查询词典 China one

About ten species: Amazonian South America, one species widely cultivated throughout the tropics; one species in China.

大约10 种：南美洲亚马孙河，1种在整个热带广泛栽培；中国有1种。

I spent one week traveling in China with one of my classmates; I know his speaking level is approximately equal to mine.

我曾与我的一个同学花了一个礼拜时间在中国旅游；我知道了他的口语水平与我是大致相当的。

In old time form last qing ,ming, the korean,the Vietnam,the Ryukyu is china appurtenant ally country, form i know it only is striped-pants pay intribute , they are pay one we are pay more , and when war hapen need we help one another,like the today military affairs and government ally

在清代明代，朝鲜，越南，琉球都是中国的从属结盟国，从我知道的仅仅是礼节上的进贡，并且进贡一返赐多倍，发生战事时我们需要互相帮助，就象今天的军事和政治联盟

Two species: one in Africa and the Arabian peninsula, one in SE Asia including China.

两种： 一在非洲和阿拉伯半岛，一在亚洲东南部的包括中国。

Battle royal still is continueing, when one day, of one party tribe patriarchal the clansman that wants his son to taking patriarchal an arrow-shaped token of authority used in the army in ancient China to call together his, preparation goes in the morning the following day sneak attack the other side and launch total attack.

混战还是继续着，当有一天，一方部落的族长要他的儿子拿着族长的令箭去召集自己的族人，预备第二天早上去偷袭对方而发起总攻击。

There is only one China in the world, that is, the P.R. Of China.

世界上只有一个中国，那就是中华人民共和国。

La Mer' reflected China classical aesthetic ideology, especially the aesthetic ideology consistency that China ancient scholars and painters reflected on the performance of natural landscape ,which was 'harmony between the heaven and human ','Sound outside what the string is making between the lines ' and 'approach determined by figure'. Its music reflected gamelan creative skills in many aspects,...更多 for example, the use of continuous tone and fixed voice type, the texture counterpoint imitation, the similarity of pitch and the harmony, etc. It could be seen that Debussy once studied Javanese gamelan music thoroughly on the analysis of 'La Mer' music ontology. Debussy choosed Japanese printer—Katsushika Hokusai's 'surfing in Kanagawa' as cover on the publication of 'La Mer', it was reflected that on the one hand he liked Japan Ukiyoe, on the other hand his work had painting factors.

大海》中体现了东方文化中的中国古典美学思想，尤其是与中国古代文人画家们在表现自然景观上所体现山的美学思想的一致性，即&天人和一&、&弦外之音&以及&以象立意&等；它在众多方面都体现山了加美兰的创作技巧，如持续音、固定音型的使用，织体对位的模仿，调式、和声的相似性等，在对《大海》音乐本体的分析中可以看出，德彪西对爪哇加美兰的音乐曾进行过深入的研究：作品出版时德彪西选择了日本版画家葛饰北斋的《神奈川冲浪里》作为封面，一是表现出他对日本浮世绘的浓厚兴趣，二是表达了他作品中具有的绘画性因素。

The Izanagi sub-plate, the most active one of paleo-Pacific plate, subduction into east Asian with NW orientation during Jurassic, resulted in the NW compression and shortening of continental China and its adjacent areas in a whole, most areas of south China then suffered from contraction, inducing a series of small-scale intermountain basins; whereas for the eastern segment of Nanling, including most areas of western Fujian, southern Jiangxi and northern Guangdong, the stress was of extensional regime, resulted in the formation of rifting basins.

进入侏罗纪以来，作用最强的古太平洋板块中的伊佐奈歧板块朝北西方向运移、俯冲到东亚大陆之下，使中国大陆及邻区受到较强的总体上向北西的挤压和缩短作用，华南大部分地区处于挤压环境，形成一系列小型山间盆地；而在南岭东段闽西、赣南、粤北一带产生拉张背景，形成裂谷盆地。

The issue about the Terrestrial Jurassic-Cretaceous Boundary in China has long been one of the hot debated, complicated problems among Chinese geologists, and it is always related to the problem of the geological age of the Jehol Biota in China.

中国陆相侏罗－白垩系界线问题长期来一直是困扰中国地质学家的争论比较激烈的科学问题之一，而且总是与热河生物群的时代归属问题关联在一起。

COMBABY, one of the most important promotion institution of Montessori method in China, now has developed 70 early childhood education sites in over 50 cities around china.

新爱婴目前在已成为中国早期教育领导品牌，也已成为中国最大的蒙台梭利教育机构。2005年，新爱婴荣获&中国著名品牌&称号。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。