的娱乐性和可读性，这也可以被看作是独生一代艺术在中国崛起的一个标志，这一代艺术家更加看中网络上的这种信息整合，也更加利用资讯本身，他们就想让大家感觉到艺术的花里胡哨、艺术的模棱两可，甚至也流露出对传统艺术的不屑一顾，或者只是将传统艺术变为他们自己艺术创作的一个背景，独生一代艺术家首先是无厘头的一代艺术家，此次'control+n'群展的好玩之处还在于使艺术家强行的将一个中国古代的传说中的猴子英雄和现代社会链接，力图打造一个当代版的、甚至是网络游戏版的流行文化英雄。

Mio bronze creative art design gift has more than 2000 species, known as "the Kingdom of the Chinese bronze art gifts," Mio Bronze Art gift card for its exquisite original design, exquisite quality of the art, rich culture, good marketing services, licensing of the formation of the Yu Guan Gong Guan Gong statue hometown, famous masterpieces gifts, Lunar New Year gifts, ceremony of Extreme States, seal gifts, antique bronze gifts, special gifts, such as cluster eight bronze art gifts, including presented to the International Olympic Committee to participate in the Heads of State of the Beijing 2008 Olympic Games a special gift "Fire Phoenix", and commissioned by the National Tourism Administration as a national four-or five-star hotels the production of high-grade signs, produced by the Ministry of Water Resources for the state water system national model workers prizes, gifts woo Group to more than 100 species of annual rate of innovation both at home and abroad led the trend of bronze art gifts.

宇达创意设计制作的青铜艺术礼品已拥有二千余种，号称&中国青铜艺术礼品王国&，宇达牌青铜艺术礼品以其精美的原创造型，精湛的技艺质量、丰富的文化内涵、优良的营销服务享誉海内外，形成了宇达牌关公故里关公铜像、名家名作礼品、生肖礼品、至尊国礼、印章礼品、仿古青铜礼品、专用礼品等八大类青铜艺术礼品集群，其中有国际奥组委赠送给参加北京2008奥运会各国元首的专用礼品《火凤凰》、有受国家旅游局委托为全国四、五星级酒店制作的高档标志牌，为国家水利部制作的全国水利系统劳动模范奖品，宇达集团的礼品以每年100余种的创新速度引领着国内外青铜艺术礼品的潮流。

" Glass art " magazine (straight sixteenmo, full-color art printing paper, page 64 of bimonthly) It is by the professional committee's executive of society's glass art of Chinese industrial art, artistic network, high glass China that artistic Co., Ltd. hosts, member of Imperial Academy of Beijing, glass of Chinese, learn the key periodical scientifically, Chinese and English format, issue home and abroad.

玻璃艺术》杂志(正16开，全彩铜版纸，双月刊64页)是由中国工艺美术学会玻璃艺术专业委员会主管，中国玻璃艺术网、北京翰林轩玻璃艺术有限公司主办的中国科学学会核心期刊，中英文版式，海内外发行。

The Shandong Laiyang silver passed the paper industry Limited company is a fair papermaking and the paper product production in a body's Major industry, the company founds in 1958, already developed into the national key special paper production base, the company presently has several international advanced paper mills, above 200 undergraduate course specialized paper technology talented person, 1000 papermaking backbone staff troop, the company main product included: Food packing paper/forgery-proof paper, the dictionary paper, the water printing paper,the bible paper/upscale culture uses the paper/fruit bag paper and the fruit bag and so on four big series more than 30 varieties.

山东莱阳银通纸业有限公司是一家集造纸与纸制品生产于一体的大型企业，公司创建于1958年，现已发展成为国家重点特种纸生产基地，公司现拥有数台国际先进造纸机，200余名本科以上专业造纸技术人才，1000余名造纸骨干职工队伍，公司主要产品有：食品包装纸/防伪纸，字典纸，水印纸，圣经纸/高档文化用纸/果袋纸及果袋等四大系列三十多个品种。

Mackintosh piled on the main chaetomium grey paper paper in the manufacture of petroleum paper processes in the business card printing and membership card production processes may occur in the anti-dropping paper, shedding and accumulate in blanket above, affect the imprinted ink dot, left the correct delivery, paper above paper and paper powder will pass the rubberand, block drum, after roller scurrying to sluicing inside, thus affecting the transport of monlchamus road, experience the paper off powder serious paper business card printing and membership card at the end of production of monlchamus tuhung riverbeds are gray, paper wool, paper powder, at which point inking at, imprinted inks are printed on your mind, and the cultiuation of 1 000 in the white paper in the blanket on adhension, you need to wipe down blanket.

不一、橡皮布上堆纸不净纸灰次给火油纸弛在创作发明工艺方背的来因，在制卡和会员卡制作历程洋不定会表现纸弛脱粉掉不净，并且积聚在橡皮布上背，感化痕迹不朱色的网点、图不白侧确传达，纸弛上背的纸灰、纸粉不离会堵住橡皮、印版滚筒，不纬过不朱辊窜的到不朱斗槽边背去，从而感化不朱路的传输，碰到纸弛掉粉惨轻的纸弛，制卡和会员卡制作到最后不朱斗边全是纸灰、纸不净、纸粉，此时不朱量闭到最不小，痕迹不朱色也显得醲郁露底，印上1000弛纸弛白花花黏附在橡皮布上，不离必给擦洗橡皮布。

Mr. Ying Yuandao ever summarized the discussions on the Christianity Localization Movement in China in the 1920s, and held that the so-called localized Christian churches should have the following characteristics:"First, churches of the Chinese; Second, set up according to the experiences of the Chinese Christians; Third, with rich quality of Chinese culture; Fourth, combine Christianity and Chinese culture into a whole; Fifth, suits the spirits and psychology of the Chinese People; Sixth, enables the religious life and experience of the Chinese Christians to be adapted to Chinese customs"1. In the 1960s, Japanese scholar Sumiko Yamamoto made more detailed summarization for the definition of the Localization Movement of the Churches in China in her article "The Independent Movement of Christianity in China in the 1920s":"First, churches are formed of Chinese; Second, churches are independent in administration and operation; Third, churches have independence in the economic aspect; Fourth, churches are adapted to the Chinese in the aspects of church building, divine music, divine painting and liturgy etc. Fifth, accommodate the sacrificial fete and customs of the Chinese and Christianize them; Sixth, churches must be involved in the practical issues in the State and the society of China; Seventh, churches must get rid the tradition and colors of the European and American churches; Eighth, churches must be able to control themselves, sustain themselves and spread by themselves."

应元道先生曾对20世纪20年代开展的中国基督教本色运动的讨论加以概括，认为所谓本色的基督教会应有以下几个特点："一是中华国民的教会；二是根据中国基督教徒自己的经验而设立的；三是富有中国文化的质素的；四是要把基督教与中国文化合而为一的；五是能适合中华民族的精神和心理的；六是能使中国基督徒的宗教生活和经验合乎中国风土的" [1]。60年代，日本学者山本澄子在其所著的《二十年代中国基督教的自立运动》一文中，对中国教会本色化运动的定义作了更详细的概括："一，以中国人为教会的构成；二，教会的行政与运作等方面的自立；三，教会在经济方面的自立；四，教会在教堂建筑、圣乐、圣画、礼拜仪式等方面的中国化；五，容纳中国人的祭祀与习俗，并与基督教化；六，教会要置身于中国国家与社会的现实问题之内；七，教会要除去欧美教会的传统与色彩；八，教会要能自治、自养、自传。"

Han Chinese, Tibetan Chinese, Manchu Chinese, Mongol Chinese, Mohe Chinese, Malgal Chinese, Menggu Chinese, Jurchen Chinese, Kitan Chinese and Ugur Chinese.

有人回复：有56个，我知道一些，其余的你要自己去查：汉，藏。

Mr. Ying Yuandao ever summarized the discussions on the Christianity Localization Movement in China in the 1920s, and held that the so-called localized Christian churches should have the following characteristics:"First, churches of the Chinese; Second, set up according to the experiences of the Chinese Christians; Third, with rich quality of Chinese culture; Fourth, combine Christianity and Chinese culture into a whole; Fifth, suits the spirits and psychology of the Chinese People; Sixth, enables the religious life and experience of the Chinese Christians to be adapted to Chinese customs"1. In the 1960s, Japanese scholar Sumiko Yamamoto made more detailed summarization for the definition of the Localization Movement of the Churches in China in her article "The Independent Movement of Christianity in China in the 1920s":"First, churches are formed of Chinese; Second, churches are independent in administration and operation; Third, churches have independence in the economic aspect; Fourth, churches are adapted to the Chinese in the aspects of church building, divine music, divine painting and liturgy etc. Fifth, accommodate the sacrificial fete and customs of the Chinese and Christianize them; Sixth, churches must be involved in the practical issues in the State and the society of China; Seventh, churches must get rid the tradition and colors of the European and American churches; Eighth, churches must be able to control themselves, sustain themselves and spread by themselves."

应元道先生曾对20世纪20年代开展的中国基督教本色运动的讨论加以概括，认为所谓本色的基督教会应有以下几个特点：&一是中华国民的教会；二是根据中国基督教徒自己的经验而设立的；三是富有中国文化的质素的；四是要把基督教与中国文化合而为一的；五是能适合中华民族的精神和心理的；六是能使中国基督徒的宗教生活和经验合乎中国风土的& [1]。60年代，日本学者山本澄子在其所著的《二十年代中国基督教的自立运动》一文中，对中国教会本色化运动的定义作了更详细的概括：&一，以中国人为教会的构成；二，教会的行政与运作等方面的自立；三，教会在经济方面的自立；四，教会在教堂建筑、圣乐、圣画、礼拜仪式等方面的中国化；五，容纳中国人的祭祀与习俗，并与基督教化；六，教会要置身于中国国家与社会的现实问题之内；七，教会要除去欧美教会的传统与色彩；八，教会要能自治、自养、自传。&

The content and form of Chinese art and, for the most part, Japanese and Korean art, were very different from those of Western art, yet Chinese art promptly adopted certain traits of Western art.

中国艺术，包括日本和韩国在内的亚洲艺术，从大体上看，不仅内容与形式上与西方艺术有着很大的不同，并且在极短的时间内与西方艺术接轨。

American Pop was born in the 1960s, with the emergence of international masters like Andy Warhol, James Rosenquist and Roy Lichtenstein. Andy Warhol has had a tremendous influence on the development of Chinese art. Performance art emerged in the 1970s as well as Nam June Paik's video art and Christo and Jeanne-Claude's installation art. Sigmar Polke and Gerhard Richter were among the leaders of the Post Modern movement, which also flourished in the 1970s. Among them, Richter has had the most significant impact on Chinese art. New Expressionism emerged in the United States during the 1980s with artists such as Keith Haring, installation artist Ann Hamilton, and Cindy Sherman whose work is somewhat derived from New Expressionism.

进入50年代又出现了格林伯格画派、形式主义绘画，以及具象复活等等。50年代后期出现了新现实主义画派，以及为心灵而创作的博伊斯。60年代美国波普艺术诞生，出现了安迪·沃霍、罗森奎斯特、利希滕斯坦这样的世界级大师人物，其中安迪·沃霍对中国的影响最大。70年代出现身体艺术、行为艺术、白南准的电子艺术、克里斯托和珍妮—克劳德的包裹艺术，以及以波尔克、里希特、巴尔德萨利的后现代主义，其中里希特在中国影响巨大。80年代出现了美国新表现主义如基斯·哈林，装置如汉密尔顿，以及辛迪·舍曼的挪用。

In the days of sailing vessels the crew were afraid they would be becalmed on the ocean.

在使用帆船的时代，船员们担心他们会因为无风而无法在海洋上航行。

As long as foreign donors pay the PA's salary bill, few expect a new intifada.

只要外国继续为巴权力机构的薪水买单，希望发动新暴动的人便寥寥无几。